Carcosa

Later writers, including H. P. Lovecraft and his many admirers, became great fans of Chambers' work and incorporated the name of Carcosa into their own stories, set in the Cthulhu Mythos. The King in Yellow and Carcosa have inspired many modern authors, including Karl Edward Wagner ("The River of Night's Dreaming"), Joseph S. Pulver ("Carl Lee & Cassilda"), Lin Carter, James Blish, Michael Cisco ("He Will Be There"), Ann K. Schwader, Robert M. Price, Galad Elflandsson, Simon Strantzas ("Beyond the Banks of the River Seine"), Charles Stross (in the Laundry Files series), Anders Fager and S. M. Stirling (in the Emberverse series).

Joseph S. Pulver has written nearly 30 tales and poems that are based on and/or include Carcosa, The King in Yellow, or other elements from Robert W. Chambers. Pulver also edited an anthology A Season in Carcosa of new tales based upon The King in Yellow, released by Miskatonic River Press in 2012.[2]

John Scott Tynes contributed to the mythology of Chambers' Carcosa in a series of novellas, "Broadalbin,"[3] "Ambrose,"[4] and "Sosostris,"[5] and essays in issue 1 of The Unspeakable Oath[6] and in Delta Green.

In Robert Shea and Robert Anton Wilson's The Illuminatus! Trilogy, Carcosa is connected with an ancient civilization in the Gobi Desert, destroyed when the Illuminati arrived on Earth via flying saucers from the planet Vulcan.

In maps of the world of George R. R. Martin's A Song of Ice and Fire, a city named Carcosa is labeled on the easternmost edge of the map along the coast of a large lake, near other magical cities such as Asshai. In The World of Ice and Fire, it is mentioned that a sorcerer lord lives there who claims to be the sixty-ninth Yellow Emperor, from a dynasty fallen for a thousand years.[7]

In the short story "Dinner in Carcosa," Western Canadian author Allan Williams re-imagines Carcosa as an abandoned Alberta prairie town with still-active insurance policies held by an ominous firm called "Hastur & Associates." The story revolves around a chance encounter between a young insurance adjuster and the Ambrosovich family.[8]

In the satirical novel Kamus of Kadizhar: The Black Hole of Carcosa by John Shirley (St. Martin's Press, 1988), Carcosa is the name of a planet whose weird black hole physics figures in the story.[9]

In David Drake's Lord of the Isles series, Carcosa is the name of the ancient capital of the old kingdom, which collapsed a thousand years before the events of the series.[10]

In S.M. Stirling's Emberverse series, Carcosa is the name of a South Pacific city inhabited by evil people led by the Yellow Raja and the Pallid Mask.

In Lawrence Watt-Evans's The Lords of Dûs series, a character known as the Forgotten King, who dresses in yellow rags, reveals that he was exiled from Carcosa.[11]

In writer Alan Moore's Neonomicon, drawn by artist Jacen Burrowes, the character Johnny Carcosa is the key to a mystical Lovecraftian universe.

In the HBO original series True Detective, 'Carcosa' is presented as a man-made temple. Located in the back woods of Louisiana, the temple serves as a place of ritualistic sexual abuse of children and child murder organized by a group of wealthy Louisiana politicians and church leaders. The main characters, Rust Cohle and Marty Hart, storm the temple in the final episode of the season, where they confront a serial killer, who is the most active member of the cult. It is understood that the cult worships the "Yellow King", to whom an effigy is dedicated in the main chamber of 'Carcosa'. The series hints at a larger conspiracy which continues beyond the show, which is in line with Lovecraftian horror, as is a vision experienced by one character that underscores Lovecraftian themes like cosmic indifference.

In Part 3 of the Netflix original series The Chilling Adventures of Sabrina, the barker of the traveling amusement park and carnival is named Carcosa, and the carnival in turn named, presumably, after him. Throughout the season of the show, it becomes apparent that the workers at the carnival are all mythological beings of old, with Carcosa himself being the god Pan, his true form being that of a satyr, in the show understood to be the god of madness. The arc of the season revolves partially around the attempts of the carnival workers to resurrect an older deity identified as The Green Man. Themes of madness, death and resurrection parallel the works of Robert W. Chambers et al..

In the 1988 album "Passage to Arcturo" by Rotting Christ, the song "Inside The Eye of Algond" nominates the Mystical Carcosa as part of the singer's journey.

The second song of the 2015 album Luminiferous by the American metal band High on Fire is named Carcosa.

In 2016 DigiTech released a Fuzz pedal called the Carcosa. The pedal featured two modes, named "Hali" and "Demhe." [12]

Maria, a film by King Abalos, takes place in a mysterious mountain called Carcosa.

In the Mass Effect 3 universe there is a planet named Carcosa.

In 2001 the Belgian black metal band Ancient Rites released the album Dim Carcosa. The title track's lyrics consist of excerpts from "Cassilda's Song".

In the early 2000s, a Mysterious Package Company experience called The King in Yellow was introduced, heavily inspired by story and title. Later, a sequel experience entitled Carcosa: Rise of the Cult was created, obviously connected to this shared universe, and connected to the original The King in Yellow.

The 2019 EP "On the Shores of Hali"[13] by Cassilda and Carcosa[14] makes numerous references to Chamber's version of Carcosa.

Carcosa House was a science fiction specialty publishing firm formed in 1947 by Frederick B. Shroyer, a boyhood friend of T. E. Dikty, and two Los Angeles science fiction fans, Russell Hodgkins and Paul Skeeters. Shroyer had secured a copy of the original newspaper appearance of the novel Edison's Conquest of Mars by Garrett P. Serviss which he wished to publish. Shroyer talked Hodgkins and Skeeters into going in on shares to form the publisher which issued the Serviss book in 1947. Dikty offered advice, and William L. Crawford of F.P.C.I. helped with production and distribution. Carcosa House announced one other book, Enter Ghost: A Study in Weird Fiction, by Sam Russell, but due to slow sales of the Serviss book, it was never published.

• Edison's Conquest of Mars, by Garrett P. Serviss (1947)

colophon for Carcosa

Carcosa was a specialty publishing firm formed by David Drake, Karl Edward Wagner, and Jim Groce, who were concerned that Arkham House would cease publication after the death of its founder, August Derleth. Carcosa was founded in North Carolina in 1973 and put out four collections of pulp horror stories, all edited by Wagner. Their first book was a huge omnibus volume of the best non-series weird fiction by Manly Wade Wellman. It was enhanced by a group of chilling illustrations by noted fantasy artists Lee Brown Coye. Their other three volumes were also giant omnibus collections (of work by Hugh B. Cave, E. Hoffman Price, and again by Manly Wade Wellman). A fifth collection was planned, Death Stalks the Night, by Hugh B. Cave; Lee Brown Coye was working on illustrating it when he suffered a crippling stroke in 1977 and eventually died, causing Carcosa to abandon the project. The book was eventually published by Fedogan & Bremer. Carcosa also had plans to issue volumes by Leigh Brackett, H. Warner Munn and Jack Williamson; however, none of the projected volumes appeared. The Carcosa colophon depicts the silhouette of a towered city in front of three moons.

• 1976, World Fantasy Award, Special Award - Non-Professional to Karl Edward Wagner, David Drake & Jim Groce for Carcosa.[15]

• Worse Things Waiting, by Manly Wade Wellman (1973)
• Far Lands, Other Days, by E. Hoffmann Price (1975)
• Murgunstrumm and Others, by Hugh B. Cave (1977)
• Lonely Vigils, by Manly Wade Wellman (1981)