Tian Han

Tian Han
Tian Han
Born	(1898-03-12)12 March 1898 Guoyuan Town, Changsha County, Hunan, Qing China
Died	10 December 1968(1968-12-10) (aged 70) Beijing, China
Pen name	Tián Shòuchāng, Bóhóng, Chén Yú, Shùrén, Hànxiān, etc.
Occupation	Playwright, novelist, poet
Language	Chinese
Alma mater	Tokyo Higher Normal School
Period	1920–1968
Genre	Novel, poem, drama
Notable works	March of the Volunteers
Spouse	Yi Shuyu (m. 1920–1925) Huang Dalin (m. 1927–1929) Lin Weizhong (m. 1930–1946) An E (m. 1930–1968)
Children	Tian Dawei

Tian Han (12 March 1898 – 10 December 1968), formerly romanized as Tien Han, was a Chinese drama activist, playwright, a leader of revolutionary music and films, as well as a translator and poet. He emerged at the time of the New Culture Movement of the early 20th century and continued to be active until the Cultural Revolution, when he was attacked and died in jail before being posthumously rehabilitated by the Chinese authorities in 1979. He is considered by drama historians as one of the three founders of Chinese spoken drama, together with Ouyang Yuqian and Hong Shen.^[1] His most famous legacy may be the lyrics he wrote for "March of the Volunteers" in 1934, which were later adopted as the national anthem of the People's Republic of China.^[2]

Biography

Tian Han (right) and Nie Er (left), respectively the lyricist and the composer of "March of the Volunteers", photographed in Shanghai in 1933

During the May Fourth Movement in 1919, Tian became famous for the vigorous anti-imperialist and anti-feudalist activities in the circle of artists and intellectuals he gathered.

Tian was educated at University of Tsukuba in Japan. Returning from Japan in 1921, Tian established the Creation Society together with Guo Moruo. The Southern China Society, also headed by Tian, played a leading role in promoting dramatic performances in southern China. In 1927, Tian taught at the Department of Literature of Shanghai Art University. Later, he joined The League of Chinese Left-Wing Dramatists. In 1934, he collaborated with the activist Liu Liangmo on the patriotic anthem, March of the Volunteers.

Tian used various aliases and pen names including his courtesy name Tián Shòuchāng (田壽昌), Bóhóng (伯鴻), Chén Yú (陳瑜), Shùrén (漱人), and Hànxiān (漢仙).

He was attacked in 1966 on the eve of the Cultural Revolution for his historical play Xie Yaohuan (1961), an attack on Chairman Mao's policies. Criticism of this play, along with two other historical plays (Hai Rui Dismissed from Office by Wu Han and Li Huiniang by Meng Chao), were the opening salvos of the Cultural Revolution.^[3] Tian was denounced in a 1 February 1966 People's Daily article entitled "Xie Yaohuan is a Big Poisonous Weed" (田汉的《谢瑶环》是一棵大毒草 Tián Hàn de Xiè Yáohuán Shì yī kē Dà Dúcǎo). The Jiefang Daily called Xie Yaohuan a "political manifesto". Tian was incarcerated as a "counterrevolutionary" in a prison run personally by Kang Sheng, and died there in 1968. After the end of the Cultural Revolution, he and Xie Yaohuan were rehabilitated posthumously in 1979.^[4]

Works

Although a proponent of western style theater (話劇 huàjù) in China, Tian also produced a number of works with historical themes.^[5]

In popular culture

Tian Han was the prototype for the figure of "Kuang Wentao" (played by Bo Gao) in the 1959 biopic Nie Er,^[9] which retold the story of the composition of the Chinese National Anthem on the 10th anniversary of the founding of the People's Republic. For the 50th anniversary in 1999, he was represented directly in the film The National Anthem, played by He Zhengjun. His story was also told in The National Anthem, a 27-episode television series, and in the play Torrent (狂流, Kuángliú), produced in Beijing in the year 2000.

In the 2009 film The Founding of a Republic, he was portrayed by Donnie Yen.

References

References and further reading

• Chen, Xiaomei (2014). The Columbia Anthology of Modern Chinese Drama. New York: Columbia University Press. ISBN 9780231165020. Includes translations of plays, background on Tian and modern drama.
• Huang, Xuelei (2014). Shanghai Filmmaking: Crossing Borders, Connecting to the Globe, 1922-1938. Leiden: Brill. ISBN 9789004279339. , esp. pp. 91-92, 115-127.
• Luo, Liang (2014). The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics. ISBN 9780472072170.
• Wagner, Rudolf G. (1990). The Contemporary Chinese Historical Drama: Four Studies. University of California Press. ISBN 978-0-520-05954-2.

External links

• Liang Luo, "From Lovers to Volunteers: Tian Han and the National Anthem," China Beat (July 16, 2008).