Different Drum

"Different Drum" is a song written by American singer-songwriter Michael Nesmith in 1964. It was first recorded by the northern bluegrass band the Greenbriar Boys and included on their 1966 album, Better Late than Never!. Nesmith offered the song to the Monkees, but the producers of the TV show, who had wide control over the group's musical output early on, turned him down.[2]

This article is about the song written by Michael Nesmith. For the Linda Ronstadt album, see Different Drum (album). For the record label, see A Different Drum.
"Different Drum"
Single by The Stone Poneys featuring Linda Ronstadt
from the album Evergreen, Volume 2
B-side"I've Got to Know"
ReleasedSeptember 1967
Format7" single
GenreBaroque pop[1]
Length2:45
LabelCapitol
Songwriter(s)Mike Nesmith
Producer(s)Nick Venet
The Stone Poneys featuring Linda Ronstadt singles chronology
"One for One"
(1967)		 "Different Drum"
(1967)		 "Up to My Neck in High Muddy Water"
(1968)

The song became popular in 1967 when recorded by the Stone Poneys featuring Linda Ronstadt, who took their version of "Different Drum" to #12 on the Cash Box Top 100, #13 on the Billboard Hot 100 chart, and #16 in Record World magazine. The song did best in New Zealand, where it reached #5.[3] In 1972, Nesmith recorded his own version of his song. "Different Drum" has since been covered by other artists.

Michael Nesmith version

Michael Nesmith wrote the song in 1964, when he was looking to start performing as a singer-songwriter. The song tells of a pair of lovers, one of whom wants to settle down, while the other wants to retain a sense of freedom and independence. Its narrator is the lover who wants to remain free, telling the other that "we'll both live a lot longer" if they part ways now. Nesmith said: "The lyrics.. had nothing to do with my personal life - I was newly married with a pregnant wife."[4]

In 1965, he shared the song with John Herald of the Greenbriar Boys. The following year, Herald's group recorded it on their album Better Late Than Never.[4] The song reached a wider audience when Nesmith rushed through a version of it in a comedy bit while pretending to be Billy Roy Hodstetter, in the Monkees television show episode "Too Many Girls", which aired in December 1966. Davy Jones mentions this during the commentary track on some DVDs of this episode.[5]

Nesmith later rerecorded the song for his 1972 LP And the Hits Just Keep on Comin'. His version contains four verses, as opposed to the three in Ronstadt's version.

The Stone Poneys version

The song is best known for the 1967 version credited to the Stone Poneys[6] featuring a vocal performance by a young and up-and-coming singer named Linda Ronstadt. The song was Ronstadt's first hit single, reaching number 13 on the Billboard Hot 100 as well as number 12 on the Cash Box magazine singles chart. (It went to number 1 in the Los Angeles market and number 6 in Detroit.) [7]

Ronstadt's version flips the gender references in Nesmith's original lyrics, replacing "girl" with "boy" when describing her lover, but still referring to him being "pretty". The Stone Poneys had intended to record an "acoustic ballad version" of the song, but producer Nick Venet opted for a more complex instrumental approach, using an arrangement by Jimmy Bond (who also played bass), guitarists Al Viola and future Eagles co-founder Bernie Leadon[8], drummer Jim Gordon, strings led by Sid Sharp, and harpsichord played in baroque style (and largely improvised during the recording) by Don Randi. As a result, Ronstadt was the only member of the Stone Poneys who performed on the record. The version that was released was the second take, with no overdubbing.[4]

The album rendition offers a different stereo mix than the hit single, including a longer harpsichord bridge. [9] Ronstadt later commented that she had been surprised and "completely confused" by the changed approach to the song, and that even years later she perceived "fear and a lack of confidence" in her performance. Nesmith, on the other hand, said that Ronstadt's performance of his song "infused it with a new level of passion and sensuality".[9] In later live performances of the song, Nesmith would often sing the closing verse in the same singing style as the Ronstadt version.

Chart history

Other versions

The song has been covered by many artists:

References
  1. Gendron, Bernard (2002). Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde. University of Chicago Press. ISBN 978-0-226-28737-9.CS1 maint: ref=harv (link)
  3. Flavour of New Zealand, 15 March 1968
  4. Myers, Marc (2016). Anatomy of a Song. Grove Press. p. 101-105. ISBN 978-1-61185-525-8.
  5. "Too Many Girls". The Monkees. Season 1. Episode 15. 1966-12-19. NBC.
  6. Show 44 - Revolt of the Fat Angel: Some samples of the Los Angeles sound. [Part 4] : UNT Digital Library
  7. CMT.com : Linda Ronstadt : Biography
  8. https://bringmethenews.com/life/linda-ronstadt-praises-minneapolis-music-legend
  9. Marc Myers, "Linda Ronstadt's 'Different Drum': She and songwriter Michael Nesmith talk about her first hit", The Wall Street Journal, October 31, 2013.
  10. Go-Set National Top 40, 21 February 1968
  11. "Item Display - RPM - Library and Archives Canada". Collectionscanada.gc.ca. Retrieved 2017-05-15.
  12. Flavour of New Zealand, 15 March 1968
  13. Joel Whitburn's Top Pop Singles 1955-1990 - ISBN 0-89820-089-X
  14. "Cash Box Top 100 Singles, February 3, 1968". Archived from the original on August 12, 2014. Retrieved May 16, 2017.
  15. "Go-Set Magazine Charts". www.poparchives.com.au. Barry McKay. January 2007. Retrieved 10 July 2017.
  16. Whitburn, Joel (1999). Pop Annual. Menomonee Falls, Wisconsin: Record Research Inc. ISBN 0-89820-142-X.
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