TT45
| Theban tomb TT45 | |||
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| Burial site of TT45 floor plan | |||
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| Location | Sheikh Abd el-Qurna, Theban Necropolis | ||
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| Djehuty in hieroglyphs |
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| Djehutyemheb in hieroglyphs |
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The Theban Tomb TT45 is located in Sheikh Abd el-Qurna, part of the Theban Necropolis, on the west bank of the Nile, opposite to Luxor.
It was originally the burial place of the Ancient Egyptian named Djehuty (Thoth), who was a scribe of the offering-table of Mery, high-priest of Amun, head of all the weavers of Amun, and steward of Mery, high-priest of Amun. Djehuty lived during the reign of Amenhotep II (ca. 1400 BCE; Eighteenth dynasty of Egypt). He was the son of a lady also named Djehuty.
The tomb was reused about 200 years later (ca. 1200 BCE) in the Ramesside Period by a man named Djehutyemheb (Thothemheb). He was head of the makers of fine linen of the temple of Amun. Djehutyemheb was the son of the head of the weavers named Wennefer and his wife Isis. Djehutyemheb's wife was named Bak-Khonsu. She was a songstress of Amun.[1]
In the tomb Djehutyemheb and his wife Bak-Khonsu are depticted with their sons, who offer them bread, beer, oxen, fowl, wine, fruit, and incense. The sons are named Panakhtenopet (scribe of the treasury in the temple of Amun), Userhatnakht (scribe of fine linen in the temple of Amun), Wennefer and Panesuttawy. The first two sons work for the temple of Amun, just like their father and grandfather. In other scenes more relatives are mentioned. Djehutyemheb and Bak-Khonsu have daughters named Tyemheb, Nakhtmut, Hennuttawy, Wernefret, and Isetnefret. Grandsons by the name of Amenemopenakht, Panebenopet, Suti called Khonsuenwia, and granddaughters named Irneferumut, Akhmut, Isis, and Dinymuti are mentioned. The daughters and granddaughters are chantresses of Amun.[2]
In 2017, the Leiden University Mission to the Theban Necropolis started work in Theban Tomb 45 under the direction of Dr. Carina van den Hoven, with the generous support of the Gerda Henkel Stiftung. The main aims of the TT45 Project are to carry out conservation, documentation, publication, art-historical analysis, heritage preservation and site management activities. The acquired data are documented and published using the most recent non-invasive digital tools and developments in the field of Digital Humanities, such as photogrammetry, digital epigraphy, digital reconstruction, and digital imaging technology. For more detailed information on the TT45 Project, please visit the project website.