Ellie (The Last of Us)

Ellie is a fictional character in the video games The Last of Us and The Last of Us Part II by Naughty Dog. She is portrayed by Ashley Johnson through performance capture. In the first game, the character Joel is tasked with escorting Ellie across a post-apocalyptic United States in an attempt to create a potential cure for an infection to which Ellie is immune. While players briefly assume control of Ellie for a portion of the game, the computer's artificial intelligence primarily controls her actions, often assisting in combat by attacking or identifying enemies. Ellie reappeared as the sole playable character in the downloadable content prequel campaign, The Last of Us: Left Behind, in which she spends time with her friend Riley. Ellie is also the main character in the comic book prequel, The Last of Us: American Dreams, wherein she befriends Riley and has her first encounter with the rebel group the Fireflies. In The Last of Us Part II, the player assumes the role of a 19-year-old Ellie as she seeks revenge on those responsible for Joel's death.

Ellie
The Last of Us character
Ellie, as she appears in The Last of Us
First appearanceThe Last of Us (2013)
Last appearanceThe Last of Us Part II (2020)
Created byNeil Druckmann
Portrayed byAshley Johnson

Ellie was created by Neil Druckmann, the creative director and writer of The Last of Us. Inspired by a mute character proposed for Uncharted 2: Among Thieves, Druckmann created her as a strong female character with a close relationship with Joel; throughout the first game's development, the relationship between Ellie and Joel was the central focus, with all other elements developed around it. Johnson inspired aspects of Ellie's personality, prompting Druckmann to make her more active in fighting hostile enemies. Following comparisons to actress Ellen Page, Naughty Dog redesigned her appearance to better reflect Johnson's personality and make her younger.

The character has been well-received by critics, with Ellie's relationship with Joel most frequently the subject of praise. The strength and complexity of her character, and its subversion of the damsel in distress stereotype, have also been commended. Ellie's role in Left Behind's plot has prompted some social commentary within the industry, with coverage focusing on a scene depicting LGBT themes. Both the character and Johnson's performance received numerous awards and nominations, and have regularly been placed favorably in polls and lists.

Character design

American actress Ashley Johnson portrayed Ellie in The Last of Us.

Creative director Neil Druckmann designed Ellie as a counterpart to Joel, the game's main playable character.[1] She was also intended to demonstrate that a character bond could be created entirely through gameplay. Druckmann described the game as a coming of age story for Ellie, in which she adopts the qualities of a survivor.[2] Ashley Johnson was chosen to portray Ellie in The Last of Us shortly after her auditions;[3] the development team felt that she fit the role, particularly when acting alongside Troy Baker, who portrayed Joel. Johnson made important contributions to Ellie's character development. She convinced Druckmann to give Ellie a more independent personality, and to make her more successful in combat.[4] As Ellie, Johnson's performances were mostly recorded using motion capture technology which produced approximately 85% of the game's animations. The remaining audio elements were recorded later in a studio.[5] When portraying Ellie, Johnson was sometimes uncomfortable while performing "disturbing" scenes.[4] However, she was excited to play a rare example of a strong female video game character.[6]

The various iterations that Ellie's physical appearance underwent throughout development. Each design was tested with various hair colors and styles.[7]

The gameplay concept for Ellie began with an unused idea Uncharted 2: Among Thieves (2009). Druckmann and Straley conceived a sequence with a mute female character who would accompany Uncharted protagonist Nathan Drake; Druckmann felt this would create a "beautiful" relationship through gameplay alone.[2] Ellie's artificial intelligence (AI) required significant overhauling of the game engine.[8] The team had her stay close to Joel, to avoid being viewed by players as a burden.[9] AI programmer Max Dyckhoff stated that, to ensure the character made realistic decisions during gameplay, he would consider "what she was going through" and "what her relationship with Joel and the enemies would be".[9] Druckmann was also inspired by wars that took place in Syria and Afghanistan; he felt that, like Ellie, conflict was familiar to the children in those countries.[10] During the winter segment, players assume control of Ellie. The developers ensured that this change, as well as the knowledge of Ellie's immunity, was kept secret prior to the game's release to surprise players.[1]

