Battlestar Galactica (1978 TV series)

In a distant star system, the Twelve Colonies of Mankind were reaching the end of a thousand-year war with the Cylons, warrior robots created by a reptilian race which expired long ago, presumably destroyed by their own creations. Humanity was ultimately defeated in a sneak attack on their homeworlds by the Cylons, carried out with the help of a human traitor, Count Baltar (John Colicos). Protected by the last surviving capital warship, a "battlestar" (from "battle starship"), named Galactica, the survivors fled in available ships. The Commander of the Galactica, Adama (Lorne Greene), led this "rag-tag fugitive fleet" of 220 ships in search of a new home. They began a quest to find the long lost thirteenth tribe of humanity that had settled on a legendary planet called Earth. However, the Cylons continued to pursue them relentlessly across the galaxy.

The era in which this exodus took place is never clearly stated in the series itself. At the start of the series, it is mentioned as being "the seventh millennium of time", although it is unknown when this is in relation to Earth's history. The implication of the final aired episode, "The Hand of God", was that the original series took place after the Apollo 11 moon landing in July 1969 (as the Galactica receives a television transmission from Earth showing the landing). The later Galactica 1980 series is expressly set in the year 1980 after a 30-year voyage to Earth.

Larson, a member of The Church of Jesus Christ of Latter-day Saints, incorporated many themes from Mormon theology into the shows.[1]

The pilot to this series, budgeted at $8 million (one of the most expensive at that time), was released theatrically (in Sensurround) in various countries including Canada on July 8, 1978, Japan and some in Western Europe in an edited 125-minute version.[2]

On September 17, 1978, the full 148 minute pilot premiered on ABC to high Nielsen ratings. Two thirds of the way through the broadcast, ABC interrupted with a special report of the signing of the Camp David Accords at the White House by Israeli Prime Minister Menachem Begin and Egyptian President Anwar Sadat, witnessed by U.S. President Jimmy Carter. After the ceremony, ABC resumed the broadcast at the point where it was interrupted. This interruption did not occur on the West Coast. After the pilot aired, the 125-minute theatrical version was given a nationwide U.S cinema release in May 1979.[2]

The pilot had originally been announced as the first of three made for TV movies. After broadcast of the second episode, "Lost Planet of the Gods", Glen Larson announced the format change to a weekly series, catching his writing and production staff off guard, resulting in several substandard 'crash of the week' episodes until quality scripts could resume. "Lost Planet of the Gods" also introduced a costume change from the original, in that the warriors' dress uniform featured a gold-trimmed cape falling to upper thigh. Because of the costume change, a portion of the pilot was reshot; this refilmed version was released in cinemas in 1979. The original version of the warriors' dress uniform, a plain, mid-thigh-length cape, is documented in The Official Battlestar Galactica Scrapbook by James Neyland, 1978.

Battlestar Galactica was criticized by Melor Sturua in the Soviet newspaper Izvestia. He saw an analogy between the fictional Colonial/Cylon negotiations and the US/Soviet SALT talks and accused the series of being inspired by anti-Soviet hysteria:[3]

The galactic negotiations between the people and the Cylons really resembled the U.S./Soviet SALT talks - not in their actual form but in the perverted interpretation of the enemies of the treaty from the family of Washington hawks... Their inspiration is the pumping-up of military, anti-Soviet hysteria, which in this case is disguised in the modern costume of socio-scientific fantasy... Anti-Soviet symbolism dressed in a transparent tunic of science fiction.

Isaac Asimov commented: "Star Wars was fun and I enjoyed it. But Battlestar Galactica was Star Wars all over again and I couldn't enjoy it without amnesia."[3]

In 1978, 20th Century Fox sued Universal Studios (producers of Battlestar Galactica) for plagiarism, copyright infringement, unfair competition, and Lanham Act claims,[4] claiming it had stolen 34 distinct ideas from Star Wars.[5] Universal promptly countersued, claiming Star Wars had stolen ideas from their 1972 film Silent Running,[6] notably the robot "drones", and the Buck Rogers serials of the 1930s. 20th Century Fox's copyright claims were initially dismissed by the trial court in 1980,[7] then the United States Court of Appeals for the Ninth Circuit remanded the case for trial in 1983.[8] It was later "resolved without trial".[9]

Star Wars director George Lucas also threatened legal action against Apogee, Inc., the visual effects studio formed by John Dykstra and several other former artists from Lucas' Industrial Light and Magic who decided to remain in Van Nuys rather than relocate to San Rafael with the rest of the company. Lucas claimed that Apogee's work on Galactica was being done with equipment that he had left behind, for a project that would be in direct competition against Star Wars. Eventually, Apogee agreed to surrender the equipment to ILM, and several members of Dykstra's team returned to ILM. Afterwards, Universal's newly-formed visual effects division, Universal Hartland Visual Effects, took over the show's visual effects for the remainder of its run. Lucas also went after Galactica merchandise, claiming that the Cylon Raider and Colonial Viper toys could be confused with his own Star Wars toys. His major contention was that the Galactica toys featured plastic pellets that could be fired to simulate lasers, and these constituted a choking hazard for children, and he did not want to be blamed for any such accidents, despite none of the Star Wars toys offered by Kenner having anything similar. The Galactica toys were subsequently redesigned so that the pellets would not leave the toy when fired.

