China Miéville

Born in Norwich, Miéville was brought up in Willesden and has lived in London since early childhood. He grew up with his sister Jemima and mother Claudia, a translator, writer and teacher, daughter of Leo Claude Vaux Miéville, whose wife Youla (née Harrison) was granddaughter of the 4th Baron Hatherton.[3][4] His parents separated soon after his birth, and he has said that he "never really knew" his father.[5] They chose his first name, China, from a dictionary, looking for a beautiful name.[5] By virtue of his mother's birth in New York City, Miéville holds dual American and British citizenship. In 1982 his mother married Paul Lightfoot; they divorced in 1992.[6][7][8]

Miéville attended Oakham School, a co-educational independent school in Oakham, Rutland, for two years. At the age of eighteen, in 1990, he taught English for a year in Egypt, where he developed an interest in Arab culture and in Middle Eastern politics.

Miéville studied for a BA degree in social anthropology at Clare College, Cambridge, graduating in 1994, and gained both a master's degree and PhD in international relations from the London School of Economics in 2001. Miéville has also held a Frank Knox fellowship at Harvard University.[5] After becoming dissatisfied with the ability of post-modern theories to explain history and political events, he became a Marxist at university.[5] A book version of his PhD thesis, entitled Between Equal Rights: A Marxist Theory of International Law, was published in the UK in 2005 by Brill in their "Historical Materialism" series, and in the United States in 2006 by Haymarket Books.

Miéville has said he plans to write a novel in every genre.[9] To this end, he has "constructed an oeuvre" that is indebted to genre styles ranging from classic American Western (in Iron Council) to sea-quest (in The Scar) to detective noir (in The City & the City).[10]

Yet Miéville's works all describe fantastical or supernatural worlds or scenarios; Robert Hanks has discussed his work in relation to the categories of science fiction, of fantasy and of "urban surrealism".[11] Miéville has listed M. John Harrison, Michael de Larrabeiti, Michael Moorcock, Thomas M. Disch, Charles Williams, Tim Powers, and J. G. Ballard as literary "heroes"; he has also frequently discussed as influences H. P. Lovecraft, Mervyn Peake, Ursula K. Le Guin, and Gene Wolfe. He has said that he would like his novels "to be read for [his imagined city] New Crobuzon as Iain Sinclair does for London". Miéville has admitted that his books contain some allusions to Russian writers, including Andrei Platonov, Arkady and Boris Strugatsky, Evgeny Voiskunsky and Isai Lukodyanov.[12]

Miéville played a great deal of Dungeons & Dragons and similar roleplaying games (RPGs) in his youth. He attributes his tendency to systematisation of magic and theology to this influence.[5] In his novel Perdido Street Station, he refers to characters interested "only in gold and experience". The February 2007 issue of Dragon Magazine interpreted the world presented in his books according to Dungeons & Dragons rules. The Player's Handbook for the Fifth Edition of Dungeons & Dragons cited his novel Perdido Street Station as a source of inspiration for the game's designers.[13]

In 2010 Miéville made his first foray into writing for RPGs with a contribution to the Pathfinder Roleplaying Game supplement Guide to the River Kingdoms.[14]

Miéville works to move fantasy away from J. R. R. Tolkien's influence, which he finds stultifying and reactionary. He once described Tolkien as "the wen on the arse of fantasy literature".[15] Miéville has cited Michael de Larrabeiti's Borrible Trilogy as one of his biggest influences; he wrote an introduction for the trilogy's 2002 reissue. The introduction was eventually left out of the book, but appears on de Larrabeiti's website.[16] Miéville is also indebted to Moorcock, having cited his essay "Epic Pooh" as the source upon which he is "riffing" or even simply "cheerleading" in his critique of Tolkien-imitative fantasy. Despite this, he has praised Tolkien for his contributions to fantasy, especially in a 2009 blog post where he gave 5 reasons why Tolkien was praise-worthy.[17]

Miéville's left-wing politics become evident in his writing (particularly in Iron Council, his third Bas-Lag novel) as do his theoretical ideas about literature. In several panel discussions at conventions about the relationship of politics and writing, he has opposed right-wingers in heated arguments. He has, however, said:

I'm not a leftist trying to smuggle in my evil message by the nefarious means of fantasy novels. I'm a science fiction and fantasy geek. I love this stuff. And when I write my novels, I'm not writing them to make political points. I'm writing them because I passionately love monsters and the weird and horror stories and strange situations and surrealism, and what I want to do is communicate that. But, because I come at this with a political perspective, the world that I'm creating is embedded with many of the concerns that I have. [...] I'm trying to say I’ve invented this world that I think is really cool and I have these really big stories to tell in it and one of the ways that I find to make that interesting is to think about it politically. If you want to do that too, that's fantastic. But if not, isn't this a cool monster?[18]

Miéville has previously been a member of the International Socialist Organization (US) and, until 13 March 2013, was also a member of the Socialist Workers Party (UK).[19] He stood unsuccessfully for the House of Commons of the United Kingdom in the 2001 general election as a candidate for the Socialist Alliance, gaining 459 votes, i.e. 1.2%,[20] in Regent's Park and Kensington North, a Labour constituency.[21]

In January 2013, he emerged as a critic of the SWP's leadership and in March resigned[19] over the leadership's handling of rape allegations against a SWP member.[22][23]

