The Borderers
The Borderers | |
---|---|
Genre | Drama |
Created by | Bill Craig |
Starring |
Michael Gambon Edith McArthur Iain Cuthbertson Ross Campbell Margaret Greig |
Country of origin | United Kingdom |
No. of series | 2 |
No. of episodes | 26 |
Production | |
Producer(s) | Anthony Coburn |
Release | |
Original network | BBC One |
Picture format | 4:3 full screen |
Original release | 31 December 1968 – 31 March 1970 |
The Borderers is a British television series produced by the BBC between 1968 and 1970.
Setting
A historical drama series, The Borderers was set during the 16th century and chronicled the lives of the Ker family, who lived in the Scottish Middle March on the frontier between England and Scotland. You also see the wider politics, mostly as it affects their relative Sir Walter Ker, warden of the Middle March
The series was described by The Guardian in 2007 as "brave and original...a kind of north-eastern western".[1] It shows an ordinary family trying to live as part of a society of Border Reivers, a world where raid and feud were unavoidable parts of daily life. The wars between England and Scotland had destroyed the normal processes of law enforcement. The setting is a particularly tense time, with Elizabeth of England and Mary, Queen of Scots, in competition. Also the struggle between Protestants and Catholics in both kingdoms. Amidst all this, the Kers of Slitrig are trying to live an ordinary life.
The leading cast members were Iain Cuthbertson, Edith MacArthur and Michael Gambon.
Season One was produced by Peter Graham Scott, who had worked on The Avengers, Mogul, The Troubleshooters and would later go on to make The Onedin Line.
Season Two was produced by Anthony Coburn who had previously worked on 'Doctor Who'.
In 2007, two episodes of The Borderers were part of the BBC Archive Trial.[2]
Cast
The regular cast were Michael Gambon as Gavin Ker (male head of the family),[3] Edith McArthur as Margaret Ker and Iain Cuthbertson as Sir Walter Ker of Cessford. Nell Brennan as Agnes Ker (Series 1) and Eileen Nicholas as Agnes Ker (Series 2). Margaret Greig as Grizel Ker, Joseph Brady as Rab (Series 1) and James Garbutt as Rab (Series 2). Ross Campbell as Jamie Ker and Russell Waters as Pringle (Cessford's clerk).[4] Sir Walter Ker is a real historical figure, though little is known of him and most of what is shown in the series is invented.
Episode guide
Series 1
Ep. No. | Title | Writer(s) | Producer | Airdate | Archive Status |
---|---|---|---|---|---|
1 | “Vengeance” | Bill Craig | Peter Graham Scott | 31 December 1968 | Exists in colour |
The elder of the Ker family, Gavin, has a shattering experience in front of him when he seeks a wider world. | |||||
2 | “Truce” | Bill Craig | Peter Graham Scott | 7 January 1969 | 16mm black-and-white film print exists |
When Gavin leads his men across the border to seek Agnes, he is accused of murdering an Englishman | |||||
3 | “Witch Hunt” | Vincent Tilsley | Peter Graham Scott | 14 January 1969 | 16mm black-and-white film print exists |
Gavin's younger sister Grizel is put on trial for being a witch. (This episode was given a Radio Times cover).[5] | |||||
4 | “Treason” | Jack Ronder | Peter Graham Scott | 21 January 1969 | 16mm black-and-white film print exists |
A friend visits Gavin who tries to persuade him to travel to Europe. But when pilgrims arrive, he is caught up in religious turmoil of the era. | |||||
5 | “Fugitive” | Allan Prior | Peter Graham Scott | 28 January 1969 | 16mm black-and-white film print exists |
An English fugitive saves Gavin's life, but is soon compromised when he gives him shelter. | |||||
6 | “Stranger” | Bill Craig | Peter Graham Scott | 4 February 1969 | 16mm black-and-white film print exists |
Gavin has a rival, when a David Scott claims to be the real Laird of Stilrig | |||||
7 | “Hero” | Jack Ronder | Peter Graham Scott | 11 February 1969 | Missing |
Cessford lies wounded at Slitrig after an assassination attempt by John Hume. | |||||
8 | “Bloodfeud” | George F Kerr | Peter Graham Scott | 18 February 1969 | 16mm black-and-white film print exists |
The Kers arguments with The Armstrongs lead Jamie to be accused of murdering one of them. | |||||
9 | “Giant” | Eve Martell | Peter Graham Scott | 25 February 1969 | 16mm black-and-white film print exists |
Gavin must sneak into England to rescue a Scottish spy. | |||||
10 | “Wedlock” | Sean Hignett | Peter Graham Scott | 4 March 1969 | Missing |
The Scotts of Branxholm raise Gavin's wrath when they boast openly of stealing the warden's cattle. | |||||
11 | “Outlaw” | Bruce Stewart | Peter Graham Scott | 11 March 1969 | 16mm black-and-white film print exists |
When The Telfers, friends of the Kers, are evicted for debt, they desperately seek religious justification for the only option open to them, stealing | |||||
12 | “Justice” | John Lucarotti | Peter Graham Scott | 18 March 1969 | Missing |
A young Italian physician, Mario Vecchi, seeks refuge with the Kers, when he fails to save a patient's life, and the Armstrongs seek vengeance. | |||||
13 | “Dispossessed” | Julian Nees | Peter Graham Scott | 25 March 1969 | Exists in colour |
An English princess is taken hostage, while on the way to marry a Scot she detests. Guest starring John Thaw and Vivien Heilbron.[6][7] | |||||
