Sylke von Gaza

Sylke von Gaza
Sylke von Gaza painting inside San Fantin church in Venice, 2014
Born (1966-07-01) 1 July 1966
Hamburg, Germany
Nationality German
Education Academy of Fine Arts Munich
Known for Painting
Notable work Red Veil Paintings, Grey Veil Paintings
Awards Meisterschülerin[1] (2007)
Website vongaza.com

Sylke von Gaza (* 1 July 1966 in Hamburg as Sylke von Gazen genannt Gaza) is a German artist. First and foremost an abstract painter, she also pursues numerous projects that investigate the effect and impact of painting in architectural spaces and the process of painting including site-specific settings. Von Gaza lives and works in Munich, Venice and Zurich.

Life

The Hamburg-born artist Sylke von Gaza was first taken to Italy as a three-year-old by her great-grandmother, whom she accompanied on long journeys to Venice and the Emilia-Romagna. It was during those childhood visits to the churches of Ravenna, Assisi and Venice, to name but a few, that she first came to appreciate painting and architecture. The experience made a lasting impression and continues to inspire her work to this day.[2]

Sylke von Gaza's first university degree is in engineering. Later, as a student of painting at the Academy of Fine Arts in Munich from 2002 to 2007 under the Irish painter Sean Scully, she found herself drawn to the Old Masters and Abstract expressionism.[3] She completed her studies at the Academy of Fine Arts in Munich in 2007, graduating with a Meisterschüler diploma ("summa cum laude").[1]

Work

Netherlandish and Italian Renaissance painting has always been a key source of inspiration for Sylke von Gaza. With her large-scale abstract oil paintings she positions herself within the tradition of the Old Masters without, however, referencing them directly in her formal language.[3] Oscillating between past and present, Venice provides an ideal creative environment for the artist[4], whose works not only probe the questions of tradition and identity in painting, but also provoke a discussion of the intrinsic value of art and society.[5]

Her work thus far can be divided into different strands. Her principal body of work consists of Early Works, individual works, themed groups of works, site-specific works and the series of Veil Paintings, among them the Grey Veil Paintings and Red Veil Paintings.[3]

In Sylke von Gaza's creative practice, the veil, the metaphor for transcendence and permeability, plays a central role.[6][7] The ability to disclose by concealing, to render visible by shrouding – the artist has internalised this fundamental potential of painting and made it central to her work.[8]

Since 2012, the artist has been working on projects that focus on painting in sacred spaces[7], primarily in Venetian churches. Since 2013, in collaboration with Curia Patriarchale di Venezia, von Gaza has been painting in the Chiesa San Fantin (2014), the Chiesa San Lio (2015), the Cappella Santissima Trinità (2016).[9]

To mark the Venice Biennale of 2015, the Venetian Curia commissioned von Gaza with a site-specific work for the Renaissance chapel of the Gussoni family in the church of San Lio. Working on site inside the chapel during the Beyond the Veil project[10], the artist created the Gussoni Red Veil Paintings Triptych, which is now permanently installed in the Renaissance chapel designed around 1479 by Tullio[11] and Pietro Lombardo[12]. The famous Venetian painter of Veduta Giovanni Antonio Canal (1697–1768), better known as Canaletto, is buried in the chapel.[9]

Recognition

Exhibitions (selection)