In August 2013, Miéville was one of nine signatories (along with fellow novelist and former Children's Laureate Michael Rosen, veteran film-maker and socialist Ken Loach, academic Gilbert Achcar and General Secretary of the Campaign for Nuclear Disarmament, Kate Hudson) of an open letter to the Guardian newspaper announcing the foundation of a "new party of the left", to be called Left Unity. The letter, which claims that Labour policies on "austerity" and breaking of ties with trades unions amount to a "final betrayal of the working-class people it was founded to represent", states that Left Unity will be launched at a "founding conference" in London on 30 November 2013 and will provide, as an "alternative" to Labour, "a party that is socialist, environmentalist, feminist and opposed to all forms of discrimination".[1]

In 2015, he was announced as one of the founding editors of a new quarterly, Salvage, with editor-in-chief Rosie Warren, editor Jamie Allinson and contributing editors Richard Seymour, Magpie Corvid and Charlotte Bence.[24]

October, published in 2017, documents the dramatic events of the Russian revolution. Jonathan Steele, reviewed it for The Guardian. Steele considers it an ideological though nuanced retelling: “known as a left-wing activist, … Miéville writes with the brio and excitement of an enthusiast who would have wanted the revolution to succeed. But he is primarily interested in the dramatic narrative — the weird facts — of the most turbulent year in Russia’s history”[25]

A comprehensive list of Miéville's work is available at the ISFDB.

• In 2006 Miéville's short story "Details" (collected in Looking for Jake) was adapted as a screenplay by Dan Kay, and subsequently picked up by the studio Paramount Vantage.[27]
• In February 2013, a stage adaptation of The City and the City, written by Christopher M. Walsh and directed by Dorothy Milne, made its world premiere at Lifeline Theatre in Chicago, Illinois.[28] Miéville attended 16 March 2013 production of the adaptation.[29]
• A television adaptation of the novel The City & the City was broadcast on BBC 2 in 2018.
• American artist Mariam Ghani's The City & The City (2015), is a loose adaptation of the novel The City & the City as a video artwork which "maps the conceptual framework of that novel onto the cityscape of St. Louis, melding some of the fictions of the novel’s world with elements drawn from past and present histories of the city."[30]
• The short story "Estate" (collected in Three Moments of an Explosion: Stories) was adapted into a 20 minute movie, due to be released in 2019.[31]

Miéville just after winning the Arthur C. Clarke Award in 2010

• His first novel, King Rat (1998), was nominated for both an International Horror Guild and a Bram Stoker award.
• Perdido Street Station won the 2001 Arthur C. Clarke Award[32] and the 2001 British Fantasy Award,[32] and was nominated for the Hugo, Nebula, World Fantasy, Locus and British Science Fiction awards.[33]
• The Scar won the 2003 British Fantasy Award[34] and the 2003 Locus Award for Best Fantasy Novel,[34] was nominated for the Hugo, Arthur C. Clarke, World Fantasy, Locus, Philip K. Dick, and British Science Fiction awards,[35] and received a Philip K. Dick Award special citation.
• Iron Council won the 2005 Arthur C. Clarke Award[36] and the 2005 Locus Award for Best Fantasy Novel,[36] and was nominated for the Hugo and World Fantasy awards.[36]
• "Reports of Certain Events in London" (featured in the anthology McSweeney's Enchanted Chamber of Astonishing Stories) was nominated for a 2005 World Fantasy Award and tied for the 2005 Locus Award for Best Novelette.
• Un Lun Dun won the 2008 Locus Award for Best Young Adult Book.
• He has been a Guest of Honour at multiple science fiction conventions, including Orbital 2008 the British National Science Fiction convention (Eastercon) in London and Readercon 2006.
• The City & the City won the 2010 Arthur C. Clarke Award, 2010 Hugo Award, 2009 Kitschies and 2010 World Fantasy Award, as well as being a Nebula Award nominee in the Best Novel category.[37][38][39]
• Embassytown was nominated for the 2012 Hugo Award for Best Novel.[40]

• He was a 2018 Guggenheim Fellow in Fiction.[41]

• Sandra K. Rankin; University of Arkansas (2009). China Mieville and the Misbegot: Monsters, Magic, and Marxism. ProQuest. ISBN 978-1-109-20301-1. Retrieved 18 December 2011.
• Głaz, Adam (2015). "Reversals and Paradoxes". Extrapolation. 56 (3): 335–352. doi:10.3828/extr.2015.18. ISSN 0014-5483. Retrieved 28 January 2016.
• Spinrad, Norman (April–May 2013). "Doors to anywhere". On Books. Asimov's Science Fiction. 37 (4&5): 183–191. Reviews Railsea.
• Caroline Edwards; Tony Venezia, eds. (2015). China Miéville: Critical Essays. Gylphi Limited. ISBN 1780240279. Retrieved 24 October 2017.

• "Rejectamentalist Manifesto" Blog by China Miéville.
• China Miéville at British Council: Literature
• China Miéville at the Internet Speculative Fiction Database
• China Miéville at the Internet Book List
• In a Carapace of Light: A Conversation with China Miéville at Clarkesworld Magazine
• Perdido Street Station, The Scar and Iron Council (2004) all make Steampunkbooks.net list of Top Ten Steampunk Books of All Time.

appearances

• Audio interview on his Book October with Novara Media