Series 2
Ep. No. | Title | Writer(s) | Producer | Airdate | Archive Status |
---|---|---|---|---|---|
1 | “The Siege of Cocklaws” | Jan Read | Anthony Coburn | 6 January 1970 | Exists in colour |
The English attack a castle owned by The Laird of Cocklaws, Gavin defends him, whilst knowing his motives are a sham. Guest starring William Hurndell and Hilda Braid. | |||||
2 | “Survival Day” | George F Kerr | Anthony Coburn | 13 January 1970 | Exists in colour |
The Kers believe a cattle buyer is in league with Cessford to rob them of their living. | |||||
3 | “Snatch” | Jan Read | Anthony Coburn | 20 January 1970 | Exists in colour |
Agnes Ker is snatched by a gypsy, Hector Faa. Gavin must fight Hector and Agnes to get her back. | |||||
4 | “What a Vengeance Upon England” | Anthony Steven | Anthony Coburn | 27 January 1970 | Missing |
Cessford tries to marry off his troublesome ward to an English warden. The romance turns lethal and complicated by an Arab stallion. | |||||
5 | “Among The Eagles” | Bill Craig | Anthony Coburn | 3 February 1970 | Missing |
Cessford is involved in a charge of treason when he attempts to uncover a traitor at the court of Queen Mary. (This episode was given a Radio Times cover).[8] | |||||
6 | “Plot Counterplot” | Anthony Coburn | Anthony Coburn | 10 February 1970 | Missing |
Cessford travels to Edinburgh seeking promotion only to end up with dismissal and disgrace. | |||||
7 | “The Quacksalver” | Roy Russell | Anthony Coburn | 17 February 1970 | Missing |
The Quacksalvers trick their way into Slitrig, and Gavin has to decide whether they should be pitied or are rogues. | |||||
8 | “To The Gallows Tree” | Martin Worth | Anthony Coburn | 24 February 1970 | Missing |
Gavin defends his bonded tenant against torture and a monstrous charge. | |||||
9 | “A Woman or an Epitaph” | Bruce Stewart | Anthony Coburn | 25 February 1969 | Missing |
A woman called "The Wee Daftie" changes men's opinions on the role of women in society. | |||||
10 | “Hostage” | Tom Wright | Anthony Coburn | 10 March 1970 | Missing |
A boy is to be hanged within three days if stolen beasts are not returned. | |||||
11 | “Where The White Lilies Grow” | Martin Worth | Anthony Coburn | 17 March 1970 | Exists in colour |
Cessford's son brings a new bride and murder with him to Cessford Castle. | |||||
12 | “The Terror of the March” | Martin Worth | Anthony Coburn | 24 March 1970 | Missing |
Cessford has a hugely powerful cannon, which to the surprise of everyone, finds itself at the bottom of Slitrig Loch. | |||||
13 | “The Sea-Cole Man” | Morris Farhi | Anthony Coburn | 31 March 1970 | Exists in colour |
To settle the feud between the Kers and the Johnstones, a wrestling match is arranged.[7][9] | |||||
Letter Giving Details
In a letter, dated '4 December 69' (verifiable original available for analysis. Scanned copy available on request) written to his widowed mother in Australia, eloquently describing his experience with 'The Borderers' Tony (James Anthony Coburn) writes (with minor 'typos' here corrected):
"This has been a Scottish year. At the end of last year I took over a series called The Borderers. These were fifty minute episodes of life on the Scottish borders between the years 1560 and 1565. A horsey historical costume series made in glorious colour and the most expensive series the BBC has ever attempted. The man who had made thirteen episodes of it the year before had distilled no more out of this rumbustious period than a pale attempt to copy the Westerns and our masters were of the opinion that he had pissed three hundred thousand pounds against a wall. So I began my second exercise in production with a fair amount of dissatisfaction all around me. Unknown to the cast and the directors who had been working on the programme, I joined the unit like one of those captains in a naval saga who walks up the gangplank of an unhappy ship. 'Will the old man take us safely through the minefields or will we end by hanging him from the yardarm?' A slightly mixed metaphor but you know what I mean. I began, as you would have done, by locking myself in my cabin and immersing myself in history. I read everything I could find of the period and gradually a social climate and a kind of people emerged. When this was done and I had a good idea of the kind of stories I wanted to tell I began to write some them myself and set other writers to do the rest. When the script content was in preparation I got rid of those members of the regular cast who were not up to the job and recast others in their places. I flew back and forward to Scotland and toured around to find better film locations than were used last time. I found castles and farms and a whole section of a small town that was almost pure sixteenth century. I worked all these into the stories. Then with the appetites of the cast whetted by a different kind of material and with prospect of getting their teeth into some real acting material, we set off in late May for Scotland with two entire film units, a mobile stable of twelve horses, a veritable caravanserai of make up wagons, costume wagons, catering wagons, camera cars, recording cars, and Lord knows what else, and began to get the whole thing on film.
