Electro-Shock Blues

Electro-Shock Blues was written largely in response to frontman Mark Oliver Everett's (more commonly known as E) sister's suicide and his mother's terminal lung cancer. The title refers to the electroconvulsive therapy received by Elizabeth Everett when she was institutionalized. Many of the songs deal with their decline, his response to loss and coming to terms with suddenly becoming the only living member of his family (his father having died of a heart attack in 1982; Everett, then 19 years old, was the first to discover his body).

Though much of the album is, on its surface, bleak, its underlying message is that of coping with some of life's most difficult occurrences. The record begins with "Elizabeth on the Bathroom Floor", a sparse piece composed of one of his deceased sister's final diary entries. Later, the album's emotional climax is reached in two tracks: "Climbing to the Moon", which draws upon E's experiences visiting his sister at a mental health facility shortly before her death; and "Dead of Winter", a song about his mother's painful radiation treatment and slow succumbing. The album's last song, entitled "P.S. You Rock My World", is a hopeful bookend to "Elizabeth", containing subtly humorous lyrics that describe, among other things, an elderly woman at a gas station honking her car at E, incorrectly assuming he is the attendant, and E's decision that "maybe it's time to live".

According to the Eels official website, the song "Baby Genius" is about E's father, Dr. Hugh Everett III, a quantum physicist who authored the Many Worlds Theory. However, Jim Lang, who helped with the song, believed it was about Eels former bassist, Tommy Walter.[1] "Baby Genius" has, as the basis for its melody, the carol "O Sanctissima".

At the time of the album's recording, the only official Eels members were E himself and drummer Butch Norton, as Tommy Walter had left the band. Therefore, the recording features guest appearances by T-Bone Burnett, Lisa Germano, Grant Lee Phillips and Jon Brion.

Electro-Shock Blues was released September 21, 1998 by record label DreamWorks. In addition to CD and cassette releases, it was also released on vinyl. This version included two 10" 33 RPM discs on see-through blue vinyl, limited to a small pressing.

Commercially the album didn't fare well, selling considerably less than Beautiful Freak.

Professional ratings

Review scores
Source	Rating
AllMusic	[2]
Encyclopedia of Popular Music	[3]
Entertainment Weekly	A−[4]
The Guardian	[5]
Los Angeles Times	[6]
NME	7/10[7]
Q	[8]
Rolling Stone	[9]
Select	4/5[10]
The Village Voice	B[11]

Electro-Shock Blues was well-received by critics. Robert Hilburn of the Los Angeles Times called it "a brilliant work that combines often conflicting emotions so skillfully that you are reminded at times of the childhood innocence of Brian Wilson, the wicked satire of Randy Newman and the soul-baring intensity of John Lennon."[6] Marc Weingarten of Entertainment Weekly wrote that while the album "lays bare the horrors of terminal illness in songs that shift from clinical to disconsolate", its "real feat is in making death life-affirming".[4]

Colin Cooper of Stylus Magazine, in a retrospective write-up of Electro-Shock Blues, described it as "an album that reeks of classic on all levels: scene is set, tone established, problem arisen, grappled, fought (nearly lost) and eventually—joyously—overcome."[12] Sputnikmusic reviewer Robin called it "deeper than some ironic indie pop record: it's E's honest smack of tough love, and he is his own recipient."[13]

The Daniel Johnston song "Living Life" was played often on the Electro-Shock Blues tour, eventually seeing a studio release in 2004 on the tribute compilation The Late Great Daniel Johnston: Discovered Covered.

• The Electro-Shock Blues Story from Eels' official website
• Electro-Shock Blues at Discogs (list of releases)