Human After All

Human After All
Studio album by Daft Punk
Released 14 March 2005
Recorded 13 September – 9 November 2004[1]
Studio
  • Daft House
  • (Paris, France)
Genre Dance-rock[2]
Length 45:38
Label Virgin
Producer
Daft Punk chronology
Daft Club
(2003)Daft Club2003		 Human After All
(2005)		 Musique Vol. 1 1993–2005
(2006)Musique Vol. 1 1993–20052006
Singles from Human After All
  1. "Robot Rock"
    Released: 11 April 2005
  2. "Technologic"
    Released: 14 June 2005
  3. "Human After All"
    Released: 21 October 2005
  4. "The Prime Time of Your Life"
    Released: 17 June 2006

Human After All is the third studio album by the French electronic music duo Daft Punk, released on 14 March 2005 internationally and a day later in the United States by Virgin Records. With this album, the duo took a more minimalistic and improvisational approach to their music using a mixture of guitars and electronics.[3][4] A remix album, Human After All: Remixes was released exclusively in Japan. Human After All was Daft Punk's last studio album to be released by Virgin Records.

Human After All received mixed reviews from critics, who derided its minimalistic and repetitive nature and its reported six-week creation, which was particularly short compared to the production of Discovery and Homework.[5] However, the singles "Robot Rock" and "Technologic" charted in several countries while the title track "Human After All" charted in France. The album's songs would later be incorporated into Daft Punk's Alive 2006/2007 tour, which received critical acclaim.[6] Human After All reached number one on the Billboard Dance/Electronic Albums chart, and was nominated for the 2006 Grammy Award for Best Electronic/Dance Album.

Background and structure

Daft Punk had considered Human After All to be their favorite of the three studio albums they had released at the time, and had regarded it as "pure improvisation".[7] An early press release stated that the record would "[retain] their trademark Daft Punk sound, this time with a more spontaneous and direct quality to the recording".[3] Human After All's brief creation and minimal production had been decided upon beforehand as a counterpoint to their previous album. As Thomas Bangalter of the duo stated, "We were definitely seduced at the time by the idea of doing the opposite of Discovery."[7] He compared the deliberately unpolished record to "a stone that's unworked".[8] Human After All was created primarily with two guitars, two drum machines, a vocoder and one eight-track machine.[4] Furthermore, it was produced in two weeks and mixed in four, a session in sharp contrast to their older material.[9]

Bangalter stated that the album was an attempt to discover where human feelings reside in music.[10] He later commented that "we felt like the third album was about this feeling of either fear or paranoia... [The record is] not something intended to make you feel good".[11] Bangalter felt that Human After All and the film Daft Punk's Electroma are both "extremely tormented and sad and terrifying looks at technology, yet there can be some beauty and emoting from it."[12] He acknowledged the perceived mechanical quality of the record, but felt that it expressed "the dance between humanity and technology".[4]

As Guy-Manuel de Homem-Christo noted, "Every album we’ve done is tightly linked with our lives. [...] The internal, personal stuff Thomas went through during Human After All made it closer to where he was at the time".[13] When questioned on the positive reaction to the use of the tracks in Daft Punk's Alive 2006/2007 tour, Bangalter expressed that, "Human After All was the music we wanted to make at the time we did it. We have always strongly felt there was a logical connection between our three albums, and it's great to see that people seem to realize that when they listen now to the live show."[14]

The cover image of Human After All features the Daft Punk logo displayed on a television screen. Each single from the album ("Robot Rock", "Technologic", "Human After All" and "The Prime Time of Your Life") features a cover with a different image on a similar screen. This theme is also integrated into several tracks from the album, including "On/Off" and "Television Rules the Nation". Bangalter cited the novel Nineteen Eighty-Four by George Orwell as an inspiration for the record.[15]

Release and promotion

When the album was leaked on the Internet several months before release, fans speculated that it was a fake designed to foil online filesharing.[16] Human After All on compact disc was embedded with the Copy Control protection system in some regions. Spin recalled that the album's official release was ill-timed, as it occurred after the end of the "major-label electronica movement" of the 1990s, but before the rise of independent dance labels such as DFA Records and Ed Banger.[17] The Japan edition of the album artwork features a quote from Daft Punk stating: "We believe that Human After All speaks for itself." At the time of release, the duo refused to be interviewed; they felt that using the media to explain the album would run contrary to the album's theme regarding the media as an oppressive force. De Homem-Christo later said that choosing to be silent was the worst decision they had ever made.[15]

The Alive 2006/2007 tour, which featured songs from Human After All, caused many to reconsider their initial feelings towards the album.[6][14] Pedro Winter, Daft Punk's manager at the time, stated, "When we put out Human After All, I got a lot of bad feedback, like, 'It's so repetitive. There's nothing new. Daft Punk used to be good.' Then they came back with the light show, and everyone shut their mouths... People even apologized, like, 'How could we have misjudged Daft Punk?' The live show changed everything. Even if I'm part of it, I like to step back and admire it. Me, I cried."[18] The first single "Robot Rock" received moderate attention, reaching number 32 in the UK and number 15 on the US dance charts, but was not a major hit.[19][20] The second single "Technologic" only hit number 40 in the UK but did considerably better in airplay.[21] The track was also featured on The O.C. and in an iPod commercial. The title track "Human After All" reached number 93 in France.[22]