All the programmes are made now, and although they are not being transmitted until the sixth of January next year, our masters who have seen them are well content that at last The Borderers format has been properly realised. I hope the fickle viewers will feel the same. Certainly I have had more artistic satisfaction out of this year than from any year in my life, and I've made a bit of money with it. The shame of it is that I was originally to make twenty six episodes but halfway through he filming period, before ever we got near a studio, those who hold the purse strings in the BBC got cold feet and reduced it to thirteen and decided these would be the last Borderers ever made. Now they've seen what we've done they've changed their minds again and decided to make some more, but all their facilities are so booked up now they can't begin making another lot before 1971. Ah well, that's show business. I haven't the faintest idea whether Australia will buy them or not. Maybe they won't until you get colour out there."
To the editor who, on failing to 'Google' previously published examples of the historical material (and artifact) reproduced above, will doubtless wish to remove the (laboriously retyped) content of this authentic (extant and in my possession) historical document. As the eldest son of James Anthony Coburn and the present lawful owner of his copyright protected works (inclusive of the 'TARDIS' acronym) you may be aware that other previously disputed accurate editions made by myself to the page relevant to my late father, have since been elsewhere confirmed and relisted. As on those previous occasions, what I have published here is NOT 'original research' (a semantic misnomer where DIRECT FAMILY is concerned). but merely the straight telling of the verifiable literal truth of the matter, as consciously recalled by myself and other family members, which, in this case, is unequivocally evidenced by the (physically extant) 'original' document, available (with other relevant material) to legitimate researchers.
On this occasion, maybe confirm the factual nature of the significant information here added, BEFORE excising genuine verifiable historical information (I repeat, ask Sir Michael Gambon for HIS recollections of my dad) on yet another 'Catch22-esque' point of order. I promise I don't do this for the good of my health, and beyond 'family honour' have no personal 'axe to grind' in the matter. [10]
References
- ↑ "Obituary - Peter Graham Scott". The Guardian. 2007-08-31. Retrieved 2007-12-31.
- ↑ "Feature Obituaries - Peter Graham Scott". The Mausoleum Club. 2007-06-21. Retrieved 2007-12-31.
- ↑ "The Borderers:Series info". The TVDB.com. 2007. Retrieved 2007-12-31.
- ↑ "The Borderers Cast & Crew". TV.com. 2007. Archived from the original on 2013-02-04. Retrieved 2007-12-31.
- ↑ "The Borderers with main cover photo of Iain Cuthbertson, Michael Gambon & Joseph Brady". Kelly Books Limited. 2007. Archived from the original on 15 July 2011. Retrieved 31 December 2007.
- ↑ "The Borderers Season 1". TV.com. 2007. Archived from the original on 2013-02-08. Retrieved 2007-12-31.
- 1 2 "The Borderers". Lost Shows. 2007. Retrieved 2007-12-31.
- ↑ "The Borderers Iain Cuthbertson RT 2412 - 29 Jan 1970 (31 Jan-6 Feb)". Kelly Books Limited. 2007. Archived from the original on 15 July 2011. Retrieved 31 December 2007.
- ↑ "The Borderers Season 2". TV.com. 2007. Archived from the original on 2013-02-05. Retrieved 2007-12-31.
- ↑ "Feature Obituaries - Peter Graham Scott". The Stage. 2007-11-13. Retrieved 2007-12-31.