Anya Gallaccio

Born in Paisley, Scotland to TV producer George Gallaccio and actress Maureen Morris. She grew up in south west London, England[5] and studied at Kingston Polytechnic (1984–85) and Goldsmiths College (1985–88). In 1988 Gallaccio exhibited in the Damien Hirst-curated Freeze exhibition, and in 1990 the Henry Bond and Sarah Lucas organised East Country Yard shows, which brought together many of the Young British Artists. Gallaccio is a Professor in the Department of Visual Arts at the University of California, San Diego (UCSD).[6]

Much of her work uses organic materials, with fruit, vegetables and flowers all featuring in her work. Sometimes these materials undergo a change during the course their being exhibited.[7] In Red on Green (1992), ten thousand rose heads placed on a bed of their stalks gradually withered as the exhibition went on.[8] For Intensities and Surfaces (1996) Gallaccio left a thirty two ton block of ice with a salt core in the disused pump station at Wapping and allowed it to melt.[9]

In a 2018 interview with Ocula Magazine, Gallaccio remarked of the YBA breakout exhibition Freeze "It feels just as precarious now as it did then. And I think it is good to constantly remind myself of that and not to get complacent. The bravado and the chutzpah of Freeze was impressive; it was more about a kind of attitude and that is something that has had reverberations."[10]

She sometimes re-creates works. Her most well-known work Red on Green was originally made for her first solo showing in a public gallery, at the Institute of Contemporary Arts, London in 1992. It was then recreated ten years later for the exhibition Blast to Freeze: British Art in the 20th Century mounted by Kunstmuseum Wolfsburg in 2002 - 2003 and for the 2004 British Council exhibition Turning Points: 20th Century British Sculpture.[11]

In Stoke 2004, Gallaccio coated an old farm building at Edinburgh's Jupiter Artland with almost 90 pounds of 70 percent cocoa, confectioner-quality chocolate. The work invited visitors to lick, touch, and stroke the walls.[12]

preserve ‘beauty’ 1991 - 2003 was an artwork which Gallaccio produced as a nominee for the 2003 Turner Prize. The installation consisted of a wall of gerbera daisies pinned behind a single sheet of glass.[13] Behind glass, recall still-life and romantic landscape paintings, as well as flower arranging and pressing.[14]

Other works by Gallaccio include Stroke (1993) in which benches in the gallery and cardboard panels attached to the walls were covered in chocolate, "Two Hundred Kilos of Apples Tied to a Barren Apple Tree", Atelier Amden, Amden, Switzerland (1999) and Because Nothing has Changed (2000), a bronze sculpture of a tree adorned with porcelain apples.[15][16] Because I Could Not Stop (2002) is a similar bronze tree but with real apples which are left to rot.[16]

At Houghton Hall in Norfolk, the Marquess of Cholmondeley commissioned a folly to the east of the great house. "The Sybil Hedge" is an "artlandish" folly.[17] It is based on the signature of the marquis' grandmother, Sybil Sassoon. Gallaccio has created a sarcophagus-like marble structure which is sited at the end of a path; and nearby is a copper-beech hedge which is planted in lines mirroring Sybil's signature.[18]

2005 saw the publication of Anya Gallaccio: Silver Seed by Ridinghouse, which accompanied the artist's exhibition commissioned by the Mount Stuart Trust for an installation at Mount Stuart on the Isle of Bute, Scotland, UK .[19]

In 2006, she was listed on the Pink Power list of 100 most influential gay and lesbian people of 2006.[20]

In 2003, Gallaccio was shortlisted for the Turner Prize alongside Grayson Perry, Jake and Dinos Chapman and Willie Doherty.[21] One of her pieces for the show was preserve "beauty", 1991–2003, which was made from glass, fixings and 2,000 red gerberas.[22]

• Biography from Grove Art at the Tate Gallery
• images of Gallaccio's work at Lehmann Maupin