E. B. White

E.B. White was born in Mount Vernon, New York, the youngest child of Samuel Tilly White, the president of a piano firm, and Jessie Hart White, the daughter of Scottish-American painter William Hart.[3] Elwyn's older brother Stanley Hart White, known as Stan, a professor of landscape architecture and the inventor of the Vertical Garden, taught E. B. White to read and to explore the natural world.[4] White graduated from Cornell University with a bachelor of arts degree in 1921. He got the nickname "Andy" at Cornell, where tradition confers that moniker on any male student whose surname is White, after Cornell co-founder Andrew Dickson White.[5] While at Cornell, he worked as editor of The Cornell Daily Sun with classmate Allison Danzig, who later became a sportswriter for The New York Times. White was also a member of the Aleph Samach[6] and Quill and Dagger societies and Phi Gamma Delta ("Fiji") fraternity.

After graduation, White worked for the United Press (now United Press International) and the American Legion News Service in 1921 and 1922. From September 1922 to June 1923, he was a cub reporter for The Seattle Times. On one occasion, when White was stuck writing a story, a Times editor said, "Just say the words."[7] He was fired from the Times and later wrote for the Seattle Post-Intelligencer before a stint in Alaska on a fireboat.[8] He then worked for almost two years with the Frank Seaman advertising agency as a production assistant and copywriter[9] before returning to New York City in 1924. When The New Yorker was founded in 1925, White submitted manuscripts to it. Katharine Angell, the literary editor, recommended to editor-in-chief and founder Harold Ross that White be hired as a staff writer. However, it took months to convince him to come to a meeting at the office and additional weeks to convince him to work on the premises. Eventually, he agreed to work in the office on Thursdays.[10]

White was shy around women, claiming he had “too small a heart, too large a pen."[11] But in 1929, culminating an affair which led to her divorce, White and Katherine Angell were married. They had a son, Joel White, a naval architect and boat builder, who later owned Brooklin Boat Yard in Brooklin, Maine. Katharine's son from her first marriage, Roger Angell, has spent decades as a fiction editor for The New Yorker and is well known as the magazine's baseball writer.

In her foreword to Charlotte's Web, Kate DiCamillo quotes White as saying, "All that I hope to say in books, all that I ever hope to say, is that I love the world."[12] White also loved animals, farms and farming implements, seasons, and weather formats.

James Thurber described White as a quiet man who disliked publicity and who, during his time at The New Yorker, would slip out of his office via the fire escape to a nearby branch of Schrafft's to avoid visitors whom he didn't know.

Most of us, out of a politeness made up of faint curiosity and profound resignation, go out to meet the smiling stranger with a gesture of surrender and a fixed grin, but White has always taken to the fire escape. He has avoided the Man in the Reception Room as he has avoided the interviewer, the photographer, the microphone, the rostrum, the literary tea, and the Stork Club. His life is his own. He is the only writer of prominence I know of who could walk through the Algonquin lobby or between the tables at Jack and Charlie's and be recognized only by his friends.

— James Thurber, E. B. W., "Credos and Curios"

White had Alzheimer's disease and died on October 1, 1985, at his farm home in North Brooklin, Maine.[1] He is buried in the Brooklin Cemetery beside Katharine, who died in 1977.[13]

White in his twenties

E. B. White published his first article in The New Yorker in 1925, then joined the staff in 1927 and continued to contribute for almost six decades. Best recognized for his essays and unsigned "Notes and Comment" pieces, he gradually became the magazine's most important contributor. From the beginning to the end of his career at The New Yorker, he frequently provided what the magazine calls "Newsbreaks" (short, witty comments on oddly worded printed items from many sources) under various categories such as "Block That Metaphor." He also was a columnist for Harper's Magazine from 1938 to 1943.

In 1949, White published Here Is New York, a short book based on an article he had been commissioned to write for Holiday. Editor Ted Patrick approached White about writing the essay telling him it would be fun. "Writing is never 'fun,' " replied White.[14] That article reflects the writer's appreciation of a city that provides its residents with both "the gift of loneliness and the gift of privacy." It concludes with a dark note touching on the forces that could destroy the city that he loved. This prescient "love letter" to the city was re-published in 1999 on his centennial with an introduction by his stepson, Roger Angell.

In 1959, White edited and updated The Elements of Style. This handbook of grammatical and stylistic guidance for writers of American English was first written and published in 1918 by William Strunk Jr., one of White's professors at Cornell. White's reworking of the book was extremely well received, and later editions followed in 1972, 1979, and 1999. Maira Kalman illustrated an edition in 2005. That same year, a New York composer named Nico Muhly premiered a short opera based on the book. The volume is a standard tool for students and writers and remains required reading in many composition classes. The complete history of The Elements of Style is detailed in Mark Garvey's Stylized: A Slightly Obsessive History of Strunk & White's The Elements of Style.

In 1978, White won a special Pulitzer Prize citing "his letters, essays and the full body of his work".[15] He also received the Presidential Medal of Freedom in 1963 and honorary memberships in a variety of literary societies throughout the United States. The 1973 Oscar-nominated Canadian animated short The Family That Dwelt Apart is narrated by White and is based on his short story of the same name.[16]

In the late 1930s, White turned his hand to children's fiction on behalf of a niece, Janice Hart White. His first children's book, Stuart Little, was published in 1945, and Charlotte's Web followed in 1952. Stuart Little initially received a lukewarm welcome from the literary community. However, both books went on to receive high acclaim, and Charlotte's Web won a Newbery Honor from the American Library Association, though it lost to Secret of the Andes by Ann Nolan Clark.

White received the Laura Ingalls Wilder Medal from the U.S. professional children's librarians in 1970. It recognized his "substantial and lasting contributions to children's literature." [17] That year, he was also the U.S. nominee and eventual runner-up for the biennial Hans Christian Andersen Award, as he was again in 1976.[18][19] Also, in 1970, White's third children's novel was published, The Trumpet of the Swan. In 1973 it won the Sequoyah Award from Oklahoma and the William Allen White Award from Kansas, both selected by students voting for their favorite book of the year. In 2012, the School Library Journal sponsored a survey of readers, which identified Charlotte's Web as the best children's novel ("fictional title for readers 9–12" years old). The librarian who conducted it said, "It is impossible to conduct a poll of this sort and expect [White's novel] to be anywhere but #1."[2][20]

• 1953 Newbery Medal for Charlotte's Web
• 1960 American Academy of Arts and Letters Gold Medal
• 1963 Presidential Medal of Freedom
• 1970 Laura Ingalls Wilder Award[17]
• 1971 National Medal for Literature
• 1977 L.L. Winship/PEN New England Award, Letters of E. B. White
• 1978 Pulitzer Prize Special Citation for Letters[15]

The E.B. White Read Aloud Award is given by The Association of Booksellers for Children (ABC) to honor books that its membership feel embodies the universal read-aloud standards that E. B. White's works created.

Wikiquote has quotations related to: E. B. White

Wikimedia Commons has media related to Elwyn Brooks White.

• "E. B. White, The Art of the Essay No. 1", The Paris Review, Fall 1969 – interview by George Plimpton and Frank H. Crowther
• Works by E. B. White at Open Library
• In the Words of E. B. White – Book Trailer on YouTube (audio-video)
• miNYstories based on Here Is New York
• E. B. White at Find a Grave