  • 2017: Il Nido. A Pilgrimage towards Equilibrium[13], project for Padiglioni Paralleli[14] of Curia Patriarcale di Venezia and glasswork with Berengo Studio[15], Murano, during 57th Venice Biennale, at Basilica della Salute, Osservatorio del Seminario Patriarcale, Punta della Dogana, Venice
  • 2017: Summertime: Brüning, Erben, von Gaza, Huidobro, Merschmann, Münch[16], Gallery Hans Strelow, Düsseldorf
  • 2017: 52th Art Cologne, Gallery Hans Strelow, Cologne
  • 2016/17: Behind the Curtain. Concealment and Revelation since the Renaissance. From Titian to Cristo[17], curated by Beat Wismer and Prof. Dr. Claudia Blümle, Museum Kunstpalast Düsseldorf
  • 2016: Private View Villa von Schulthess-Bodmer, Zürich
  • 2016: Fabrica Ecclesiae[18], Museo Diocesano d'Arte Sacra Sant' Apollonia, San Marco, Venice
  • 2015: Beyond the Veil[10], project with and commission for Curia Patriarcale di Venezia during 56th Venice Biennale, Chiesa San Lio, Venice
  • 2014: Power of Glass[19], Hofglasmalerei Gustav van Treeck, Munich
  • 2013: Handwerk und Kirche[20], Gallery Handwerk of Chamber of Commerce of Munich and Upper Bavaria in collaboration with Erzbischöfliches Ordinariat München, Carmelite Church of St. Nicholas, Munich
  • 2013: Spirituality in Painting, Gallery Art Consult, Munich
  • 2012: Positionswechsel, BayWa, Munich
  • 2011: Light & Painting, Palazzo Ca' del Duca[21], Venice
  • 2010: Jahresgaben, Munich Art Society, Munich
  • 2009: Malerei, Gallery Biedermann, Munich
  • 2009: The Process of Creation[22], Rich Gallery, London
  • 2008: Jahresausstellung des 15. Kunstpreises, Aichach Art Society, Aichach
  • 2007: Jahresausstellung, Traunstein Art Society, Traustein
  • 2007: Diplomausstellung Abschlussklasse Prof. Sean Scully, Akademie der Bildenden Künste München, Munich

Public collections (selection)

Bibliography

  • Beat Wismer, Claudia Blümle (Ed.): Hinter dem Vorhang. Verhüllung und Enthüllung seit der Renaissance – von Tizian bis Christo, with contributions by Horst Bredekamp, Georges Didi-Huberman, Wolfgang Kemp, Roland Krischel, Oskar Bätschmann, Lia Bertram, Dortje Fink, Vincent von Frankenberg, Klaus Krüger, Saskia C. Quené, Patrik Reuterswärd, Julia Ryll, Barbara Schnellewald, Beate Söntgen, Victor I. Stoichita and Gerhard Wolf, exhibition catalogue Museum Kunstpalast Düsseldorf, Hirmer, Munich 2016, ISBN 978-3-7774-2646-4.[8]
  • Helga Meister: Im Ehrenhof wird der Vorhang gelüftet, Westdeutsche Zeitung WZ 30 September 2017, Wuppertal, Krefeld, Düsseldorf 2016.[4]
  • Thomas Köster: "Hinter dem Vorhang" im Museum Kunstpalast, Westdeutscher Rundfunk WDR 30 September 2016, Cologne 2016.[25]
  • Tim Ackermann: Venedig wird abstrakt, Weltkunst 106 (10/2015), Berlin/Hamburg 2015.
  • Gianmatteo Caputo: Beyond the Veil: Red Veil Paintings nella Chiesa di San Lio, Uffici Beni Culturali & Turismo della Curia Patriarcale di Venezia UBC, Venice 2015.[10]
  • Gustav van Treeck (Ed.): Power of Glass, exhibition catalogue, Munich 2014.[19]
  • Maurits J. Sinninghe Damsté: Sylke von Gaza's paintings: Sacraments of a Deeper Reality, Groningen-Leeuwarden 2013.
  • Laura Schwarz: Schichtarbeit, Architectural Digest AD (10/2013), Munich 2013.
  • Jolanda Drexler: Sylke von Gaza in Conversation with Jolanda Drexler, Artology 2 (2013), Munich 2013.
  • Florian Seidl (Ed.): Jahresgaben 2010, Kunstverein München e.V., Munich 2010.
  • Steven Rich (Ed.): Sylke von Gaza: Red Veil Paintings. The Process of Creation, London 2009.[22]
  • Petra Giloy-Hirtz: From the Grey to the Colourful. Interview with Sylke von Gaza, Munich 2008.
  • Martin H. Schmidt: Die Schleier der Sylke von Gaza – Who is afraid of grey, white and red?, Kronberg 2007.[6]
  • Official Website of artist Sylke von Gaza
  • Worksfolder of artist Sylke von Gaza
  • Exhibition Behind the Curtain at Museum Kunstpalast Düsseldorf
  • Project Beyond the Veil in Gussoni Chappell, Chiesa San Lio, Venice
  • Project Il Nido for Padiglioni Paralleli of Curia Patriarcale di Venezia

