Taleb Amoli
| Muhammad Amoli | |
|---|---|
| Mystic Poet | |
| Born |
11th century - 994 Amol, Iran |
| Died |
11th century - 1036 Kashmir |
| Influenced | Nima Yooshij |
Tradition or genre |
Mystic Poetry Mathematician Calligraphy |
Sayyid Muhammad Ibn Abdullah Taleb Amoli or Talib Amuli and Talib Amoli (Persian: طالب آملی, also aka Ashub, Talib, Taleba and Malek Al Shoara Taleb) (b. Mazandaran 994 - d. India 1036) Iranian Tabari poet was early 17th century. His poetry is Indian style of Persian language.[1][2] Poetry collection and poem Talib and Zohre is the collection of his works left by him today. Taleb played a crucial role in the rapid transformation of poetic style at the beginning of the 17th century. His work gave free rein to the tendency toward conceptualism (Fantasy) in the “fresh style” (later known as the Indian Style) that had begun to emerge a generation earlier in the poetry of Naẓiri and ʿOrfi. like them, Taleb showed his debt to the past by responding to poems by renowned predecessors such as Khaqani in the Qasida and Saadi Shirazi, Amir Khusrow, and Hafez in the Ghazal, at the same time, he gives a new vitality to conventional images and common idioms by exploring their full figurative implications, a procedure Taleb himself revealingly dubs his . [3][4][5]
See also
Notes
- The Elements of Semantic Ambiguity in the Poetry of Talib Amoli
- Faculty of Literature and Human Sciences - literature.ut.ac
- Network Comprehensive Book Gisoom