Ying Zhu

Ying Zhu, Chinese Media Scholar, Head Shot for Wikipiedia

Ying Zhu is a faculty at the City University of New York. [1] with an appointment at the Film Academy of the Hong Kong Baptist University. [2] A New York based expert on Chinese film and media industries, she has published eight books, including Two Billion Eyes: The Story of China Central Television (2014)[3][4][5] and Art, Politics, and Commerce in Chinese Cinema (2010).[6] Her first research monograph, Chinese Cinema during the Era of Reform: The Ingenuity of the System (2003) pioneered the study on history of Chinese film studios.[7][8][9] Her second research monograph, Television in Post-Reform China: Serial Drama, Confucian Leadership and the Global Television Market (2008), [10][11][12] together with two edited books in which her work featured prominently—TV China (2009) [13] and TV Drama in China (2008)—pioneered the subfield of Chinese TV drama studies in the West.[14] She received a 2006 National Endowment for the Humanities[15] Fellowship, a 2008 American Council of Learned Societies[16] Fellowship, and a 2017 Fulbright Senior Research Fellowship.[17] Zhu’s works have been translated into Chinese, Dutch, French, Italian, and Spanish. Her publications further appear in leading academic journals and major media outlets such as The Atlantic, ChinaFile, CNN, Foreign Policy, The Los Angeles Times, The New York Times, and The Wall Street Journal etc.[18][19][20][21][22][23][24][25][26][27][28][29][30][31][32][33][34][35][36][37][38][39][40][41][42][43][44][45][46][47][48][49][50][51][52][53][54][55] Zhu reviews manuscripts for major publications and evaluates grant proposals for research foundations in Australia, Canada, Hong Kong, Sweden, the U.K., and the U.S. Zhu also produces current affairs documentary films, including Google vs. China (2011) [56] and China: From Cartier to Confucius (2012), both screened on the Netherlands Public Television.[57]


