Enga Veettu Pillai

Enga Veettu Pillai (transl.The Son of Our House) is a 1965 Indian Tamil-language film directed by Tapi Chanakya, and produced by B. Nagi Reddy and Chakrapani. The film features M. G. Ramachandran in dual roles while B. Saroja Devi, Rathna, S. V. Ranga Rao, M. N. Nambiar play supporting roles. It is the Tamil remake of the 1964 Telugu film Ramudu Bheemudu. The film is about the two look-alike twins who were separated at birth: One being a coward and the other a courageous man. The rest of the film revolves around the twins whose paths are crossed when they meet each other. Enga Veettu Pillai was released on 14 January 1965 and emerged a major box office success, running for over 25 weeks in theatres, thereby becoming a silver jubilee film.

Enga Veettu Pillai
Theatrical release poster
Directed byChanakya
Produced by
Written bySakthi T. K. Krishnasamy
Story byD. V. Narasa Raju
Based onRamudu Bheemudu (Telugu)
Starring
Music byViswanathan–Ramamoorthy
Cinematography
Edited byC. P. Jambulingam
Production
company
Release date
  • 14 January 1965 (1965-01-14)
Running time
183 minutes
CountryIndia
LanguageTamil

Plot

Ramu (MGR) is an innocent & cowardly one – the heir to all riches of Poonjolai zamin. He has been raised that way by Susheela (Pandari Bai) and his sister's husband Narendran Gajendran (M. N. Nambiar). Ramu shivers at the very mention of his brother in law's name and a whiplash is Narendran's favourite form of punishment. Narendran wants to get Ramu married to Leela (B. Saroja Devi) for her wealth and he demands dowry, but she is turned off by his cowardice.

Narendran plans to take all off Ramu's wealth and kick him out of the house. Ramu over hears this and runaway.

Ilango (also MGR) is a jobless young man, prone to pick a fight and for this reason, he cause trouble for his mother (Rushyendramani). Ilango chase a thief who steal Leela's purse and Leela takes him home mistaking him as Ramu. Ilango enjoys their attention and does not reveal his true identity to them.

Meanwhile, Santha (Rathna) a village girl finds Ramu who is now unconscious due to hunger and bring him home to his mother Rushyendramani. Ilango teaches a lesson to Narendran while Ramu learns the ways of the world.

Narendran is angered as Ilango interferes in factory matters and made him powerless in front of the workers. He beats his wife susheela accusing her for encouraging Ilango. A fight ensues between Ilango and Narendran, Narendran leave the house with his sister and daughter, Meena.

Due to this, Susheela fall ill and Narendran rejects Ilango's request to come home. Ilango decides to leave and reveal that he was not Ramu through a letter to Narendran. Narendran kidnaps Govindan who is a friend of Ilango and get to know about his whereabouts. Narendran's goons kidnap Ramu mistaking him for Ilango.

The rest of the story reveals that Ramu and Ilango are brothers who got separated during their childhood. Ilango was adopted by a childless couple. Ilango comes to rescue Ramu and after a fight Narendran see them together and have a change of heart.

The film ends happily with Ramu marrying Santha and Ilango marrying Leela with the blessings of Narendran and all family members.

Cast

  • M. G. Ramachandran as Ramu and Ilango (dual role)
  • B. Saroja Devi as Leela Ranganadhan Pilai
  • Rathna as Santha
  • S. V. Ranga Rao as Ranganadhan Pilai, Leela 's father
  • M. N. Nambiar as Narendran Gajendran
  • K. A. Thangavelu as Malaiyappa
  • Nagesh as Govindhan, Ilango 's friend
  • Pandari Bai as Susheela, Narendran Gajendran 's wife
  • L.Vijayalakshmi as The female main dancer of "Kankalum Kaavadi..."
  • Madhavi as Randji, Malaiyappa 's daughter
  • Seethalakshimi as The older sister of Narendran Gajendran
  • Rushyendramani as Ilango 's mother
  • Baby Shakila as Meena, Narendran Gajendran 's daughter

Production

Enga Veettu Pillai was a remake of the 1964 Telugu film Ramudu Bheemudu.[1] Tapi Chanakya who directed the Telugu version has also directed Tamil version. Sakthi Krishnasamy wrote the dialogues for the film. A. Vincent was recruited as the director of photography and C. P. Jambulingam edited the film.[2] This was the second film to feature M. G. Ramachandran in dual roles after Nadodi Mannan.[3] The dual roles consists of a scared heir and a brave man.[4]