References

  1. 1 2 3 "Matrikeldatenbank" (in German). Akademie der Bildenden Künste München. Retrieved 2017-07-24. In the German academy tradition, "Meisterschüler" is the titel awarded only to exceptionally talented students who successfully complete a postgraduate masterclass, equal to "summa cum laude".
  2. ↑ Giloy-Hirtz (2008): From the Grey to the Colourful.
  3. 1 2 3 Giloy-Hirtz (2008): From the Grey to the Colourful & Drexler (2013): Sylke von Gaza in Conversation.
  4. 1 2 Helga Meister (29 September 2016). "Im Ehrenhof wird der Vorhang gelüftet" (in German). Westdeutsche Zeitung WZ. Retrieved 2017-08-05.
  5. ↑ Schmidt (2007): Die Schleier der Sylke von Gaza & Giloy-Hirtz (2008): From the Grey to the Colourful & Drexler (2013): Sylke von Gaza in Conversation & Sinninghe Damsté (2013): Sacraments of a Deeper Reality.
  6. 1 2 Martin H. Schmidt (2007). "Die Schleier der Sylke von Gaza – Who is afraid of grey, white and red?" (in German). Retrieved 2017-07-25.
  7. 1 2 Sinninghe Damsté (2013): Sacraments of a Deeper Reality.
  8. 1 2 Beat Wismer, Claudia Blümle, ed. (in German), Hinter dem Vorhang, München: Hirmer, pp. 256 – 259, ISBN 978-3-7774-2646-4, http://www.hirmerverlag.de/de/titel-1-1/hinter_dem_vorhang-1397/
  9. 1 2 Ackermann (2015), Venedig wird abstrakt, S. 111.
  10. 1 2 3 Gianmatteo Caputo (2015). "Beyond the Veil: Red Veil Paintings nella Chiesa di San Lio" (in Italian). Uffici Beni Culturali & Turismo della Curia Patriarcale di Venezia UBC. Retrieved 2017-07-18.
  11. ↑ "Tullio Lombardo: Pietà with Saints". Save Venice Inc. 2002. Retrieved 2017-08-17.
  12. ↑ "Pietro Lombardo: Gussoni Chapel". Save Venice Inc. 2002. Retrieved 2017-08-17.
  13. ↑ Gianmatteo Caputo (2017). "Sylke von Gaza: "Il Nido. A Pilgrimage towards Equilibrium" presso la Basilica della Salute, Padiglioni Paralleli 2017" (in Italian). Curia Patriarcale di Venezia. Retrieved 2017-08-25.
  14. ↑ "Padiglioni Paralleli alla Biennale 2017" (in Italian). Curia Patriarcale di Venezia. 2017. Retrieved 2017-07-22.
  15. ↑ Adriano Berengo. "Berengo Studio". Berengo Studio 1988. Retrieved 2017-08-25.
  16. ↑ Hans Strelow (2017). "Summertime: Brüning, Erben, von Gaza, Huidobro, Merschmann, Münch" (in German). Artnet. Retrieved 2017-07-01.
  17. ↑ "Exhibition 'Behind the Curtain. Concealment and Revelation since the Renaissance. From Titian to Christo'". Museum Kunstpalast. Retrieved 2017-08-17.
  18. ↑ "Fabrica Ecclesiae" (in Italian). Curia Patriarcale di Venezia. 2016. Retrieved 2017-08-17.
  19. 1 2 Power of Glass. Hofglasmalerei Gustav van Treeck, 2013, retrieved 2017-07-22 (in German). (PDF 1.2 MB Catalogue)
  20. ↑ "Handwerk und Kirche" (in German). Galerie Handwerk in der Karmeliterkirche München. 2013. Retrieved 2017-07-22.
  21. ↑ Marcello Brusegan (2007) (in German), I palazzi di Venezia, Roma: Newton & Compton, ISBN 978-88-541-0820-2
  22. 1 2 "The Process of Creation". Steven Rich. 2009. Retrieved 2017-07-12.
  23. ↑ "Collezione" (in Italian). Museo Diocesano d'Arte Sacra Sant' Apollonia. Retrieved 2017-08-25.
  24. ↑ "Pinacoteca" (in Italian). Seminario Patriarcale di Venezia. Retrieved 2017-08-25.
  25. ↑ Thomas Köster (30 September 2016). ""Hinter dem Vorhang" im Museum Kunstpalast" (in German). Westdeutscher Rundfunk WDR. Retrieved 2017-07-22.
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