Fort Apache, The Bronx

Police officers face many challenges in the decaying, impoverished, high-crime South Bronx region of New York City. Among these officers are NYPD officers Murphy and Corelli, who work out of the 41st Precinct, nicknamed "Fort Apache" because to those who work there, it feels like an army outpost in foreign territory. The streets are filled with dangerous gangs, criminals, and drug dealers. Unemployment is very high and the neighborhood is filled with garbage and wrecked buildings. While Murphy is a hard-drinking and lonely divorced father, he has a great camaraderie with Corelli. Murphy's life also improves when he meets a young nurse, Isabella, and they start a romantic relationship.

The precinct is one of the worst and most dilapidated in the entire department, approaching demolition and staffed mostly by officers who are unwanted by, and have been transferred out of, other precincts. Additionally, the precinct's officers do not represent the large Puerto Rican community, as only 4% of the officers are Hispanic in the largest non-English speaking section of The Bronx. Corelli and Murphy attempt to maintain law and order by catching pimps and robbers, but they have conflicts with corrupt fellow officers, and a newly appointed police captain, Connolly. There is rioting due to alleged police brutality, as well as issues related to the deaths of two rookie cops, who were shot by a drug addict at the film's beginning. During the riot, Murphy and Corelli witness an officer throwing an innocent teenager off an apartment roof to his death. As Murphy becomes more intimate with Isabella, they begin a sexual relationship. While she is sleeping, Murphy notices "track marks" on her skin. She later admits that she uses heroin as a way to relax from working in such a stressful environment. She tells him that other hospital employees also use heroin.

Illustrating the futility of policing in the precinct, the killer of the two cops is never found, despite mass arrests and interrogations. The drug addict who killed them is later also killed and her body is shown as an anonymous bundle dumped in roadside trash. Murphy is broken when Isabella dies from a drug overdose and wrestles with the moral question of whether he should maintain the "blue code" and not inform authorities about the officer who threw the teen off the roof. Murphy decides to resign and report the killing, a decision that will make other officers hate him and view him as a "stool pigeon". Murphy seems to be on the verge of quitting the force, when he sees the purse snatcher fleeing from a house he burglarized. Murphy and Corelli chase the robber, and the image freezes as Murphy leaps to tackle him.

• Paul Newman as John Joseph Vincent Murphy III
• Ed Asner as Dennis Connolly
• Ken Wahl as Andrew Corelli
• Danny Aiello as Morgan
• Rachel Ticotin as Isabella
• Pam Grier as Charlotte
• Kathleen Beller as Theresa
• Tito Goya as Jumper / Detective
• Miguel Piñero as Hernando
• Jaime Tirelli as Jose
• Clifford David as Dacey
• Sully Boyar as Dugan
• Dominic Chianese as Corelli's Father
• Michael Higgins as Heffernan
• Paul Gleason as Detective
• Randy Jurgensen as Cop at Bar
• Gilbert Lewis as Mob Leader
• Cleavant Derricks as Suspect #4
• Reynaldo Medina as Detective
• Norman Matlock as Lincoln

The film opened at number one at the US box office with an opening weekend gross of $4,565,000 from 795 theatres.[2] After 12 days in 860 theatres, it had grossed $11,266,000.[3] The film went on to gross over $65 million worldwide at its time of release in 1981.[1] On release, reviews were mixed.[4] On Rotten Tomatoes, which collects both modern and contemporaneous review, the film has an 86% approval rating based on 14 reviews; the average rating is 6.6/10.[5]

Richard Schickel, in TIME, called it "more like a made-for-TV movie". He also added, "The film is not quite up to its star" and is "somewhere between Barney Miller and the works of Joseph Wambaugh". Of the acting, he wrote, "But mainly it is Newman, now 56, who gives Fort Apache its modest distinction".[6] Roger Ebert, Chicago Sun Times, called it "...the most complete collection of cop-movie clichés since John Wayne played a Chicago cop in McQ". He criticized the number of unnecessary scenes and "story threads that lead nowhere". Ebert said about Newman that he is "good in his role", but called the film more of a TV show.[7] Variety labeled the film "... a very patchy picture, strong on dialog and acting and exceedingly weak on story", and criticizes it for its lack of depth.[8] Nick Sambides, Jr. at Allmovie calls it "...flinty but otherwise forgettable character study".[9] Newman called the New York Post "a garbage can" after it published a photo of him on the set with a caption indicating that it portrayed a film crewperson "ward[ing] off a group of Hispanic youths protesting the film", which Newman claimed actually portrayed the crewmember warding off photographers.[10] Because of the dispute, the Post banned him from its pages, even removing his name from films in the TV listings.[10]

Local community groups threatened to file suit against the producers because of the way it depicted their neighborhood in the Bronx and for the depiction of ethnic minorities (Blacks and Hispanics). Because of this pressure, some changes were made to the script and a note was added to the title card at the beginning of the film.[8][11]

After the release of the film, an author, Tom Walker, filed a lawsuit[12] against one of the production companies, Time-Life Television Films (legal owner of the script), claiming that the producers infringed on his book Fort Apache (New York: Crowell, 1976. ISBN 0-690-01047-8). Among other things, Walker, the plaintiff, argued that: "both the book and the film begin with the murder of a black and a white policeman with a handgun at close range; both depict cockfights, drunks, stripped cars, prostitutes and rats; both feature as central characters third- or fourth-generation Irish policemen who live in Queens and frequently drink; both show disgruntled, demoralized police officers and unsuccessful foot chases of fleeing criminals". But the United States Court of Appeals for the Second Circuit ruled that these are stereotypical ideas, so called "scènes à faire" (French for "scenes that must be done"), and that the United States copyright law does not protect concepts or ideas. The court ruling stated: "the book Fort Apache and the film Fort Apache: The Bronx were not substantially similar beyond [the] level of generalized or otherwise nonprotectible ideas, and thus [the] latter did not infringe copyright of [the] former".[13][14]

Newman also filed a claim against Time-Life claiming that they had undersold the TV rights (on which he was due 15%) by selling to HBO for $1.5 million and not offering it to others and also understated foreign distribution receipts by over $3.75 million on which he was due 12.5%. An agreement was settled out of court.[15]

• List of American films of 1981
• Fort Apache
• Fort Apache (film)

• Fort Apache, The Bronx on IMDb
• Fort Apache, The Bronx at AllMovie
• Fort Apache, The Bronx at Rotten Tomatoes
• Fort Apache, The Bronx at Box Office Mojo