Curse of the Cwelled

1. "Havoc on Holy Island" - 5.25
2. "The Anvil" - 3:50
3. "By My Lord I Will Lie" - 5:05
4. "Fire of Baited Blood" - 3:58
5. "Curse of the Cwelled" - 5:05
6. "Awakened Hate" - 4:53
7. "Painted with Blood" - 4:42
8. "Rustics to Remain" - 3:51
9. "Edge of Oblivion" - 4:03
10. "Master of Fate" - 5:07
11. "The River-Maid's Farewell" (Instrumental) - 4:11

As is typical for the band, much of the album's lyrics are based on the history of England. Several songs include elements quoting relevant poems or other works, often in Anglo Saxon.

• "Havoc on Holy Island" describes the 793 raid on the island of Lindisfarne, and includes a passage from the Anglo-Saxon Chronicle describing the incident.
• "The Anvil" is based on, and includes lyrics directly from, a Rudyard Kipling poem of the same name. While the original poem describes William the Conqueror as a unifying force "forging" England into a single nation, the song reverses this and portrays him as a tyrant reshaping England as he sees fit, at the expense of its people.
• "By My Lord I Will Lie" describes the Battle of Maldon, and quotes from the Old English poem about the event.
• "Awakened Hate" is closely based on the poem "The Beginnings".
• "Painted with Blood" is based on The Battle of the Teutoburg Forest.
• "Curse of the Cwelled" describes the Anglo-Saxon inhabitants of England chafing under William the Conqueror's rule. It includes lines from a 1066 entry in the Anglo-Saxon Chronicle.
• "Rustics to Remain" is about the Peasants' Revolt
• "Master of Fate" draws from J.R.R. Tolkien's legendarium. It is about the tale of Túrin Turambar; the title "Turambar" translates to "master of fate".
• "The River-Maid's Farewell" is an adaptation of the 17th century English Country Dance titled "Parson's Farewel".