The makers were set deadline by producers to complete the film within 45 days to release it in time for the festive occasion of Pongal. Sets were erected in all the floors at Vauhini Studios. For the scene involving both Ramachandrans who cross each other, cinematographer A. Vincent used lighting mask technique to shoot the scene.[5]

Once during the shooting, the director found the actors struggling with the words, the director asked Sakthi's assistant to change the words, despite Ramachandran warning him not to. Sakthi heard this, came to him took the dialogue papers, tore them and walked away saying no one can change his dialogues. Ramachandran who watched all this with a smile called the director and told him to go to the writer's house to apologise. Sakthi came back and wrote dialogues that were agreeable to all.[6] Raja Sandow, wrestler appeared in a small role in the film, his scene in the film is based on the real life incident happened in his life during his experiences of his first stint at acting. Ramachandran who came to know about the incident incorporated it in the film.[7][8] During the shoot of a duet song, B. Nagi Reddy expressed disappointment that the costumes and lyrics were not jelling well in one stanza of a song, during next day Ramachandran completed the shots and Nagireddy was surprised seeing the involvement of Ramachandran.[9]

Soundtrack

Enga Veettu Pillai
Soundtrack album to Enga Veettu Pillai by
GenreFilm soundtrack
Length31:11
LanguageTamil
LabelHMV
ProducerViswanathan–Ramamoorthy

The soundtrack album was composed by Viswanathan–Ramamoorthy and the lyrics were penned by Vaali and Alangudi Somu. The soundtrack was released under the label Saregama.[10] The song "Naan Aanaiyittal" had two versions; the film version had word "Kadavul" (God) and Ramachandran did not agree to use the word but later relented after requested by Vaali, lyricist of the song, but it got changed into the word "Thalaivar" (Leader) in audio records.[9] The song "Naan Aanaiyittal" remains one of the famous songs from the film.[11] The song "Kumari Pennin" was remixed by Srikanth Deva in Perumal (2009).[12]

Track list[13]
No.TitleLyricsSinger(s)Length
1."Naan Aanaiyitaal"VaaliT. M. Soundararajan05:05
2."Kankalum Kaavadi"Alangudi SomuL. R. Eswari & Chorus05:08
3."Kumari Pennin"VaaliT. M. Soundararajan, P. Susheela05:50
4."Malarukku Thendral"Alangudi SomuL. R. Eswari, P. Susheela04:59
5."Naan Maanthoppil"VaaliT. M. Soundararajan, L. R. Eswari05:56
6."Penn Ponaal"VaaliT. M. Soundararajan, P. Susheela04:13
Total length:31:11

Reception

Enga Veettu Pillai was released on 14 January 1965, Pongal day.[14] The film emerged a major box office success, running for over 25 weeks in theatres, thereby becoming a silver jubilee film. It sold 1.2 million tickets in Madras city and yielded record 5 million in entertainment tax revenue (about 10 per cent) to the exchequer.[15] Sekar and Sundar of the Tamil magazine Ananda Vikatan, in their review dated 24 January 1965, called it the best film which the reviewer have seen in Tamil cinema on the theme of an imposter to that point. The reviewers felt the film had newness in its scenes, and overall it was a film which entertains the audience and occupies a special place among the good films in Tamil cinema.[16]

Legacy

Enga Veettu Pillai inspired several later films in Tamil which focused on the theme of look alike twins separated at birth and then crossing their paths when they grow up. The films which followed similar theme were Vani Rani (1974), Kalyanaraman (1979), Thoongathey Thambi Thoongathey (1983) and Rajadhi Raja (1989).[9] The Hindu included "Naan Aanaiyittal" among lyricist Vaali's best songs in their collection, "Best of Vaali: From 1964 – 2013".[17] The whip used by Ramachandran attained popularity in Tamil cinema, as did the scene where his character uses it to threaten to whip Nambiar's character.[18]

The songs from the film has inspired film titles Naan Aanaiyittal (1966), Kumari Pennin Ullathile (2010). The footage of song "Naan Aanaiyittal" has been interposed in Villu (2009).[19] The basic storyline of Seeta Aur Geeta (1972) was noted for its similarity with Enga Veettu Pillai as its female lead, portrays identical twins instead of male. This prompted Chakrapani to remake the film in Telugu and Tamil as Ganga Manga (1973) and Vani Rani (1974).[20]

