Face/Off

On September 9, 1991, FBI Special Agent Sean Archer survives an assassination attempt by freelance terrorist and homicidal sociopath Castor Troy, but the bullet penetrates Archer's chest and strikes his son Michael, killing the boy.

Six years later, Archer's vendetta against Troy culminates in his team's ambush of Troy and his younger brother and accomplice Pollux at the Los Angeles International Airport. Troy goads Archer with knowledge of a bomb located somewhere in the city set to go off in a few days, but he is knocked into a coma before Archer can learn more. Pollux, in custody, affirms the bomb is real, but does not know its location. At the suggestion of his partner Tito Biondi and Special Ops specialist Dr. Hollis Miller, Archer secretly undergoes a highly experimental face transplant procedure by Dr. Malcolm Walsh to take on Troy's face, voice, and appearance. Archer is taken to the same high-security prison where Pollux is being held, and slowly convinces Pollux that he is Troy, gaining information on the bomb's location. Meanwhile, Troy unexpectedly awakens from his coma and discovers his face missing. He calls his gang, and they force Dr. Walsh to transplant Archer's face onto him. Troy then kills Dr. Walsh, Biondi, and Miller, the only three who realized of the transplant.

At the prison, Archer prepares to tell Biondi of the location but is surprised when Troy appears instead, with Archer's face. Troy goads Archer that no one knows of the transplant, and that he will take over Archer's life. Pollux is freed when he willingly tells Troy-as-Archer of the bomb's location, and Troy disarms the bomb in a dramatic fashion. Troy-as-Archer earns admiration from the FBI office and becomes close to Archer's wife Eve and daughter Jamie, whom Archer had been neglecting while chasing down Troy.

Meanwhile, Archer-as-Troy escapes after staging a riot and retreats to Troy's headquarters posing as Troy. There, he meets Sasha, the sister of Troy's primary drug kingpin, and her son Adam, who reminds Archer of Michael. Archer discovers that Adam is Troy's son. Troy learns of Archer's escape and hastily assembles a team to raid his headquarters. The raid quickly turns into a bloodbath, killing numerous FBI agents and several members of Troy's gang, including Pollux. During this Archer, Sasha, and Adam are able to escape. Archer's supervisor, Director Victor Lazarro, blames Troy-as-Archer for the numerous slayings. Troy, furious over Pollux's death, kills Lazarro, making it look like a heart attack. Troy-as-Archer is promoted to acting director as plans are made for Lazarro's funeral. Archer finds safety for Sasha and Adam. He then approaches Eve, and convinces her to test Troy-as-Archer's blood to prove his identity. Convinced of her husband's identity, Eve tells Archer that Troy will be vulnerable at Lazarro's funeral.

At the ceremony, Archer finds that Troy has anticipated his actions and takes Eve hostage. Sasha arrives, and a gunfight ensues; Sasha manages to save Eve after taking a bullet. Archer promises a dying Sasha to take care of Adam and raise him away from criminal life. Troy flees the church with Archer pursuing him. Before killing two more federal agents, Troy briefly takes Jamie hostage, but she escapes by stabbing him with a butterfly knife that Troy had given her for self-defense. A speedboat chase ensues in which Archer forces Troy to shore by collision, then bests Troy in a melee fight. Troy mutilates his own/Archer's face to taunt and distract him, but Archer instead gains the upper hand and impales Troy with a spear gun, killing him. Backup agents arrive and address Archer by name, having been convinced by Eve of Archer's true identity.

After the face transplant surgery is reversed, Archer returns home, adopting Adam into his family and keeping his promise to Sasha.

Face/Off was a spec script which writers Mike Werb and Michael Colleary tried to sell to a studio from as early as 1990. It took numerous studios, producers and rewrites before John Woo became attached several years later.[4] The first actors who were chosen to play Sean Archer and Castor Troy were Sylvester Stallone and Arnold Schwarzenegger respectively but John Woo instead hired John Travolta and Nicolas Cage to play those characters. For the Archer character, Woo considered casting either Michael Douglas or Jean-Claude Van Damme with whom he had worked in Hard Target. During development Douglas and Harrison Ford were attached to star.[5] When the film was eventually made, Douglas served as an executive producer. Werb and Colleary have cited White Heat (1949) and Seconds (1966) as influences on the plot.[4]

