UCLA Kyodo Taiko

UCLA Kyodo Taiko is a collegiate taiko group specializing in taiko drumming. Kyodo has two meanings- one is family, and the other is loud children.

Influenced by San Jose Taiko, Mark Honda founded Kyodo Taiko in 1990 under the Nikkei Student Union at UCLA. Kyodo was the first collegiate taiko group to form in North America and paved the way for other collegiate taiko groups to form. Honda used what he learned from San Jose Taiko to lay the foundation for Kyodo to become one of the most recognizable students groups at UCLA.

Kyodo is composed entirely of college students, with no sensei; thus, there is a constant turnover of senior members who graduate and new members who audition for and join the group. Many of the members also do not have a great deal of experience when they first start playing taiko. As such, new members of Kyodo must quickly learn the basics of taiko in order to learn how to play the songs. All of Kyodo’s songs are written by members of the group, fostering innovation and creativity.

Kyodo continues to grow to this day, and regularly has 30-50 people audition each year. It is one of the most popular student groups in UCLA, and has excited both the members of the group and their audiences.

History

Originally there was no practice space for the group and no instruments to play. Thus, members of Kyodo practiced on tires, and became familiar with “air bachi,” where the players would simulate playing by hitting on an imaginary drum in the air.[1]

In the summer of 1991, members of Kyodo built their first four chu-daiko [2] drums, with the help of Kinnara Taiko, Tom Endo, and Kevin Higa.

Kyodo Taiko had their first performance at Royce Hall in 1992 for the commemoration of the 50th anniversary of Japanese-American incarceration. Kyodo’s performance was an enormous success, and this concert put Kyodo on the map, paving the way for the group to grow.[3]

Kyodo started performing in the UCLA Culture Night, a festival held towards the end of February that showcased UCLA’s unique diversity. Culture Nights were one of the signature events on the UCLA calendar, and Kyodo played three to four of their biggest hits during the night. Kyodo continues to perform at Culture Night to this day.

In 1995, Kyodo participated in the first Intercollegiate Taiko Invitational[4] held at Stanford. Many groups performed, including Kyodo, University of California-Irvine Jodaiko,[5] and Stanford Taiko.[6] Kyodo regularly performs at this festival when it occurs.

UCLA Kyodo performs at various venues, including campus and community events, outreach programs, K-12 school presentations, and private functions. They also hold an annual spring concert, and have been annual participants of the Nisei Week festivities, the L.A. Tofu Festival,[7] and in recent years, the Lotus Festival,[8] and the First Annual U.S. Sumo Open.[9]

After Honda graduated, Kyodo formally broke from the Nikkei Student Union and started to receive funding, were allowed to use the UCLA Wooden Center [10] as their practice space, and gained support from UCLA.[3] However, Kyodo and NSU still have a mutual support system, and Kyodo continuously performs at NSU events.

Membership

Many of Kyodo’s members are not of Japanese descent. These varied backgrounds and experiences of the members, coupled with the Japanese American perspective of taiko, create diversity in composition and performance.[1]

The list of charter members, who played in Kyodo in 1990, include:

Mark Honda, Isa Polk, Peter Babida Jesse Chavez, Lisa Kumagai, Jason Lew, Chiaki Miura, Sid Park, Summer Teruya, Lori Ushijima, and Marvin Yee

The current members, as of the 2016-2017 school year, include:

Fourth year members: Ashley Mochizuki, Brandon Wang, Sean Okada, Kelly Furuya, Yugo Watanabe

Third year members: Catherine Lumintang, Minami Sasaki, Francesca Lee, Cleha Kodama, Kellie Lee, Ryan Miyahara, Sophia Inaba

Second year members: Bradley Nishida, Kyle Nakahira, Gianna Furumoto, Rachel Horiuchi, Lindsay Masukawa, Tiffany Hoang, Yi-Ling Loo, Elise Umetsu

First year members: Isaac Caldas, Micah Flores, Brandon Fujii, Jenny Li, Jason Muljadi, Emily Pham, Kiana Shibata, Niveda Tennety

Many other members of the group, such as Michelle Fujii [11] have gone to play taiko professionally, and have played in groups such as Taiko Project,[12] On Ensemble,[13] and Portland Taiko.[14][15]