The development team felt that establishing Ellie's physical appearance was "critical". They determined that she needed to appear young enough to make her relationship with Joel—who is in his 40s[11]—believable, but old enough to be credible as a resourceful teenager capable of surviving.[12] The team considered Ellie important for the game's marketing; Druckmann said that, when asked to move the image of Ellie from the front of the game's packaging to the back, "everyone at Naughty Dog just flat-out refused".[13] An early alternative name for the character was Lily; Druckmann chose Ellie as he had considered the name for his daughter.[14]

Following the announcement of The Last of Us, comparisons were made between Ellie and actress Ellen Page. In June 2013, Page said that Naughty Dog had "ripped off" her likeness and that it was "not appreciated" as she was acting in another game, Beyond: Two Souls (2013).[15] Game director Bruce Straley said Naughty Dog had no knowledge of her involvement in Beyond,[16] which was announced several months after The Last of Us.[17] Kotaku observed that some players would likely confuse the two characters.[15] Straley said that, following the comparisons, Naughty Dog revised Ellie's appearance because "we want our characters to stand on their own two feet".[16] The redesign was revealed in a trailer in May 2012; Druckmann and Straley stated said the change was made to better resemble Johnson and reflect her personality, as well as to look younger.[16] [18]

Attributes

A fourteen-year-old survivor, Ellie is "mature beyond her years" as a result of the circumstances of her environment. Ellie is characterized as "[s]trong, witty, and a little rough around the edges."[19] Her emotional trauma is accentuated after her encounter with David.[20][21] Having lost many people in her life, she suffers from severe monophobia and survivor's guilt.[22] This results in her becoming a very hardened person; she uses violence without hesitation[23][24][25] and frequently swears.[26] Ellie also feels worthless, believing her life is a burden, and that her death would be beneficial for others.[27] While she shows initiative, she is not as adept at survival as Joel, being somewhat impulsive and naïve,[10][28] and unable to swim.[29] Despite this, she displays great physical resilience, emotional strength and complete fearlessness, as demonstrated by her ability to look after both herself and Joel when he is severely injured. She constantly perseveres in the face of the many often dire situations that her travels put her through.[30][31]

Left Behind features a scene in which Ellie kisses her friend Riley, suggesting that she is either gay or bisexual. After the game was released, Druckmann said that he wrote Ellie as a gay character, though he preferred to leave the subject of her sexuality up to players to decide.[32]

Appearances

Ellie's mother was forced to give her up shortly after she was born, and she was initially raised by Marlene, who was a friend of Ellie's mother. She later attends a military boarding school in the Boston quarantine zone, where she befriends Riley Abel, a fellow rebel who protects her from bullies, as depicted in the comic book series The Last of Us: American Dreams.[33] During the events of Left Behind, which take place several weeks before the beginning of The Last of Us, Riley returns to Ellie after a long absence and tells her that she has joined the Fireflies, a revolutionary militia group. While spending time together at an abandoned shopping mall near the quarantine zone, Riley reveals that she is about to be posted to another city, and Ellie hesitantly supports her decisions. Riley abandons her Firefly pendant when Ellie pleads for her to remain. In response, she impulsively kisses Riley who happily responds. Drawn by the noise of their activities, the Infected pursue Ellie and Riley. They attempt to escape, but are bitten. The pair considers suicide, but chooses to spend their final hours together.[34] However, Ellie survives the infection and seeks help from Marlene, the leader of the Fireflies. She agrees to escort Ellie as she tries to find a cure thanks to her immunity to the Infected. Marlene is later wounded, and early in The Last of Us, assigns Joel the task of escorting Ellie.[35]

