Elegy for Young Lovers

Elegy for Young Lovers (in German, Elegie für junge Liebende) is an opera in three acts by Hans Werner Henze to an English libretto by W. H. Auden and Chester Kallman.

Elegy for Young Lovers
Elegie für junge Liebende
Opera by Hans Werner Henze
The composer in 1960
Librettist
Premiere
20 May 1961 (1961-05-20)
Schlosstheater Schwetzingen

Background

The opera was first performed in a German translation by Louis, Prince of Hesse and by Rhine at the Schlosstheater Schwetzingen at the Schwetzingen Festival on 20 May 1961, conducted by Heinrich Bender. The first performance using the original English text was in Glyndebourne, also in 1961. The Juilliard Opera Theater produced the opera in New York City in 1965, with the composer conducting.[1] Henze revised the opera in 1987, and this revised version received its first performance on 28 October 1988 at the La Fenice Theatre, Venice, with Markus Stenz conducting.

According to Ann Saddlemyer in her book "Becoming George", the poet is partially based on W. B. Yeats, and his wife "George" (Georgie Hyde-Lees) was the inspiration for both the secretary and the woman with visions. David Anderson has noted that the poet also portrays Auden as well.[2] Robert Henderson has summarised the thesis of the opera as follows:

Elegy for Young Lovers....is a bitter indictment of the Romantic notion of the artist as hero, feeding remorselessly on those around him both in the name of art and to satisfy his own monstrous and inhumanely egotistical appetites.[3]

Auden and Kallman described this opera as their equivalent of Richard Strauss' opera Arabella.[2] The dedication of the opera is to the memory of Hugo von Hofmannsthal.[4]

Henze quoted material from the aria My own, my own in his Fifth Symphony, completed in 1962.

Roles
Role Voice type Premiere Cast, 20 May 1961
(Conductor: Heinrich Bender)
Hilde Mack, a widow coloratura soprano Eva Maria Rogner
Elizabeth Zimmer soprano Ingeborg Bremert
Carolina, Countess of Kirchstätten, secretary to Mittenhofer contralto Lilian Benningsen
Toni Reischmann tenor Friedrich Lenz
Gregor Mittenhofer, a poet baritone Dietrich Fischer-Dieskau
Dr. Wilhelm Reischmann, a physician bass Karl-Christian Kohn
Josef Mauer, a mountain climb leader spoken Hubert Hilten

Synopsis

The opera is set in an inn called Der Schwarze Adler in the Austrian Alps in 1910. The plot is centred on a poet, Gregor Mittenhofer, who manipulates the people in the inn to provide inspiration to his work, his faithful secretary, his doctor, his young "muse" Elisabeth and a hysterical woman who lost her husband to the mountains decades before and has visions.[5][6] When a young man arrives who attracts Elisabeth, Mittenhofer lets her go but doesn't act to prevent the young lovers' death in a snowstorm in the mountains, using the tragedy as the inspiration for a final "Elegie" of pure music, sung without words.

Recordings
  • Liane Dubin (Elisabeth Zimmer), Catherine Gayer (Hilda Mack), Martha Mödl (Carolina Gräfin von Kirchstetten), Loren Driscoll (Toni Reischmann), Dietrich Fischer-Dieskau (Gregor Mittenhofer), Radio-Symphonie-Orchester Berlin, Henze conducting, in German, 1963 DG
  • Richard Lloyd-Morgan (Mittenhofer), Regina Schudel (Hilda Mack), Aurelia Hajek (Carolina), Silvia Weiss (Elisabeth), Bruno Fath (Toni Reischmann), Orchestra of the Berliner Kammeroper, Brynmor Llewelyn Jones, conductor, 1989 Deutsche Schallplatten DS (live in Berlin)[7]
  • Lisa Saffer (Hilda Mack), Rosemary Hardy (Elizabeth Zimmer), Mary King (Carolina von Kirchstetten), Christopher Gillett (Toni Reischmann), Roderick Kennedy (Dr. Wilhelm Reischmann), David Wilson-Johnson (Gregor Mittenhofer), Adrian Brine (Josef Mauer), Schönberg ensemble, Live recording Concertgebouw Amsterdam, 27 September 2000, conductor: Oliver Knussen. 2CD is part of the Schönberg Ensemble Edition box (a century of music in perspective).

References

Notes

  1. Keats, Sheila (1971). "Current Chronicle". The Musical Quarterly. LVII (1): 141–148. doi:10.1093/mq/lvii.1.141. Retrieved 26 October 2007.
  2. Anderson, David E., Review of W. H. Auden and Chester Kallman: Libretti and Other Dramatic Writings by W. H. Auden, 1939–1973 (March 1995). Notes (2nd Ser.), 51 (3): pp. 948–949.
  3. Henderson, Robert, "Hans Werner Henze" (July 1976). The Musical Times", 117 (1601): pp. 566–568.
  4. Weisstein, Ulrich, "Reflections on a Golden Style: W. H. Auden's Theory of Opera" (Spring 1970). Comparative Literature, 22 (2): pp. 108–124.
  5. "Surprise at Schwetzingen". Time. 2 June 1961. Archived from the original on 5 February 2011. Retrieved 7 September 2007.
  6. Bernard Holland (11 August 1988). "A Dominion of Words". New York Times. Retrieved 7 September 2007.
  7. Elegie für junge Liebende on operone website (in German

Sources

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