With an $80 million production budget, Face/Off made heavy use of action set pieces including several violent shootouts and a boat chase filmed in the Los Angeles area. The boat scene at the end of the film was shot in San Diego.[6]

Calling the brothers Castor and Pollux is a reference to Greek mythology; Castor and Pollux are the twins transformed by Zeus into the constellation Gemini.[7]

The review aggregation website Rotten Tomatoes records that 92% of 86 critical reviews were positive, with an average rating of 7.9/10. The website's critical consensus reads: "John Travolta and Nicolas Cage play cat-and-mouse (and literally play each other) against a beautifully stylized backdrop of typically elegant, over-the-top John Woo violence."[11] On Metacritic, the film received a score of 82 out of 100 from 25 critics, indicating "universal acclaim".[12] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.[13]

The role reversal between Travolta and Cage was a subject of praise, as were the stylized, violent action sequences. Critic Roger Ebert of the Chicago Sun-Times gave the film three out of four and remarked that, "Here, using big movie stars and asking them to play each other, Woo and his writers find a terrific counterpoint to the action scenes: All through the movie, you find yourself reinterpreting every scene as you realize the 'other' character is 'really' playing it."[14] Rolling Stone's Peter Travers said of the film, "You may not buy the premise or the windup, but with Travolta and Cage taking comic and psychic measures of their characters and their own careers, there is no resisting Face/Off. This you gotta see."[15] Richard Corliss of Time said that the film "isn't just a thrill ride, it's a rocket into the thrilling past, when directors could scare you with how much emotion they packed into a movie."[16]

Barbara Shulgasser of the San Francisco Examiner called the movie "idiotic" and argued that "a good director would choose the best of the six ways and put it in his movie. Woo puts all six in. If you keep your eyes closed during a Woo movie and open them every six minutes, you'll see everything you need to know to have a perfectly lovely evening at the cinema."[17]

The film was nominated for the Academy Award for Best Sound Effects Editing (Mark Stoeckinger and Per Hallberg) at the 70th Academy Awards, but lost to another Paramount film Titanic. Face/Off also won Saturn Awards for Best Director and Best Writing, and the MTV Movie Awards for Best Action Sequence (the speedboat chase) and Best On-Screen Duo for Travolta and Cage.

Face/Off is said to have inspired Infernal Affairs. However, Infernal Affairs director Andrew Lau wanted to have a more realistic situation; instead of a physical face change, Lau wanted to have the characters swap identities.[18] The concept of "bian lian" or "change face", a technique traditionally used in Chinese opera, may have been used here to depict the fluid and seamless morph of Chen and Lau's characters' identities between the "good" and "bad" sides. Infernal Affairs in turn has spawned several adaptations, notably The Departed directed by Martin Scorsese which won the Academy Award for Best Picture.

Professional ratings

Review scores
Source	Rating
AllMusic	[20]

The Face/Off soundtrack was released by Hollywood Records on July 1, 1997, the week following the film's release.[21]

All music is composed by John Powell, except as noted.

Several pieces of music and songs were used in the film but not included in the soundtrack. These include:

• "Hallelujah" from oratorio Messiah – George Frideric Handel
• Pamina's Aria "Ach, ich fühl's" from "Die Zauberflöte" – Wolfgang Amadeus Mozart
• "Prelude in D-flat, Op. 28, No. 15" ("Raindrop") – Frédéric Chopin
• "Papa's Got a Brand New Bag" – James Brown
• "Over the Rainbow" (Harold Arlen and Yip Harburg) – Olivia Newton-John
• "Christiansands" – Tricky
• "Don't Lose Your Head" – INXS
• "Miserere mei, Deus (VV.1-4 & 17-20)" – Gregorio Allegri

Paramount Pictures announced in September 2019 plans to reboot Face/Off with a new cast. David Permut will be executive producer, with Neal Moritz to produce and Oren Uziel to write.[22]

Wikiquote has quotations related to: Face/Off

• Face/Off on IMDb
• Face/Off at the TCM Movie Database
• Face/Off at Metacritic
• Face/Off at Rotten Tomatoes
• Face/Off at AllMovie
• Face/Off at Box Office Mojo