Atlantis, the Lost Continent

A Greek fisherman named Demetrios and his father rescue Princess Antillia from a shipwreck without knowing that she is from the technologically advanced civilization of Atlantis. After rescuing the princess, Demetrios must travel beyond the Pillars of Hercules to take her home. After they are picked up at sea near Atlantis by a giant fish-like submarine boat, Demetrios, expecting to receive a reward for returning Antillia, is instead enslaved and forced to work in the crater of the volcano that dominates the center of the continent.

King Cronus is being manipulated by an ambitious usurper, Zaren, collaborating with the court sorcerer, Sonoy the Astrologer, who wishes to use the resources of Atlantis in order to conquer the known world. From the continent's volcano, the slaves of Atlantis have been mining unique power crystals which absorb the sun's rays and can then be used to fire heat ray beams. The crystals were originally used to produce light and heat, but due to its arrogance, corruption, and moral laxity, Atlantis has made the crystals into a deadly heat ray weapon, and has now become "an abomination before Heaven".

Taken to the House of Fear, where a mad scientist turns slaves into beasts, Demetrios is saved by being given the chance to undergo the 'ordeal of fire and water'. He fights with a giant ogre in a pit of burning coals. Demetrios outmaneuvers his clumsy opponent, setting fire to the ogre's hair, the fight contrasting with the uproarious laughter coming from the massive crowd in the coliseum, cheering on the spectacle. Later, after killing the ogre in a rising pool of water, Demetrios is declared a free citizen of Atlantis.

Impending doom hangs heavy in the air of Atlantis. The birds, animals, and even the insects are fleeing what appears to be the coming destruction of the continent. With the help of a kindly high priest named Azar, who explains these signs of the apocalypse to him, Demetrios is later able to rescue Princess Antillia after he has helped the slaves of Atlantis to escape the coming destruction. Azar explains and demonstrates the two versions of the power crystal device. He also informs Demetrios that a huge crystal ray projector, a thousand times more powerful than the models with which Azar demonstrated the two versions of the crystal device, is now nearing completion. On the next full moon, Zaren plans to begin his campaign of conquest.

Demetrios thereupon pretends to ally himself with Zaren, supposedly working with the slaves to insure that the crystal is completed on schedule. In fact, however, he works with the slaves to sabotage the process by which the crystal is formed within the volcano, hastening the impending destruction of Atlantis in so doing.

On the full moon, the now-completed giant crystal ray device is displayed to the people of Atlantis. Just at that moment, however, the skies darken, the ground begins to shake, and the destruction of Atlantis begins. The volcano undergoes a cataclysmic eruption. As the continent proceeds to tear itself apart, the people of Atlantis panic, striving to escape their doom. Demetrios and Princess Antillia attempt to escape through the fleeing multitude. Zaren attempts to kill them using the crystal ray weapon, but instead kills many citizens.

Azar attacks Zaren, using Zaren's own knife, leaving the large crystal to swing back and forth, out of control, firing bursts of energy at random. As Zaren finally overcomes Azar, he is himself destroyed by the weapon's energy beam. As lightning flashes and thunder roars, the entire continent is sinking, just before it suddenly and quickly begins to rise. Then, just as quickly, the sea bottom collapses, and Atlantis plunges beneath the waves once and for all. The large crystal device atop the capital's large pyramid, the main power source for the entire continent, is inundated with sea water, short-circuits, and a massive explosion follows.

The skies suddenly clear. Various groups of survivors, including Demetrios and Antillia, flee to Greece and other parts of the world, where they are absorbed into other cultures, and the Legend of Atlantis is spread through the many peoples and nations that follow down through the centuries.

George Pal originally wanted Italian sword and sandal actor Fabrizio Mioni, best known for his portrayal of Jason in Hercules as the lead, but his work visa expired and he had to leave the U. S. Other actors considered were Richard Chamberlain and William Shatner. The film had several sequences filmed off Santa Catalina Island, California.[2]

The film is notorious for its inclusion of stock footage from other films, including the Oscar-winning Quo Vadis and The Naked Jungle. Props from other film productions were also reused, including the large temple idol from The Prodigal, Krell instrument gauges from Forbidden Planet, and wardrobes from Diane and Ben-Hur. When pointed out to George Pal that there were thousands of years of difference between the various costumes and props, he replied "Who knows"?[3]

The special effects and miniature work for Atlantis, the Lost Continent, which uses ancient Greek and Roman-style buildings, temples, the giant crystal ray weapon, the volcano, and showcased the destruction of Atlantis, were the work of the special effects production company Project Unlimited. These were supervised by Gene Warren, Wah Chang, and Jim Danforth, along with the MGM production staff supervised by A. Arnold Gillespie. They coordinated their work with George Pal, who worked closely with the production designer and art director George W. Davis and William Ferrari.

The film's prologue, describing the legend of Atlantis, utilizes stop motion animation by producer George Pal that he had developed earlier in his career for his innovative Puppetoons series.

Voice actor Paul Frees provides the opening and closing narration and is also heard as the dubbed voice of the hero's father, as well as the ruler of Atlantis.

The film generally received poor reviews and was described by film critic Leonard Maltin in his 2002 Movie & Video Guide as "Pal's worst film", writing that it had "poor effects" and that it was: "Occasionally funny – but not on purpose".[4] Author David Wingrove had similar criticisms in his Science Fiction Film Source Book: "No expense was spared in buying up footage from Quo Vadis to give it true period flavour. Avoid".[5]

At a preview screening for the film, questionnaires were handed out to the audience asking what scene was their favorite. One person, apparently recognizing the footage taken from Quo Vadis, wrote "The scene where Robert Taylor saved Deborah Kerr from the fire".[5]

• Dell Four Color #1188 (May 1961)[6][7]

• Atlantis, the Lost Continent on IMDb
• Atlantis, the Lost Continent at the TCM Movie Database