Initially annoyed by Joel's surliness, Ellie begins to feel a strong attachment to him. However, upon learning that he intends to leave her with his brother Tommy and return to Boston, she runs away. She later confronts him demanding that he not abandon her. This strengthens the bond between them, and they continue their journey. After experiencing a traumatizing encounter in the Winter, where Ellie is nearly raped and murdered by a band of cannibals and their leader David, she becomes withdrawn and introverted. When Joel finally gets her to the Fireflies, it is discovered that Ellie requires an operation to remove the mutant strain of the Cordyceps fungus growing on her brain, which may be used to create a vaccine; the operation will likely kill her. While she is being prepared for surgery, Joel kills Marlene and the Fireflies, makes his way to the operating room, and carries Ellie to safety.[35] Because she was unconscious during the battle, Ellie is unaware of what has transpired. As they leave the hospital, Joel lies about the events, telling her that the Fireflies had found many other subjects, and had stopped looking for a cure.[25] When Ellie later confronts him about it, describing her survivor's guilt and demanding to know the truth, Joel reassures her that he is telling the truth; she replies "Okay".[35]

While at first Ellie and Joel live in Tommy's peaceful community in Jackson, Wyoming, the former is left traumatized and enraged after witnessing Joel being beaten to death by a woman named Abby, the daughter of a Firefly surgeon that Joel killed while saving Ellie. Seeking revenge, Ellie goes with Tommy, her girlfriend Dina, and friend Jesse to Seattle to exact revenge on Abby, who is part of a large group known as the Washington Liberation Front, currently at war with a cult of religious fanatics called the Seraphites. Along the way, Ellie reveals her immunity to Dina, who in turn reveals she is pregnant. After Ellie kills several members of Abby's group, the latter confronts them, kills Jesse, and shoots Tommy before overpowering Ellie and Dina, warning them to leave Seattle. Months later, Ellie is living on a farm with Dina, looking after the latter's baby, until Tommy arrives with news on Abby's wherabouts. Still suffering posttraumatic stress disorder from Joel's death and unable to leave her past behind, Ellie finds and confronts Abby, saving her from a group of bandits who captured her, before overpowering her. However, she cannot bring herself to kill her and lets her go, later returning to the farm, only to find it empty. Recalling a recent memory where she promised to try to forgive Joel after learning he lied, Ellie leaves Joel's guitar at the farmhouse and walks away.[36]

Reception

Ellie's character received generally positive feedback. Jason Killingsworth of Edge praised Ellie's complexity and commended Naughty Dog for not having made her "a subordinate ... precocious teen girl that Joel must babysit".[37] Ashley Reed and Andy Hartup of GamesRadar named Ellie one of the "most inspirational female characters in games", writing that she is "one of the most modern, realistic characters ever designed".[38] Eurogamer's Ellie Gibson commended the character's strength and vulnerability, praising the game's subversion of the damsel in distress cliché.[39] GamesRadar listed Ellie among the best characters of the video game generation, stating that her courage exceeds that of most male characters.[40] IGN's Greg Miller compared Ellie to Elizabeth from BioShock Infinite (2013), and felt that the former was a "much more rounded out, full-fledged" character.[41] Conversely, Game Informer's Kimberley Wallace felt that the game focused too much on Joel, "hardly capitalizing on Ellie's importance",[42] and Chris Suellentrop of The New York Times judged that Ellie is cast "in a secondary, more subordinate role".[43]

Critics praised the relationship between Ellie and Joel. Matt Helgeson of Game Informer wrote that the relationship was "poignant" and "well-drawn",[44] Joystiq's Richard Mitchell found it "genuine" and emotional,[45] and IGN's Colin Moriarty identified it as a highlight of the game.[46] Eurogamer's Oli Welsh felt the characters were developed with "real patience and skill".[47] Philip Kollar of Polygon found the relationship was assisted by the game's optional conversations.[48] Wallace of Game Informer named Joel and Ellie one of the "best gaming duos of 2013", appreciating their interest in protecting each other.[49] Game Informer's Kyle Hilliard compared Joel and Ellie's relationship to that of the Prince and Elika from Prince of Persia (2008), writing that both duos care deeply for one another, and praising the "emotional crescendo" in The Last of Us, which he judged had not been achieved in Prince of Persia.[50] PlayStation Official Magazine's David Meikleham named Joel and Ellie the best characters in a PlayStation 3 game.[51]

