Tatyana Dogileva
Tatiana Dogileva | |
---|---|
Born |
Tatyana Anatoliyevna Dogileva 27 February 1957 Moscow, RSFSR, USSR |
Occupation | Actress |
Years active | 1971 - present |
Awards |
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Tatyana Anatoliyevna Dogileva (Russian: Татья́на Анато́льевна До́гилева) is a famous Soviet and Russian film and stage actress, Meritorious Artist of Russia (1989), People's Artist of Russia (2000).[1][2]
Biography
Early life and education
Tatyana Anatoliyevna Dogileva was born on February 27, 1957 in Moscow in a working family. She received secondary education at a Moscow school at the Academy of Pedagogical Sciences, where she combined her studies with rhythmic gymnastics and choreography. At age 14, she entered the studio of a young actor at the Central Television.[1][2]
In 1978, Dogileva graduated from the Lunacharsky State Institute of Theatrical Art, where she studied at the course of Vsevolod Ostalsky.[1][2]
Theatre
The stage career of Tatiana Dogileva began with the successful performance in her thesis play Much Ado About Nothing, where she played Beatrice.[1][2]
After that, the actress was invited to three Moscow theaters, but she chose the Moscow Lenin Komsomol Theater, where she worked until 1985. On the stage of "Lenkom", Dogileva played Nelly in the play Cruel Games staged by Mark Zakharov, which became an important theatrical event.[1][2]
Having transferred in 1985 to the Yermolova Theatre, Dogileva participated in the productions of director Valery Fokin Sports Games, Speak, Shaky Balance, in the play of Roman Viktyuk Our Decameron.[1][2]
In the eight-hour play by Peter Stein "Oresteia" Aeschylus (1994), at the base of the Russian Army Theatre, Dogileva played Electra. According to critics, the performance was the main event of the Russian theatrical season, and later, on an international tour, earned recognition from audiences in France, Germany, Greece, Great Britain and the Netherlands.[1][2]
Among the theatrical works of Tatyana Dogileva in the 1990s were Twelfth Night at the Mossovet Theatre, "The Incredible Session" in the entourage of Mikhail Kozakov. In the Anton Chekhov Theater, Tatyana Dogileva played in the performance Honoring, and at the Theater-Studio under the direction of Oleg Tabakov in The Ideal Husband, staged in 2004.[1][2]
Film
As a student, Dogileva begin acting in film, in episodic roles. Her first major role was of Nina in the film The Stowaway Passenger(1978). In the following years, she starred in the films Vasily and Vasilisa (1981), Private Life (1982), The Pokrovsky Gate (1982), Station for Two (1982), The Unexpected (1983) and many others.
The role of saleswoman Vera in the picture The Blonde Around the Corner (1984) directed by Vladimir Bortko proved to be noteworthy, where, in a duet with Andrei Mironov, the actress opened a new type of character for the screen - a charming in a feminine way, yet firmly independent woman from the "omnipotent" Soviet service sector.[1][2]
The actress received more recognition among the audience with the role of nurse Lida in the picture Forgotten Melody for a Flute (1987) directed by Eldar Ryazanov. Dogileva played the heroine of her time, proudly confronting the difficulties of life and saving her lover from moral death. The same theme recurred i the role of Marina from the Afghan Breakdown (1993), directed by Vladimir Bortko.[1][2]
Dogilova also acted in the films The Bridegroom from Miami (1994), Hello, Fools! (1996), East/West (1999).[1][2]
From the works of recent years, the audience remembered the roles of the actress in the series Plot (2003), in the sitcom Lyuba, Children and the Plant (2005-2006), the series Hobo (2007, 2009) and Mine (2009).[1][2]
In 2005-2007, Tatyana Dogileva hosted the psychological talk show Two Truths on NTV.[1][2]
Directing
In 1998, Tatyana Dogileva made her debut as a theater director in Mikhail Kozakov's entreprise, she staged the romantic comedy "Moonlight, a Honeymoon" based on the play Private Lives by English playwright Noël Coward. The translation was made by Mikhail Mishin, husband of the actress. Despite the initially poor critical reception, the play went on for 20 years.[1][2]
Then there were The Ones In Love do not Renounce ... (2000), Moscow Passions based on Alexander Ostrovsky's play It's Not All Shrovetide for the Cat at the Mikhail Kozakov Theater, the comedy The Lady Waits, the Clarinet Plays (2004) in the creative association "Duet".[1][2]
In 2011, the premiere of the play Fallen Angels took place in the Central House of Musicians.[1][2]
Dogileva acted herself in almost all the plays she directed.[1][2]
Dogileva's directorial debut was the film Lera (2007).[1][2]
Literature
In addition to working in theater, cinema and television, the actress is also active in the literary field. In 2010 she published her first novel, The Life and Adventures of Sveta Khokhryakova. Dogileva describes the modern Russian realities - the poverty-stricken life of the remote places, the luxury and full moral degradation of the capital's rich people, the venality and lack of principle of television figures.[1]
Honors and awards
- People's Artist of the Russian Federation
- Honored Artist of the RSFSR
- Kinotavr award for Best Actress in Afghan Breakdown
Personal life
Tatyana Dogileva was married twice. From her marriage to playwright Mikhail Mishin, the actress has a daughter Ekaterina.[1][2]
Activism
Tatiana Dogileva participated in several protest campaigns against destruction of greenery and architecture heritage.
In 2010, Dogileva publicly criticized fellow cinematographer Nikita Mikhalkov for destroying several historical buildings in Moscow downtown to build there his own hotel. When Dogileva was picketing the construction site, she was arrested.[3]
Selected filmography
Dogileva's film debut was in 1971; since that time she has appeared in more than 80 Soviet and Russian films.
- Yolki 3 (Ёлки 3, 2013) as Marta Petrovna
- Dead Man's Bluff (Жмурки, 2005) as Galya
- The Fall of the Empire (Гибель империи, 2005, TV) as hostess of the apartment, Zina's mother
- My Fair Nanny (Моя прекрасная няня, 2004) as Natalia Kanareichenko
- East/West (Восток-Запад, 1999) as Olga
- Hello, Fools! (Привет, дуралеи!, 1996) as Svetlana Kablukova
- Afghan Breakdown (Афганский излом, 1990) as Katya
- Forgotten Melody for a Flute (Забытая мелодия для флейты, 1987) as Lida
- Do Not Marry, Girls (Не ходите, девки, замуж, 1985) as Valya
- The Pokrovsky Gate (Покровские ворота, 1984) as Svetlana Popova
- The Blonde Around the Corner (Блондинка за углом, 1984) as Nadezhda
- Private Life (Частная жизнь, 1982) as Vika
- Station for Two (Вокзал для двоих, 1982) as Marina
- Late Meeting (Поздняя встреча, 1979) as daughter