G-sharp minor
G-sharp minor is a minor scale based on G♯, consisting of the pitches G♯, A♯, B, C♯, D♯, E, and F♯. Its key signature has five sharps.
Relative key | B major |
---|---|
Parallel key | G-sharp major enharmonic: A-flat major |
Dominant key | D-sharp minor enharmonic: E-flat minor |
Subdominant | C-sharp minor |
Enharmonic | A-flat minor |
Component pitches | |
G♯, A♯, B, C♯, D♯, E, F♯ |
The G-sharp natural minor scale is:
Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G-sharp harmonic minor and melodic minor scales are:
Its relative major is B major. Its parallel major, G-sharp major, is usually replaced by its enharmonic equivalent of A-flat major, since G-sharp major features an F
Music in G-sharp minor
Despite the key rarely being used in orchestral music other than to modulate, it is not entirely uncommon in keyboard music, as in Piano Sonata No. 2 by Alexander Scriabin, who actually seemed to prefer writing in it. It is also found in the second movement in Shostakovich's 8th String quartet. If G-sharp minor is used, composers generally write B♭ wind instruments in the enharmonic B-flat minor, rather than A-sharp minor to facilitate reading the music (or A instruments used instead, giving a transposed key of B minor). Where available, instruments in D♭ can be used instead, giving a transposed key of the enharmonic G minor, rather than F
Few symphonies are written in G-sharp minor; among them are Nikolai Myaskovsky's 17th Symphony, Elliot Goldenthal's Symphony in G-sharp minor (2014) and an abandoned work of juvenilia by Marc Blitzstein.
Frédéric Chopin composed a Polonaise in G-sharp minor, opus posthumous in 1822. His Étude No. 6 is in G-sharp minor as well.
Modest Mussorgsky wrote the movements "The Old Castle" and "Bydło" from Pictures at an Exhibition in G-sharp minor.
Liszt's "La campanella" from his Grandes études de Paganini is in G-sharp minor.
Sibelius wrote the slow movement of his Third Symphony in G-sharp minor.