Following the release of The Last of Us: Left Behind, Ellie's relationship with Riley was commended by reviewers. GameSpot's Tom McShea felt a new appreciation for Ellie by seeing her actions around Riley.[28] The Daily Telegraph's Tim Martin praised the characters' interactions,[52] and Eurogamer's Stace Harman felt that Left Behind improves the understanding of Joel and Ellie's relationship.[53] Kotaku's Kirk Hamilton described Ellie and Riley's kiss as "video gaming's latest breakthrough moment", declaring it "a big deal".[54] Keza MacDonald of IGN wrote that the kiss was "so beautiful and natural and funny that [she] was left dumbstruck".[55] IGN's Luke Karmali questioned Naughty Dog's motivation behind the kiss, noting the "bait-and-switch" in which they made players care for the character before revealing her sexuality, but ultimately dismissed this and commended the handling of Ellie's sexuality and the subtlety of the writing.[56] Polygon's Colin Campbell named Ellie and Riley among the best video game characters of the 2010s, citing their differences and eventual closeness.[57]

The character of Ellie won year-end awards, including Best New Character from Hardcore Gamer[58] and Most Valuable Character at the SXSW Gaming Awards for Left Behind;[59] she received a nomination for Best Character from Destructoid.[60] Ashley Johnson's performance also received various accolades: Best Performer at the 10th and 11th British Academy Video Games Awards,[61][62] Outstanding Character Performance the 17th Annual D.I.C.E. Awards,[63] Lead Performance in a Drama at the 13th Annual National Academy of Video Game Trade Reviewers Awards,[64] Best Voice Actress at the Spike VGX 2013,[65] and Best Performer from The Daily Telegraph.[66]

References

Sources

  • Druckmann, Neil; Straley, Bruce (June 2013), The Art of The Last of Us, United States of America: Dark Horse Comics