In 2009, director Badri's new film Thambikku Indha Ooru, was initially titled Enga Veettu Pillai but this was changed as the producer could not get the rights to use the same.[21][22] One of the song sequences from the film had 80 feet huge cut-out of Ramachandran in the get up which appeared in Enga Veetu Pillai.[23] The Telugu film Nene Raju Nene Mantri was dubbed in Tamil as Naan Aanaiyittal, named after this film's song.[24]

References

  1. Krishnamoorthy, Suresh (21 May 2014). "Fifty years of a trendsetting blockbuster Ramudu Bheemudu". The Hindu. Archived from the original on 24 May 2014. Retrieved 11 September 2015.
  2. Dhananjayan 2011, p. 228.
  3. Balabharathi 2015, p. 308.
  4. Balabharathi 2015, pp. 309–310.
  5. Narasimham, M. L. (2 December 2012). "I worked with three Chief Ministers". The Hindu. Archived from the original on 29 December 2012. Retrieved 11 September 2015.
  6. Raman, Mohan V. (13 April 2013). "The power of the pen". The Hindu. Archived from the original on 31 August 2014. Retrieved 11 September 2015.
  7. Guy, Randor (5 October 2013). "The forgotten heroes". The Hindu. Archived from the original on 18 September 2015. Retrieved 11 September 2015.
  8. "MGR and Sandow". The Hindu. 13 August 2010. Archived from the original on 26 February 2020. Retrieved 11 September 2015.
  9. Dhananjayan 2011, p. 229.
  10. "Enga Veettu Pillai". Saregama. Archived from the original on 4 March 2016. Retrieved 30 October 2015.
  11. "Popular even today". The Hindu. 19 January 2007. Archived from the original on 26 February 2020. Retrieved 11 September 2015.
  12. Sundaram, Malathy. "Perumal Music Review". Behindwoods. Archived from the original on 8 November 2015. Retrieved 11 September 2015.
  13. "Enga Veettu Pillai (1965)". Raaga.com. Archived from the original on 13 April 2015. Retrieved 13 November 2016.
  14. ஜூரி (5 June 2015). "எங்க வீட்டுப் பிள்ளை 50 ஆண்டுகள் நிறைவு: மறுபடியும் முதல்லேருந்தா?". The Hindu (Tamil). Archived from the original on 26 February 2020. Retrieved 26 February 2020.
  15. "MGR, man of the masses". The Hindu. 17 January 2018. Archived from the original on 25 April 2018. Retrieved 20 January 2018.
  16. சேகர்; சந்தர் (24 January 1965). "சினிமா விமர்சனம்: எங்க வீட்டு பிள்ளை" [Movie Review: Enga Veettu Pillai]. Ananda Vikatan (in Tamil). Archived from the original on 26 February 2020. Retrieved 26 February 2020.
  17. "Best of Vaali: From 1964–2013". The Hindu. 19 July 2013. Archived from the original on 31 July 2017. Retrieved 11 September 2015.
  18. Maderya, Kumuthan. "The MGR phenomenon". Jump Cut. Archived from the original on 26 February 2020. Retrieved 26 February 2020.
  19. "Villu Movie Review". The Times of India. Archived from the original on 6 September 2017. Retrieved 11 September 2015.
  20. "Sivaji Ganesan's Vani Rani: Doomed From The Start". Silverscreen.in. 11 September 2014. Archived from the original on 4 March 2016. Retrieved 11 November 2015.
  21. "A new Enga Veettu Pillai for Tamilnadu". IndiaGlitz. 28 January 2009. Archived from the original on 24 September 2015. Retrieved 11 September 2015.
  22. "Bharath going strong and steady". IndiaGlitz. 26 January 2009. Archived from the original on 24 September 2015. Retrieved 11 September 2015.
  23. "Bharath goes the MGR way". Behindwoods. 26 February 2009. Archived from the original on 23 September 2015. Retrieved 11 September 2015.
  24. "MGR connection in Rana's 'Naan Aanaiyitaal'". Business Standard. IANS. 11 July 2017. Archived from the original on 26 February 2020. Retrieved 26 February 2020.

Bibliography

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