The Mill (Burne-Jones painting)

The Mill
Artist Sir Edward Burne-Jones
Completion date 1882
Medium Oil on canvas
Dimensions 91 cm × 197 cm (36 in × 78 in)[1]
Location Victoria and Albert Museum, London

The Mill is an Aesthetic Movement, Renaissance-inspired oil on canvas painting completed by Edward Burne-Jones in 1882. It is a mysterious painting with no particular meaning. The painting's main feature is three women dancing in front of a mill pond on a summer evening, with a vague wooded landscape spanning the background. The Mill is currently in the Victoria and Albert Museum.

Background

Edward Burne-Jones took twelve years to complete The Mill, starting work in 1870[1] and completing it in 1882.[2] Shortly after its completion, the painting was displayed at an exhibition at the Grosvenor Gallery.[3] The Mill was inspired by The Allegory of Good and Bad Government, a mural painted by Italian Renaissance artist Ambrogio Lorenzetti between 1338 and 1340.[4]

Painting

The Mill is an oil on canvas painting. It is 91 centimetres (36 in) in height, and 197 centimetres (78 in) in width.[1]

The Mill is a vague and mysterious painting with no particular meaning.[3] It incorporates styles from the Aesthetic Movement and the Renaissance.[5] In the painting, three women wearing simple, Renaissance-style aesthetic dresses[3] are dancing in a garden on a summer evening. On the right of the dancing women, a musician of an indiscernible gender is standing under a loggia.[1][5] A mill pond can be seen behind the women.[5] On the other side of the pond, there are several nude men, who are presumably swimming. In the background is an unspecific landscape consisting of various designs and types of architecture.[1]

The dancing women in the painting were modelled upon women known to Burne-Jones personally: from left to right, Aglaia Coronio, Marie Stillman, and Maria Zambaco.[6] Aglaia was the daughter of Constantine Ionides, who, like Burne-Jones, was interested in art. Marie was a painter,[3] and Maria was Ionides' granddaughter.[5] At the time, Maria was Burne-Jones' mistress.[3]

Ownership

Constantine Ionides bought the painting on 21 April 1882 for £905.[5] It is currently housed in the Victoria and Albert Museum, in London.[2]

See also

References

  1. 1 2 3 4 5 Patrick Bade (22 December 2011). Burne-Jones. Parkstone International. pp. 33, 36. ISBN 978-1-78042-414-9.
  2. 1 2 "Study of a Dancing Woman for 'The Mill' c.1870–82". tate.org.uk. Retrieved 22 February 2015.
  3. 1 2 3 4 5 Kimberly Wahl (2013). Dressed As in a Painting: Women and British Aestheticism in an Age of Reform. UPNE. p. 84. ISBN 978-1-61168-415-5.
  4. ↑ "Portrait of Marie Spartali, Mrs W. J. Stillman (England, c.1880)". leicestergalleries.com. Retrieved 22 February 2015.
  5. 1 2 3 4 5 "The Mill: Girls Dancing to Music by a River". collections.vam.ac.uk. Retrieved 25 February 2015.
  6. ↑ The Last Pre-Raphaelite: Edward Burne-Jones and the Victorian Imagination. Harvard University Press. Mar 5, 2012. pp. 203–204. ISBN 9780674065796.

Further reading

  • Wildman, S (1998). Edward Burne-Jones, Victorian artist-dreamer. New York: The Metropolitan Museum of Art.
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