Footnotes

  1. Takahashi, Dean (August 5, 2013). "The definitive interview with the creators of Sony's blockbuster The Last of Us (part 1)". GamesBeat. VentureBeat. p. 1. Archived from the original on April 10, 2016. Retrieved October 15, 2014.
  2. Takahashi, Dean (August 5, 2013). "The definitive interview with the creators of Sony's blockbuster The Last of Us (part 1)". GamesBeat. VentureBeat. p. 1. Archived from the original on April 10, 2016. Retrieved April 10, 2016.
  3. Dutton, Fred (May 31, 2013). "The Last of Us: Ashley Johnson bringing Ellie to life". PlayStation Blog. Sony Computer Entertainment. Archived from the original on April 19, 2015. Retrieved April 19, 2015.
  4. Robertson, Andy (May 31, 2013). "The Last of Us: interview with Neil Druckmann and Ashley Johnson". The Daily Telegraph. Telegraph Media Group. Archived from the original on October 13, 2014. Retrieved October 13, 2014.
  5. Hanson, Ben (February 20, 2012). "Capturing Joel And Ellie For The Last Of Us". Game Informer. GameStop. Archived from the original on January 7, 2015. Retrieved January 7, 2015.
  6. Naughty Dog and Area 5 (2013). Grounded: Making The Last of Us. Sony Computer Entertainment. Event occurs at 11:06. Archived from the original on May 24, 2015. Retrieved October 11, 2014. To sort of be such a strong female character that is completely normal-looking—regular t-shirt and jeans—and she's fourteen, and she's still a total bad-ass: it's really exciting to be a part of that.
  7. Druckmann & Straley 2013, pp. 22
  8. Moriarty, Colin (February 13, 2012). "Naughty Dog Talks Combat in The Last of Us". IGN. Ziff Davis. Archived from the original on October 23, 2014. Retrieved October 23, 2014.
  9. Farokhmanesh, Megan (March 22, 2014). "How Naughty Dog created a partner, not a burden, with Ellie in The Last of Us". Polygon. Vox Media. Archived from the original on January 14, 2015. Retrieved January 14, 2015.
  10. Parker, Laura (February 1, 2013). "Staying Human in the Inhuman World of The Last of Us". GameSpot. CBS Interactive. Archived from the original on January 7, 2015. Retrieved January 7, 2015.
  11. Moriarty, Colin (February 8, 2012). "The Last of Us Storyline Explained in Detail". IGN. Ziff Davis. Archived from the original on October 16, 2012. Retrieved April 10, 2016.
  12. Druckmann & Straley 2013, pp. 19
  13. Weber, Rachel (December 12, 2012). "Naughty Dog: We've been asked to push Ellie to the back of the box art". Gamesindustry.biz. Gamer Network. Archived from the original on April 19, 2015. Retrieved April 19, 2015.
  14. Favis, Elise (June 12, 2020). "A child in a dangerous world: Inside the creation of Ellie". The Washington Post. Nash Holdings. Archived from the original on June 12, 2020. Retrieved June 27, 2020.
  15. Plunkett, Luke (June 23, 2013). "Ellen Page Says The Last Of Us' Ellie "Ripped Off My Likeness"". Kotaku. Gawker Media. Archived from the original on April 19, 2015. Retrieved April 19, 2015.
  16. Welsh, Oli (June 8, 2012). "Changes to The Last of Us' Ellie and announcement of Ellen Page in Beyond are "complete coincidence"". Eurogamer. Gamer Network. Archived from the original on June 10, 2012. Retrieved June 28, 2020.
  17. Byford, Sam (June 24, 2013). "Ellen Page accuses 'The Last of Us' developers of 'ripping off' her likeness". The Verge. Vox Media. Archived from the original on June 24, 2013. Retrieved June 28, 2020.
  18. Gera, Emily (May 16, 2012). "The Last of Us gets new trailer, reveals Ellie redesign". Polygon. Vox Media. Archived from the original on October 10, 2014. Retrieved April 19, 2015.
  19. Clements, Ryan (February 9, 2014). "The Drop: New PlayStation Releases for February 11th, 2014". PlayStation Blog. Sony Computer Entertainment. Archived from the original on March 26, 2016. Retrieved March 26, 2016.
  20. O'Brien, Lucy (December 1, 2013). "Is This the Most Important Moment in The Last of Us". IGN. Ziff Davis. Archived from the original on March 26, 2016. Retrieved March 26, 2016.
  21. Hamilton, Kirk (June 27, 2013). "The Last Of Us' Climactic Moments Could Have Been Very Different". Kotaku. Gawker Media. Archived from the original on March 26, 2016. Retrieved March 26, 2016.
