Downhill (1927 film)

At an expensive English boarding school for boys, Roddy Berwick (Ivor Novello) is School Captain and star rugby player. He and his best friend Tim Wakely (Robin Irvine) start seeing a waitress Mabel (Annette Benson). Out of pique, she tells the headmaster that she is pregnant and that Roddy is the father. In fact it was Tim, who cannot afford to be expelled because he needs to win a scholarship to attend Oxford University. Promising Tim that he will never reveal the truth, Roddy accepts expulsion.

Returning to his parents’ home, he finds that his father Sir Thomas Berwick (Norman McKinnel) believes him guilty of the false accusation.[1]

Leaving home, Roddy finds work as an actor in a theatre. He marries the leading actress Julia Fotheringale (Isabel Jeans) after inheriting £30,000 from a relation. The unfaithful Julia secretly continues an affair with her leading man Archie (Ian Hunter) and discards Roddy after his inheritance is exhausted. He becomes a gigolo in a Paris music hall but soon quits over self-loathing at romancing older women for money.

Roddy ends up alone and delirious in a shabby room in Marseilles. Some sailors take pity on him and ship him back home, possibly hoping for reward. Roddy's father has learned the truth about the waitress's false accusation during his son's absence and joyfully welcomes him back. Roddy resumes his previous life.

• Ivor Novello as Roddy Berwick
• Ben Webster as Dr. Dawson
• Norman McKinnel as Sir Thomas Berwick
• Robin Irvine as Tim Wakely
• Jerrold Robertshaw as Reverend Henry Wakely
• Sybil Rhoda as Sybil Wakely
• Annette Benson as Mabel
• Lilian Braithwaite as Lady Berwick
• Isabel Jeans as Julia Fotheringale
• Ian Hunter as Archie
• Hannah Jones as The Dressmaker
• Barbara Gott as Madame Michet
• Violet Farebrother as The Poet
• Alf Goddard as The Swede
• J. Nelson as Hibbert

The film is based on the play, Down Hill, written by its star Ivor Novello and Constance Collier under the combined alias David L'Estrange.

The stage performance had a short run in the West End and longer in the provinces. In the play Novello thrilled his female fans by washing his bare legs after the rugby match. An appreciative James Agate, drama critic for the London Sunday Times, wrote "The scent of good honest soap crosses the footlights". Hitchcock included a similar scene of Novello for the film in which he is shown naked from the waist up.

Hitchcock's emerging style is well demonstrated in this film. He used a variety of screen techniques to tell the story with a minimum of title cards, preferring instead to allow the film's visual narrative tell the story. A good example is the scene after Roddy leaves home. It opens with the title card "The world of make-believe". This is followed by a closeup of Roddy in a tuxedo. The camera pulls back to reveal Roddy is actually playing a waiter on stage in a theatre. Hitchcock also incorporated shots of a descending escalator at Maida Vale tube station as a visual metaphor for Roddy's downhill descent. He experimented with dream sequences by shooting them in superimpositions and blurred images. He played with shadow and light in much the same way as directors of German expressionist films of the time.

Original prints of the film were colour tinted, for instance the scene involving Novello's voyage home on a boat was a "sickly" green to express mental torment and nausea.

A fully tinted restoration of Downhill was completed in 2012 as part of the BFI's £2 million "Save the Hitchcock 9" project to restore all of the director's surviving silent films.[2]

Like Hitchcock's other British films, all of which are copyrighted worldwide,[2][3] Downhill has been heavily bootlegged on home video.[4] Despite this, various licensed, restored releases have appeared on DVD, Blu-ray and video on demand from the Network imprint in the UK as well as Criterion in the U.S.[5]

• Downhill on IMDb
• Downhill at AllMovie
• Downhill at the BFI's Screenonline
• Alfred Hitchcock Collectors’ Guide: Downhill at Brenton Film