Wolfgang Staehle

Wolfgang Staehle is an early pioneer of net.art in the United States, known for his video streaming of the collapse of the World Trade Center in New York City on September 11, 2001. He also captured the crash of the first plane into the World Trade Center.

Education

Wolfgang Staehle was born in Stuttgart, Germany in 1950, and studied at the Freie Kunstschule Stuttgart. In 1976, he moved to New York and graduated with a Bachelor of Fine Arts degree from the School of Visual Arts.

Life and work

After getting his Bachelor of Fine Arts degree, he worked as a video artist, and in 1991, he founded The Thing.[1] The Thing was an Internet forum for new media art. It started out as an independent media project that began as a bulletin board system (BBS) that later became an online forum for artists and cultural theorists to exchange ideas. By the late 1990s, The Thing grew into a successful online community and began hosting artists' websites. It also includes a mailing list and was the first Website devoted to net.art, bbs.thing.net.[2]

In 1996, he started his series of live online video streams. His first series is called Empire 24/7 where he documented the Empire State Building in New York City. He documented it by setting up a digital still camera at The Thing's office located in New York's West Chelsea neighborhood. Every four seconds, the camera took a picture of the building and the images were sent and projected in a gallery at the ZKM Center for Art and Media Technology in Karlsruhe, Germany. This project was a reference to Andy Warhol's 1964 film Empire which was a silent, eight-hour-long black-and-white film in which the camera focused on the Empire State Building from dusk until dawn.[3]

Staehle has continued working on his series of live online video streams of other buildings, landscapes and cityscapes such as the Fernsehturm in Berlin, the Comburg Monastery in Germany, and a Yanomami village in the Brazilian rainforest. Staehle currently serves as the Executive Director of The Thing and is represented by the Postmasters Gallery in New York.[4]

Notable projects

  • Empire 24/7 (1999–2004)
  • Untitled (2001)
  • Fernsehturm (2001–Present)
  • Comburg (2001–Present)
  • Yano a (2002)

Exhibitions

Solo exhibitions

1987
  • Daniel Newburg Gallery, New York
1988
  • T'Venster Museum, Rotterdam, Netherlands
  • "Requiem," The New Museum, New York
  • Daniel Newburg Gallery, New York
1989
  • Galerie Sylvana Lorenz, Paris, France
  • The Kitchen, New York
  • Zilkha Gallery, Wesleyan University, Middletown, CT
1990
  • Marimura Art Museum, Tokyo, Japan
  • Galleri Wallner, Malmo, Sweden
  • Galerie Wilma Tolksdorf, Hamburg, Germany
  • Museum Fridericianum, Kassel, Germany
  • Kunsthalle Bremen, Bremen, Germany
  • Daniel Buchholz Gallery, Cologne, Germany
  • Koury Wingate Gallery, New York
1991
  • Massimo De Carlo Gallery, Milan, Italy
1993
  • "Point de Mire," Centre Pompidou, Paris, France
1996
  • "Installations Video," Art & Public, Geneva, Switzerland
2000
  • Kunstverein Schwaebisch Hall, Germany
2001
  • Postmasters Gallery, New York City
2004
  • Postmasters Gallery, New York City
2008
  • Solvent Space, Richmond, Virginia
2009
  • Postmasters Gallery, New York City
2012
  • Givon Art Gallery, Tel Aviv
2014
  • Dispari & Dispari, Reggio Emilia, Italy
2015
  • 20th Street Project Space, New York City
  • Chronus Art Center, Shanghai
2016
  • Postmasters Gallery, New York City.
  • North Carolina Museum of Art, Raleigh, NC

Group exhibitions

2001
  • "Tele[Visions]"
  • "Media Connection"
2002
  • "Unknown Quantity," Foundation Cartier pour L'Art Contemporian, Paris
  • "Monitor 2," Gagosian Chelsea, New York
  • "EMPIRE/STATE," Whitney Museum of American Art, Independent Study Program Exhibition at the Art Gallery of The Graduate Center, The City University of New York
  • "Outside the Box, " University of South Florida Contemporary Art Museum, Tampa, Florida
  • "Transmediale.02 <Current Positions in Media Art," Haus der Kulturen der Welt, Berlin, Germany
2003
  • "Yanomami," Foundation Cartier pour L'Art Contemporain, Paris
  • "Critical Conditions," Wood Street Galleries, Pittsburgh, PA
  • "Slowness," Dorsky Curational Projects, Queens, NY
2004
  • "Times Zones," Tate Modern, London
  • "Midtown," real-time public video projection, Lumen, Leeds, Great Britain
  • "The Passage of Mirage," Chelsea Art Museum, New York
2005
  • "The Forest," Nasher Museum of Art, Duke University, Durham, NC
  • "re:site motereal," Oboro, Montreal
  • "Vom Verschwinden," HMKV, Phoenix Halle, Dortmund
  • "Photography's Expanded Field," Preus Museum, Horten, Norway
  • "Video Sculpture in Germany," Apeejay Media Gallery, New Delhi
2006
  • "Slow Life," John Hansard Gallery, Southampton, Great Britain
  • "Dark Places," Santa Monica Museum of Art
2007
  • "Closed Circuit: Video and New Media at the Metropolitan," The Metropolitan Museum of Art, New York

Footnotes

  1. ↑ Dieter Daniels, Gunther Reisinger (Eds.) "Net Pioneers 1.0: Contextualizing Early Net-Based Art", Sternberg. 2010.
  2. ↑ "Staehle's Resume". Retrieved 2008-04-28.
  3. ↑ Dieter Daniels, Gunther Reisinger (Eds.) "Net Pioneers 1.0: Contextualizing Early Net-Based Art", Sternberg. 2010.
  4. ↑ Tribe, Mark; Jana,Reena (2007). New Media Art. Germany: Taschen. p. 90. ISBN 978-3-8228-3041-3.

References

  • Baumgärtel, Tilman (1999). net.art - Materialien zur Netzkunst (in German) (2nd ed.). Nürnberg: Verlag für Moderne Kunst Nürnberg. pp. 56–63. ISBN 3-933096-17-0.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.