  22. Amini, Tina (July 2, 2013). "The Moral Ambiguities In The Last Of Us". Kotaku. Gawker Media. Archived from the original on April 19, 2015. Retrieved April 19, 2015.
  23. Mc Shea, Tom (June 5, 2013). "The Last of Us Review". GameSpot. CBS Interactive. Archived from the original on March 1, 2015. Retrieved March 26, 2016.
  24. Agnello, Anthony John (December 27, 2013). "2013 in Review: In The Last of Us, No Death is Meaningless". USGamer. Gamer Network. Archived from the original on October 18, 2015. Retrieved March 26, 2016.
  25. Plante, Chris (July 24, 2013). "Let's Talk About: The ending of The Last of Us". Polygon. Vox Media. Archived from the original on March 26, 2016. Retrieved March 26, 2016.
  26. Plunkett, Luke (July 4, 2013). "Every Time Ellie Says F**k, S**t (And Motherf**ker) In The Last Of Us". Kotaku. Gawker Media. Archived from the original on April 19, 2015. Retrieved April 19, 2015.
  27. Kerzner, Liana (September 18, 2014). "Some of gaming's greatest heroes are mentally ill, and that's a great thing". Polygon. Vox Media. Archived from the original on March 26, 2016. Retrieved March 26, 2016.
  28. Mc Shea, Tom (February 13, 2014). "The Last of Us: Left Behind Review". GameSpot. CBS Interactive. Archived from the original on February 22, 2015. Retrieved February 22, 2015.
  29. Bradford, Matt (July 16, 2013). "The 12 biggest nitpicks of The Last of Us". GamesRadar. Future plc. Archived from the original on April 19, 2015. Retrieved April 19, 2015.
  30. MacDonald, Keza (February 17, 2014). "The Last of Us: Left Behind – review". The Guardian. Guardian Media Group. Archived from the original on September 15, 2016. Retrieved September 15, 2016.
  31. Orland, Kyle (June 6, 2013). "The Last of Us review: Me, you, and the infected". Ars Technica. Condé Nast. Archived from the original on September 15, 2016. Retrieved September 15, 2016.
  32. Mattos, Sal (February 21, 2014). "Is Ellie Gay? Naughty Dog's Neil Druckmann Weights In on The Last of Us: Left Behind". GayGamer.net. Archived from the original on February 21, 2015. Retrieved February 22, 2015. we didn’t explore it [Ellie’s sexuality] one way or another in the main game, it was up for grabs in this story .. when I was writing it I was writing it with the idea that Ellie is gay
  33. Druckmann, Neil, Hicks, Faith Erin (w), Hicks, Faith Erin (a), Rosenberg, Rachelle (col), Robins, Clem (let), Edidin, Rachel, Wright, Brendan (ed). The Last of Us: American Dreams #1: 10 (April 3, 2013), Dark Horse Comics
  34. Naughty Dog (February 14, 2014). The Last of Us: Left Behind (PlayStation 3) (1.0 ed.). Sony Computer Entertainment.
  35. Naughty Dog (June 14, 2013). The Last of Us (PlayStation 3) (1.0 ed.). Sony Computer Entertainment.
  36. Naughty Dog (June 19, 2020). The Last of Us Part II (PlayStation 4) (1.0 ed.). Sony Computer Entertainment.
  37. Killingsworth, Jason (June 25, 2013). "Sexism sells? The Last Of Us begs to differ". Edge. Future plc. Archived from the original on June 28, 2013. Retrieved April 23, 2015.
  38. Reed, Ashley; Hartup, Andy (March 11, 2014). "The 20 most inspirational female characters in games". GamesRadar. Future plc. Archived from the original on April 26, 2015. Retrieved April 26, 2015.
  39. Gibson, Ellie (July 5, 2013). "The Last of Us isn't the solution to sexism in games, but it's a start". Eurogamer. Gamer Network. Archived from the original on April 23, 2015. Retrieved April 23, 2015.
  40. "Best game characters of the generation". GamesRadar. Future plc. October 11, 2013. Archived from the original on April 28, 2015. Retrieved April 28, 2015.
  41. Miller, Greg; Moriarty, Colin; Altano, Brian (June 24, 2013). "The Last of Us' Ellie vs. BioShock Infinite's Elizabeth". IGN. Ziff Davis. Archived from the original on April 29, 2015. Retrieved April 29, 2015.
  42. Wallace, Kimberley (December 23, 2013). "Opinion: Important Female Character Weren't Marketed Well This Year". Game Informer. GameStop. Archived from the original on April 23, 2015. Retrieved April 23, 2015.
  43. Suellentrop, Chris (June 14, 2013). "In the Video Game The Last of Us, Survival Favors the Man". The New York Times. The New York Times Company. Archived from the original on October 11, 2015. Retrieved April 23, 2015.