“Renshu Taiko” and “Matsuri Taiko” are staples of Kyodo’s repertoire, and are used to break in new members (Honda). “Yonsei” and “Swing” are also some of Kyodo’s most popular songs. [3] Other songs of UCLA Kyodo include, “Encore”, composed by Jason Lew (a piece utilizing original rhythm patterns from “Shoshin Wasurebekarazu,” composed by Tamon Norimoto), “Rai”, composed by Ron Peterson (2001), “Tatsu,” composed by Marvin Yee (1992), “Genki,” composed by Shozo Yoshikawa (1999), “Hashire,” composed by Walter Satoshi Tsushima (2001), and “Encore Remix,” composed by Craig Ishii, Jason Osajima, and Christine Kimura (2007).[16]

Mission statement

UCLA Kyodo Taiko aims to promote the art of Japanese-American taiko drumming within the UCLA and surrounding communities, to involve and educate Kyodo Taiko members in playing taiko, as well as in the history and traditions of the art form, to instill within the community a sense of respect and understanding of the Japanese American culture, and to support Asian American groups and organizations in and around the campus and community.[16]

Legacy

Kyodo, by being the first collegiate taiko group, blazed the trail for collegiate taiko and set the tone for other groups to form. The experimental yet supportive attitude of Kyodo allowed members to experiment with the art form, make mistakes, and learn from those mistakes. The group fostered a culture where committed, dedicated, and passionate members could come together to make unique and wonderful taiko music.[3][17] The teaching style also ensures that knowledge is continually passed on and developed in new players, which is critical for the longevity of the art form, given the continual turn over in membership that averages around 100% in three-four years.[3]

References

  1. 1 2 “History.” UCLA Kyodo Taiko. WordPress. Web. 18 Jan. 2012. http://kyodo.wordpress.com/history/.
  2. ↑ "Shumei Taiko Ensemble - Instruments." Shumei Taiko Ensemble. Web. 11 Mar. 2012. "Archived copy". Archived from the original on 2015-06-10. Retrieved 2015-02-26. .
  3. 1 2 3 4 5 Honda (Recorded Skype Interview, 2/11/12).
  4. ↑ "Welcome!" Intercollegiate Taiko Council. Web. 11 Mar. 2012. http://collegiatetaiko.org/
  5. ↑ "Jodaiko." Jodaiko. Web. 11 Mar. 2012. http://www.jodaiko.com/
  6. ↑ "Stanford Taiko." Stanford University. Web. 11 Mar. 2012. http://www.stanford.edu/group/stanfordtaiko/
  7. ↑ "LA Tofu Festival August 18th - 19th, 2007." LA Tofu Festival August 18th. Web. 01 Mar. 2012. "Archived copy". Archived from the original on 2008-02-28. Retrieved 2009-11-12. .
  8. ↑ "Lotus Education & Arts Foundation." The Lotus Festival. Web. 03 Mar. 2012. http://lotusfest.org/
  9. ↑ "USA SUMO - Sumo Wrestlers, Sumo Models, US Sumo Open, Sumo Events, Sumo Equipment, Sumo Props, Sumo Video." USA SUMO. Web. 01 Mar. 2012. http://www.usasumo.com/
  10. ↑ "John Wooden Center - Student Recreation Facility - UCLA Athletics - UCLA Official Athletic Site." UCLA Athletics. Web. 28 Feb. 2012. "Archived copy". Archived from the original on 2012-03-08. Retrieved 2010-01-30.
  11. ↑ "Michelle Fujii: Taiko via Portland, OR, USA". Tom Tom Magazine. January 12, 2011. Retrieved 2 Mar 2012.
  12. ↑ "TAIKOPROJECT." TAIKOPROJECT. Web. 29 Feb. 2012. http://www.taikoproject.com/
  13. ↑ "On Ensemble : Masato Baba, Kristofer Bergstrom, Shoji Kameda and Kelvin Underwood." On Ensemble : Masato Baba, Kristofer Bergstrom, Shoji Kameda and Kelvin Underwood. Web. 03 Mar. 2012.http://onensemble.org/
  14. ↑ "Portland Taiko." Portland Taiko. Web. 01 Mar. 2012. http://www.portlandtaiko.org/
  15. ↑ Fuji (Recorded Phone Interview, 2/29/12)
  16. 1 2 “UCLA Kyodo Taiko.” Discover Nikkei. Japanese American National Museum. Web. 18 Jan. 2012. http://www.discovernikkei.org/en/taiko/groups/98/.
  17. ↑ Norimoto (Recorded Phone Interview, 2/13/12).
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