Battlestar Galactica initially was a ratings success. CBS counter programmed by moving its Sunday block of All in the Family and Alice an hour earlier, to compete with Galactica in the 8:00 timeslot. From October 1978 to March 1979, All in the Family averaged more than 40 percent of the 8:00 audience, against Galactica's 28 percent.[10]

In mid-April 1979, ABC executives canceled the show. An AP article reported "The decision to bump the expensive Battlestar Galactica was not surprising. The series ... had been broadcast irregularly in recent weeks, attracting slightly over a quarter of the audience in its Sunday night time slot."[11] Larson claimed that it was a failed attempt by ABC to reposition its number one program Mork & Mindy into a more lucrative timeslot.[12] The cancellation led to viewer outrage and protests outside ABC studios, and it even contributed to the suicide of Edward Seidel, a 15-year-old boy in Saint Paul, Minnesota who was obsessed with the program.[13][14][15]

While primarily English, the Colonial language was written to include several fictional words that differentiated its culture from those of Earth, most notably time units and expletives. The words were roughly equivalent to their English counterparts, and the minor technical differences in meaning were suggestive to the viewer. Colonial distance and time units were incompletely explained, but appear to have been primarily in a decimal format.

Time units included millicenton (approximately equivalent to one second), centon (minute), centar (hour), cycle (day), secton (week), sectar (month), quatron (unknown, perhaps 1/4 yahren), yahren (Colonial year), centuron (Colonial century).

Distance units were metron (meter) and micron (second of time when used in a countdown, but also a distance unit, possibly a kilometer.)

Expletives included "frack", also spelled "frak" (interjection), "felgercarb" (noun), and "golmogging", also spelled "gall-mogging" (adjective). These words avoided US FCC guidelines on the use of profanities and the associated fines.[16]

Other terms included daggit (a canine–like animal indigenous to one of the colonies), ducat (ticket), pyramid (card game), cubit (unit of currency represented by rectangular coins), triad (a full contact ball and goal game similar to basketball), lupus (a wolf-like animal indigenous to another of the colonies), and sociolator (prostitute).

Figures of speech There were a number of these used in the series, such as "daggit dribble", a term used to condemn falsehood, and "daggit-meat", used as an expression of contempt.

The show's original music was composed and conducted by Stu Phillips, with the pilot score performed by the Los Angeles Philharmonic Orchestra. It was recorded at 20th Century Fox, which later sued Universal over the series. MCA Records released a soundtrack album on LP and cassette with Phillips as the music producer; the album was later reissued on compact disc by Edel in 1993, and Geffen Records in 2003. For the series, Phillips used a studio orchestra at Universal, although the theme and end credits music as recorded by the LAPO were retained.

In 2011-2012 Intrada Records released four albums featuring Phillips's music for the series, representing the first commercial release of music other than that of the pilot. (Phillips previously produced a four CD promotional set.) Except the first, all are two disc sets.

• 2011: Battlestar Galactica Volume 1: "Saga of a Star World".
• 2011: Battlestar Galactica Volume 2: "Lost Planet of the Gods" parts 1 and 2, and "Gun on Ice Planet Zero" parts 1 and 2.
• 2012: Battlestar Galactica Volume 3: "The Long Patrol", "The Lost Warrior", "The Magnificent Warriors", "The Young Lords", "Murder on the Rising Star", "Take the Celestra", "The Hand of God", and Galactica 1980's "The Return of Starbuck".
• 2012: Battlestar Galactica Volume 4: "The Living Legend" parts 1 and 2, and "War of the Gods" parts 1 and 2, plus music recorded for Mission Galactica: The Cylon Attack and Galactica 1980.

"Fire in Space", "The Man with Nine Lives", "Greetings from Earth", "Baltar's Escape", and "Experiment in Terra" were entirely tracked with preexisting material.

The series was remade with a reimagined three-hour miniseries in 2003 and followed by a weekly series that ran from 2004 to 2009.

In 2009 Bryan Singer was tapped to direct a feature film remake with production input from original series creator Glen A. Larson.[17][18] Larson's 2014 death caused a delay, but in 2016 Lisa Joy was assigned to be the screenwriter and the studio was considering Francis Lawrence to replace Singer as director.[19]

• List of Battlestar Galactica characters
• List of Battlestar Galactica (1978, 1980) episodes
• Battlestar Galactica (fictional spacecraft)
• Cylon Raider
• Space Mutiny, a science fiction film that used shots from Battlestar Galactica for space scenes

• Criswell, David and Richie Levine. Somewhere Beyond The Heavens: Battlestar Galactica Unofficial Companion. Imprint Books, 2006. ISBN 1591099935.

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• Battlestar Galactica at AllMovie
• Battlestar Galactica on IMDb
• Battlestar Galactica - The Complete Epic Series at Rotten Tomatoes
• Battlestar Galactica at TV.com
• Battlestar Galactica on NBC.com