  44. Helgeson, Matt (June 5, 2013). "Naughty Dog's Grim Masterpiece". Game Informer. GameStop. Archived from the original on March 1, 2015. Retrieved April 22, 2015.
  45. Mitchell, Richard (June 5, 2013). "The Last of Us review: Humans, conditioned". Joystiq. AOL. Archived from the original on March 1, 2015. Retrieved April 22, 2015.
  46. Moriarty, Colin (June 5, 2013). "The Last of Us Review". IGN. Ziff Davis. Archived from the original on March 1, 2015. Retrieved April 22, 2015.
  47. Welsh, Oli (July 31, 2014). "The Last of Us review". Eurogamer. Gamer Network. Archived from the original on March 1, 2015. Retrieved April 22, 2015.
  48. Kollar, Philip (June 5, 2013). "The Last of Us review: dead inside". Polygon. Vox Media. Archived from the original on March 1, 2015. Retrieved April 22, 2015.
  49. Wallace, Kimberley (December 28, 2013). "The Best Gaming Duos Of 2013". Game Informer. Archived from the original on April 22, 2015. Retrieved April 22, 2015.
  50. Hilliard, Kyle (July 22, 2013). "From Elika To Ellie: Comparing Prince Of Persia And The Last Of Us". Game Informer. GameStop. Archived from the original on April 28, 2015. Retrieved April 28, 2015.
  51. Meikleham, David (June 5, 2013). "The Last Of Us review SPOILER FREE - Naughty Dog's latest masterpiece is apocalypse wow". PlayStation Official Magazine. Future plc. Archived from the original on June 8, 2013. Retrieved April 22, 2015.
  52. Martin, Tim (March 1, 2014). "The Last of Us: Left Behind review". The Daily Telegraph. Telegraph Media Group. Archived from the original on February 22, 2015. Retrieved February 22, 2015.
  53. Harman, Stace (February 14, 2014). "The Last of Us: Left Behind review". Eurogamer. Gamer Network. Archived from the original on February 22, 2015. Retrieved February 22, 2015.
  54. Hamilton, Kirk (February 17, 2014). "Video Gaming's Latest Breakthrough Moment". Kotaku. Gawker Media. Archived from the original on March 2, 2015. Retrieved March 2, 2015.
  55. MacDonald, Keza (February 19, 2014). "The Significance of The Last of Us: Left Behind". IGN. Ziff Davis. Archived from the original on March 2, 2015. Retrieved March 2, 2015.
  56. Karmali, Luke (March 14, 2014). "Why We Need More Gay Characters In Video Games". IGN. Ziff Davis. Archived from the original on April 29, 2015. Retrieved April 29, 2015.
  57. Campbell, Colin (November 27, 2019). "The 70 best video game characters of the decade". Polygon. Vox Media. Archived from the original on November 27, 2019. Retrieved June 3, 2020.
  58. HG Staff (December 21, 2013). "2013 Best New Character". Hardcore Gamer. Archived from the original on April 28, 2015. Retrieved December 25, 2013.
  59. Blase, Aurora (March 14, 2015). "Congratulations to the 2015 SXSW Gaming Award Winners!". South by Southwest. Archived from the original on March 15, 2015. Retrieved March 15, 2015.
  60. Zimmerman, Conrad (December 24, 2013). "The winner of Destructoid's best 2013 character". Destructoid. Archived from the original on April 28, 2015. Retrieved April 28, 2015.
  61. Karmali, Luke (March 13, 2014). "BAFTA Games Awards 2014 Winners Announced". IGN. Ziff Davis. Archived from the original on April 28, 2015. Retrieved April 28, 2015.
  62. Nutt, Christian (March 12, 2015). "BAFTA Awards honors Destiny, Monument Valley, and David Braben". Gamasutra. UBM plc. Archived from the original on March 13, 2015. Retrieved April 28, 2015.
  63. "Game Title: The Last of Us". Academy of Interactive Arts & Sciences. February 7, 2014. Archived from the original on April 28, 2015. Retrieved April 28, 2015.
  64. Allen, Thomas J. (February 7, 2014). "2013 NAVGTR Winners". National Academy of Video Game Trade Reviewers. Archived from the original on February 21, 2017. Retrieved February 22, 2017.
  65. Dane, Patrick (December 7, 2013). "'Grand Theft Auto V' Tops Spike VGX 2013 Award Winners List". Game Rant. Archived from the original on April 28, 2015. Retrieved April 28, 2015.
  66. Hoggins, Tom (December 31, 2013). "Telegraph Video Game Awards 2013". The Daily Telegraph. London: Telegraph Media Group. Archived from the original on April 28, 2015. Retrieved April 28, 2015.

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.