Abracadabra (Steve Miller Band song)

The song is said to have been inspired by the American singer Diana Ross, whom Miller had met when they each performed on the same episode of the pop music television show Hullabaloo in the 1960s.[1] The lyrics "Round and round and round it goes, where it stops nobody knows" are a reference to the spinning wheel segment from The Original Amateur Hour. Speaking on The Howard Stern Show in June 2016, Miller said at first his record company Capitol Records did not see the potential hit it would become. "Capitol didn't believe in it and didn't want to release it. I had a different deal with Phonogram in Europe. When it came out in Europe, I cancelled my American tour because it was No. 1 everywhere in the world, except the States." After seeing its success overseas, Capitol released it in the U.S. and it also climbed to No. 1.

The song became a worldwide hit, charting in ten countries and topping the charts in six countries, and has become one of the band's biggest hits, along with "The Joker" and "Rock'n Me".

In the U.S., the song was No. 1 on the Billboard Hot 100 for two non-consecutive weeks. It was knocked off the top by Chicago's "Hard to Say I'm Sorry", only to return to No. 1 two weeks later. A similar occurrence happened in 1976, when Miller's "Rock'n Me" knocked Chicago's "If You Leave Me Now" out of the No. 1 spot. The song also showed substantial longevity, spending fourteen weeks in the top ten of the Hot 100 chart. "Abracadabra" is listed at No. 90 on Billboard's Greatest Songs of all time.[2]

The UK single version has never yet appeared on CD. It is 3:33 and is an exclusive edit where the chorus is edited back in at 3:06 and repeats to fade. The non-UK single version of the song appears in several Steve Miller Band compilation albums such as Young Hearts as well as on the Time-Life compilation Sounds of the Eighties: 1980–1982 and on a CD of songs hand-picked by Guy Fieri titled Diners, Drive-Ins and Dives: Road Songs That Rock. Capitol issued an alternative version on a promotional 12" single (Capitol Records #SPRO 9797) for radio airplay; it featured a slightly slower tempo, removal of the second verse and first chorus, and a slightly earlier fade than the LP version. A live version of the song was released on Steve Miller Band Live! in 1983.

The video is one of the most iconic music videos of all time and was shown alongside the birth of MTV. The language of music videos was yet to be created and with the Abracadabra video many aspects of the music video's visual vocabulary, were pioneered in this video, setting a precedent for all videos that followed. The main lyric "Abra, abra cadabra, I'm going to reach out and grab ya" is epitomised by a beautiful, girl with bewitching eyes, sculptured features and flowing hair, Ala sorceress, performed by a then teenage actress/model who with this video, was seen as "the Abracadabra girl" and at the same time became MTV's first "video vixen". With the repeating image of her bewitching stare and hair blowing, she appears to be casting a spell and directing the magical actions within the scenes, perfectly encapsulating the sexy but playful spirit of this ear-wormy pop song.

The two handsome young men who perform alongside the sorceress were professional jugglers and actors. In a series of magical situations, wearing various costumes, the trio perform tricks and illusions. The boys juggle batons, the girl juggles scarves, a handkerchief turns into a dove, stars come out of a hat and other witchery. The Abracadabra girl set a precedent or formula for other video vixens to follow, i.e. the mysteriously beautiful and seductive muse, full of surprises. Another example of repeated imagery, is that of the magician stubbing out the cigarette and that of the sorceress taking the ball from a swirling umbrella: "round and round and round she goes, where she stops, nobody knows."

The video editing methods, such as repetition of imagery and action, the pop art colourizations and stylised representations were new at the time and have since become part of music video's video language and vocabulary ever since. The actors in the video have chosen to retain their anonymity for reasons of privacy, however all continue to be active in the arts.

Abracadabra is the first music video to use special effects and make use of a "body pan", a camera move which pans across the subjects body in an objectifying way. The video received an MTV award for best effects, considered adventurous at the time.

Another woman who appears briefly in the video, is unraveled from a piece of cloth and does a dance with one of the magicians who is dressed as a harlequin. Next, she suddenly reappears in a sorcerer's cape making a dramatic conjuring gesture with her arms whilst observed by the younger witch, the Abracadabra girl.

Since Steve Miller himself was touring Europe at the time and unavailable for the shoot, he appears in the video only in a series of still shots, wearing sunglasses or a black video strip across his eyes and at times juxtaposed with images of the Abracadabra girl. The actors provided their own wardrobe and props and did their own hair and makeup.

Shot in one day, the video was produced and directed by Peter Cohn and his then wife who co-conceived the basic concept of the video.

Cover versions of the song have been performed by Sugar Ray on their album 14:59 and by the Mike Chapman Band. A live version by the Belgian band Das Pop appeared on their 2004 DVD-single Love is Fair. The song was also covered by Australian jazz/folk group Flap! on their self-titled debut album (2010).[26] John Parr and Rick Wakeman covered this song, which was released in 2013 on the album Fly Like An Eagle: An All-Star Tribute to Steve Miller Band. In an Alarm für Cobra 11 episode "Tödlicher Ruhm" (Deadly Fame) Mark Keller and Scooter performed a cover of this song.

In 2009. YouTuber Robert Lund posted a song called "The Awful Truth About Hannah Montana" to the tune of "Abracadabra", parodying the many evil things people allegedly were missing about the then-teen star in progressively outrageous choral couplets('Hannah, Hannah Montana - imports her hash from Havana/hates all Arquette's but Rosanna/carjacked my van in Tarzana', etc)

• List of Billboard Hot 100 number-one singles of 1982