See also

References

  1. ↑ "Ying Zhu".
  2. ↑ "HKBU".
  3. ↑ Zhu, Ying (2012). Two Billion Eyes. New York: The New Press.
  4. ↑ "New Press announcement of Two Billion Eyes" (PDF).
  5. ↑ "Two Billion Eyes, on amazon.com".
  6. ↑ Art, Politics and Commerce in Chinese Cinema (co-edited with Stanley Rosen ), Hong Kong University Press, 2010, 292, on amazon.com https://www.amazon.com/Art-Politics-Commerce-Chinese-Cinema/dp/962209175X
  7. ↑ Chinese Cinema during the Era of Reform: the Ingenuity of the System, Westport, CT: Praeger, 2003, 230.
  8. ↑ "Chinese Cinema during the Era of Reform, on amazon.com".
  9. ↑ Review in The Journal of Asian Studies available at http://www.library.csi.cuny.edu/mediaculture/assets/review%20of%20my%20book.doc
  10. ↑ Television in Post-Reform China: Serial Dramas, Confucian Leadership and the Global Television Market, London: Routledge, 2008, 176
  11. ↑ "Television in Post Reform China, on amazon.com".
  12. ↑ Review in the Chinese Journal of Communications, available at http://www.library.csi.cuny.edu/mediaculture/assets/review%20of%20my%20book%20xu.doc
  13. ↑ TV China (co-edited with Chris Berry Chris Berry), Indiana University Press, 2009, 259
  14. ↑ Television Dramas: the US and Chinese Perspectives (co-edited with Chungjing Qu), Shanghai: Shanlian, 2005, 569.
  15. ↑ National Endowment for the Humanities
  16. ↑ American Council of Learned Societies
  17. ↑ "CSI Professors".
  18. ↑ “After ‘Big Bang Theory Censorship, No Mass Viewer Revolt,” Wall Street Journal (May 19, 2014) https://blogs.wsj.com/chinarealtime/2014/05/19/after-big-bang-theory-censorship-no-mass-viewer-revolt
  19. ↑ “After ‘Big Bang Theory Censorship, No Mass Viewer Revolt,” Wall Street Journal (May 19, 2014) https://blogs.wsj.com/chinarealtime/2014/05/19/after-big-bang-theory-censorship-no-mass-viewer-revolt
  20. ↑ “Why Frank Underwood is Great for China’s Soft Power,” ChinaFile (Feb 27, 2014) https://www.chinafile.com/Frank-Underwood-Great-Chinas-Soft-Power
  21. ↑ “Hollywood Powerhouses Meet a Sleeping Giant,” Los Angeles Times (Nov 9, 2013) http://www.latimes.com/entertainment/movies/moviesnow/la-et-mn-ca-china-essay-20131110,0,7606609,full.story#axzz2zijIdMdd
  22. ↑ “China’s Sex and the City Film is a Great Leap Backward for Women,” The Atlantic (July 2013) https://www.theatlantic.com/china/archive/2013/07/chinas-sex-and-the-city-film-is-a-great-leap-backward-for-women/277841/
  23. ↑ “The Rite of Passage to No Where,” China File (July 2013) http://www.chinafile.com/rite-passage-nowhere
  24. ↑ “China Travels Back Down the river” Wall Street Journal (June 14, 2013) https://blogs.wsj.com/chinarealtime/2013/06/04/china-travels-back-down-the-river/
  25. ↑ “Reading Into Official Corruption” China Economic Review (May 27, 2013) http://www.chinaeconomicreview.com/reading-official-corruption-chinese-media-officials-novels-tv-television-ying-zhu
  26. ↑ “Domestic Drama” China Economic Review (May 2, 2013) http://www.chinaeconomicreview.com/domestic-drama
  27. ↑ “Can Hollywood Romance Chinese Film-Goers?” The Atlantic (April 25, 2013) https://www.theatlantic.com/china/archive/2013/04/can-hollywood-romance-chinese-film-goers/275313/
  28. ↑ “Will China Unchain Django?” CNN (April 17, 2013) http://globalpublicsquare.blogs.cnn.com/2013/04/17/will-china-unchain-django/
  29. ↑ “A Beginning for China’s Battered Women,” ChinaFile (February 11, 2013) http://www.chinafile.com/beginning-chinas-battered-women
  30. ↑ “Why China struggles to find soft power voice,” CNN (February 6, 2013) http://globalpublicsquare.blogs.cn\ n.com/2013/02/06/why-china-struggles-to-find-soft-power-voice/
  31. ↑ “‘Real Progress: Parsing China’s Censorship Protests,” Wall Street Journal (January 14, 2013) https://blogs.wsj.com/chinarealtime/2013/01/14/real-progress-parsing-chinas-censorship-protests/
  32. ↑ "'Transformers 4’ May Pander to China, But America Still Wins", China File (Sept 4, 2014) http://www.chinafile.com/reporting-opinion/culture/transformers-4-may-pander-china-america-still-wins
  33. ↑ "Fast erzamerikanisch", Tages Anzeiger (Aug 31, 2018) https://www.tagesanzeiger.ch/kultur/kino/fast-erzamerikanisch/story/14373975
