Bombshell (musical)

At the opening of the show, is Norma Jeane Mortenson, before she changed her name to Marilyn Monroe. Her first marriage has just ended due to her all consuming drive to be a movie star ("Let Me Be Your Star"). We flash back to the 10-year-old Norma Jeane, who is being dropped off at Grauman's Chinese Theatre by her single mother, Gladys Mortensen, a mentally unstable film cutter who uses the courtyard filled with movie stars' foot and hand prints to babysit for her daughter ("At Your Feet"). Flash forward to the adult Norma Jeane, who is now an actress often confronted with the casting couch. We see a large number of aspiring actresses sneak into film producer Darryl F. Zanuck's office and bribe him with sexual favors to be cast in his films. These young women are led by Norma Jeane, and Zanuck seems to enjoy their advances ("Smash!"). Norma Jeane pays her bills by modeling. At one photo shoot, she spies a book of Yeats' poetry on the shelf and surprises the photographer with her knowledge of the poet's work as she sings of her history with men. But even as she quotes Yeats, the song ends with her naked in the iconic calendar pose ("Never Give All the Heart"). Norma Jeane finds herself in the middle of a contract with 20th Century Fox, around 1946. This is when, with the help of 20th Century Fox executive Ben Lyon, she lands a screen test, during which she selects the name Marilyn Monroe for herself, and this number sees the transformation from Norma Jeane into Marilyn ("20th Century Fox Mambo"). On Marilyn's first date with baseball player Joe DiMaggio, the two go to a drive-in movie, and other lovers back them up as they sing this romantic duet ("History Is Made At Night"). After Joe and Marilyn's date, Marilyn goes straight to the ball field for some due diligence, and sings with the New York Yankees ("The National Pastime"). Joe & Marilyn arrive back in America from their honeymoon. Joe does his best to domesticate her with the promise of a simpler life ("Mr. & Mrs. Smith"). Joe & Marilyn are honeymooning in Japan. Marilyn is asked to perform for the troops in Korea. Joe sees firsthand how men react to her and how she loves it ("I Never Met a Wolf Who Didn't Love to Howl"). Film producer Darryl F. Zanuck complaining to his studio executives about Marilyn Monroe's lack of professionalism. The male executives are all wearing nothing but towels, true to Zanuck's actual studio executives ("Don't Say Yes Until I Finish Talking"). Marilyn shoots a scene from the 1954 film The Seven Year Itch in which the air from a subway grating must blow her skirt up. As the director orders for the scene to be reshot time and time again, a large crowd gathers to watch Marilyn. Joe DiMaggio is infuriated by the spectacle, which leads to his eventual divorce from Marilyn ("On Lexington & 52nd Street"). Marilyn is now in Hollywood on her next film, as the divorce from Joe becomes official, and the film wraps. Marilyn resolves to keep going with the only family she knows, the film crew. They smile at her attempt at camaraderie, but long fed up with her on-set behavior, they throw all her wrap presents away, which she discovers as the curtain falls on Act One ("Cut, Print... Moving On").

Making one picture after another, Marilyn becomes dissatisfied with the roles she is being offered, "retires" from pictures and flies off to New York City, where she is met by a phalanx of reporters and fans at Idyllwild Airport ("Public Relations"). In 1955, Marilyn studies with Lee Strasberg at the Actors Studio in New York City. Being limited by typecasting, she meets with Cheryl Crawford before interviewing with Lee and being accepted into the Actors Studio ("Dig Deep"). Mariliyn is huddled around a piano at a party in New York. Marilyn meets esteemed playwright Arthur Miller. She tells him of how her often-institutionalized mother bought a piano once on an infrequent visit home, which is Norma Jeane's only memory of a happy moment between her and her mother, and that after searching for years, she found the actual piano, bought it, and now takes it with her wherever she lives. ("Second Hand White Baby Grand"). Arthur is deeply touched, they fall in love and marry. Marilyn, with newfound confidence in her acting skills, goes to England to film The Prince & The Showgirl opposite Laurence Olivier. Unfortunately, Olivier treats her like a "no talent" and she admits to the apprentice hired to look after her that she wonders if the auditioning and always having to prove herself will ever stop ("They Just Keep Moving the Line"). Marilyn begrudgingly heading back to Hollywood to film Some Like It Hot, but is so unhappy about still having to play the dumb blonde that she begins spiraling down, keeping the crew waiting more than ever, as she drinks and takes pills ("Let's Be Bad"). Arthur Miller realizes he can't help with her behavior, or even stay with Marilyn anymore ("The Right Regrets"). Marilyn is on her own back in Hollywood. She attends a fundraiser for JFK in Palm Springs, where Nat King Cole entertains, rallying the super glamorous guests ("(Let's Start) Tomorrow Tonight"). Sparks fly between Marilyn and JFK, and they begin to sneak off together whenever he can manage to get away. But it is a degrading and doomed relationship ("Our Little Secret"). Marilyn fantasizes about visiting her retired mother at the sanitarium, where - in the dream - Gladys says all the things to Marilyn that she always wanted to hear ("Hang the Moon"). Marilyn is in bed. She calls up a man to keep her company, but he denies her. At the end of the number, it is implied that she dies ("Second Hand White Baby Grand (Reprise)"). Years after their divorce, Marilyn's ex-husband Joe DiMaggio mourns at her funeral. He brings a rose to set on her grave and sadly reminisces about how the two fell apart ("Mr. & Mrs. Smith (Reprise)"). Marilyn posthumously reflects on her life and begs the audience not to let her trials and tribulations be forgotten. More than anything, she wants her legacy to live on, even in the little things of everyday life ("Don't Forget Me").

Shaiman and Wittman said a charitable organization may put on a concert featuring songs from Bombshell: "A concert could feature the cast and additional performers from Broadway. That would be a wonderful way for the show to live on".[2]

In December 2014, it was announced that Bombshell would see life on Broadway as a special, one-night-only benefit event in 2015. Smash executive producers Neil Meron and Craig Zadan produced the show and some of the original Smash cast, including Megan Hilty as Monroe, also reprised their roles.[3] The single Monday June 8 performance in the Minskoff Theatre on Broadway was sold-out.[4]

The concert will be streamed on 20th May 2020 which will benefit The Actors Fund, will be available to view on people.com, PeopleTV, and People social platforms.

During production of the show, executive producer Craig Zadan said: "We stand on the set, watch the Bombshell numbers and say, "Wouldn’t this be great on Broadway? And so far that’s where we’ve left it. Our priority now is producing a great TV show".[5]

In June 2015 following the sold-out performance at the Minskoff Theatre, it was announced that Bombshell would head to the Broadway stage. The executive producers of Smash and the Bombshell concert, Neil Meron and Craig Zadan, are set to executive produce the Broadway production. No timeline for the show has been announced, and as of 2017, it is still in development.[6][7]

‡ Number cut from the People.com broadcast of the production