  34. ↑ "‘Crazy Rich Asians’ Has Soared, but It May Not Fly in China", New York Times (Sep 6, 2018) https://www.nytimes.com/2018/09/06/world/asia/crazy-rich-asians-china.html
  35. ↑ “Why Frank Underwood is Great for China’s Soft Power,”�ChinaFile (Feb 27, 2014) https://www.chinafile.com/Frank-Underwood-Great-Chinas-Soft-Power
  36. ↑ “Hollywood Powerhouses Meet a Sleeping Giant,” Los Angeles Times (Nov 9, 2013) http://www.latimes.com/entertainment/movies/moviesnow/la-et-mn-ca-china-essay-20131110,0,7606609,full.story#axzz2zijIdMdd
  37. ↑ “China’s Sex and the City Film is a Great Leap Backward for Women,” The Atlantic (July 2013) https://www.theatlantic.com/china/archive/2013/07/chinas-sex-and-the-city-film-is-a-great-leap-backward-for-women/277841/
  38. ↑ “The Rite of Passage to No Where,” China File (July 2013) http://www.chinafile.com/rite-passage-nowhere
  39. ↑ “China Travels Back Down the river” Wall Street Journal (June 14, 2013) https://blogs.wsj.com/chinarealtime/2013/06/04/china-travels-back-down-the-river/
  40. ↑ “Reading Into Official Corruption” China Economic Review (May 27, 2013) http://www.chinaeconomicreview.com/reading-official-corruption-chinese-media-officials-novels-tv-television-ying-zhu
  41. ↑ “Domestic Drama” China Economic Review (May 2, 2013) http://www.chinaeconomicreview.com/domestic-drama
  42. ↑ “Can Hollywood Romance Chinese Film-Goers?” The Atlantic (April 25, 2013) https://www.theatlantic.com/china/archive/2013/04/can-hollywood-romance-chinese-film-goers/275313/
  43. ↑ “Will China Unchain Django?” CNN (April 17, 2013) http://globalpublicsquare.blogs.cnn.com/2013/04/17/will-china-unchain-django/
  44. ↑ “A Beginning for China’s Battered Women,” ChinaFile (February 11, 2013) http://www.chinafile.com/beginning-chinas-battered-women
  45. ↑ “Why China struggles to find soft power voice,” CNN (February 6, 2013) http://globalpublicsquare.blogs.cn\ n.com/2013/02/06/why-china-struggles-to-find-soft-power-voice/
  46. ↑ “‘Real Progress: Parsing China’s Censorship Protests,” Wall Street Journal (January 14, 2013) https://blogs.wsj.com/chinarealtime/2013/01/14/real-progress-parsing-chinas-censorship-protests/
  47. ↑ "'Transformers 4’ May Pander to China, But America Still Wins", China File (Sept 4, 2014) http://www.chinafile.com/reporting-opinion/culture/transformers-4-may-pander-china-america-still-wins
  48. ↑ "Fast erzamerikanisch", Tages Anzeiger (Aug 31, 2018) https://www.tagesanzeiger.ch/kultur/kino/fast-erzamerikanisch/story/14373975
  49. ↑ "‘Crazy Rich Asians’ Has Soared, but It May Not Fly in China", New York Times (Sep 6, 2018) https://www.nytimes.com/2018/09/06/world/asia/crazy-rich-asians-china.html
  50. ↑ “Tracing the Sino-Hollywood Relationship,” Journal of Film Culture Studies (in Chinese; Fall 2015): 185-192
  51. ↑ “Corruption and It’s (dis)content: The Rise and Fall of Chinese Officialdom Television Dramas,” Screen (Oxford UP) (2016) 57 (2): 235-249: https://doi.org/10.1093/screen/hjw024
  52. ↑ “Can China Expand its Beachhead in Hollywood?” Foreign Policy (February 24, 2017) http://foreignpolicy.com/2017/02/24/is-the-search-for-a-china-hollywood-blockbuster-doomed-great-wall-fail/
  53. ↑ “Film as soft power and hard currency: The Sino-Hollywood courtship” THE ONLINE JOURNAL OF THE CHINA POLICY INSTITUTE (JULY 5, 2017): https://cpianalysis.org/2017/07/05/film-as-soft-power-and-hard-currency-the-sino-hollywood-courtship/
  54. ↑ Review of Tania Lewis, Fran Martin and Wanning Sun’s book “Telemodernities: Television and Transforming Lives in Asia,” The China Quarterly, Volume 230, July 2017, 554-556
  55. ↑ Review of Aynne Kokas’s book “Hollywood Made in China,” H-Net Reviews (August, 2017): http://www.h-net.org/reviews/showrev.php?id=49546
  56. ↑ "Google versus China", Co-Producer, researcher, and interviewer, a 50 minute documentary for VPRO, the Netherlands National Television’s Backlight Program, first aired April 18, 2011 http://tegenlicht.vpro.nl/afleveringen/2010-2011/ongekend-china/google-versus-china.html
  57. ↑ "Netherlands Public Television Screening".
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