Daft Punk directed the music videos for the songs "Robot Rock" and "Technologic" while Tony Gardner directed the video for "The Prime Time of Your Life". The duo intended to make a video for the song "Human After All" as well, but the footage they shot for it was expanded to create the film Daft Punk's Electroma instead.[23] Songs from Human After All also appear in the Daft Punk compilation Musique Vol. 1 1993–2005 and the live album Alive 2007, the duo's last release under Virgin Records. In a 2008 interview, de Homem-Christo stated that the duo were then free of all record contracts.[24] Daft Punk would later pursue one-time contracts with Walt Disney Records and Columbia.[25]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic[26]
Blender[2]
Entertainment WeeklyC[27]
The Guardian[28]
Mojo[29]
NME7/10[30]
Pitchfork4.9/10[31]
Q[32]
Rolling Stone[33]
SpinC–[34]

Human After All received generally mixed reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 57, based on 28 reviews.[5] In his review for Blender magazine, Simon Reynolds said that Discovery's blissful and "open-hearted" music is replaced by "an archly ironic dance-rock that feels desultory and numb – verging on autistic".[2] Q magazine felt that it lacks the "fun" of Daft Punk's previous work.[32] Barry Walters of Rolling Stone said that the duo generally "repeats rather than elaborates its riffs", and that they "exaggerate their band's own robotic tendencies here, much to the detriment of its grooves."[33] Dorian Lynskey of The Guardian called the album "a joyless collection of average ideas stretched desperately thin".[28] Robert Christgau from The Village Voice graded the album a "dud",[35] indicating "a bad record whose details rarely merit further thought".[36] In a positive review, Matthew Weiner of Stylus Magazine stated, "it's the same story, track after track, willfully mistaking alternation for variation, intensification for development and dynamics. In other words, a shining example of pop songcraft in the 21st century."[37] Mojo magazine said that it "strips out the most flamboyant frills to create a more incisive sound".[29] Human After All was nominated for the 2006 Grammy Award for Best Electronic/Dance Album.[38]

Track listing

All tracks written by Thomas Bangalter and Guy-Manuel de Homem-Christo, except where noted.

No.TitleLength
1."Human After All"5:20
2."The Prime Time of Your Life"4:23
3."Robot Rock" (Bangalter, de Homem-Christo, Kae Williams)4:48
4."Steam Machine"5:21
5."Make Love"4:50
6."The Brainwasher"4:08
7."On/Off"0:19
8."Television Rules the Nation"4:50
9."Technologic"4:44
10."Emotion"6:57
Total length:45:38
  • "Robot Rock" features sampled portions of "Release the Beast" performed by Breakwater.

Personnel

  • Daft Punk – vocals, guitars, drum machine, synthesizer, piano, bass guitar, vocoder, programming, production
  • Cédric Hervet – production coordination
  • Gildas Loaëc – production coordination
  • Nilesh "Nilz" Patel – mastering

Remix album

Human After All: Remixes cover

Human After All: Remixes was released on 29 March 2006 exclusively in Japan. It features numerous remixes previously unavailable on CD in a limited pressing of 3,000 copies. A limited edition of the album included a set of Daft Punk Kubricks. The album implements a Copy Control system. Track 10 was previously titled "Robot Rock (Maximum Overdrive)" in the single release of "Robot Rock".

In 17 June 2014, a reissue of the album was released, also exclusive to Japan. The new edition features four additional bonus tracks.[39] In August 2014, Daft Punk silently gave the album its first ever digital, international release, containing an additional remix of "Technologic" by Le Knight Club.[40]

Charts

As of May 2013, Human After All has sold 127,000 copies in the US[41] and 80,838 copies in the UK.[42]

Chart (2005) Peak
position
Australian Albums (ARIA)[43] 36
Austrian Albums (Ö3 Austria)[44] 23
Belgian Albums (Ultratop Flanders)[45] 8
Belgian Albums (Ultratop Wallonia)[46] 11
French Albums (SNEP)[47] 3
Italian Albums (FIMI)[48] 8
Norwegian Albums (VG-lista)[49] 36
Spanish Albums (PROMUSICAE)[50] 87
Swedish Albums (Sverigetopplistan)[51] 30
Swiss Albums (Schweizer Hitparade)[52] 8
UK Albums (OCC)[53] 10
US Billboard 200[54] 98
US Top Dance/Electronic Albums (Billboard)[55] 1

Certifications

Region CertificationCertified units/Sales
France (SNEP)[56] 2× Gold 162,800 [57]*
United Kingdom (BPI)[58] Silver 80,838 [59]^
United States (RIAA)[60] 127,000 [61]^

^shipments figures based on certification alone

References

  1. ↑ Liner notes of the Human After All album - "Paris, September 13, 2004 to November 9, 2004"
  2. 1 2 3 Reynolds, Simon (April 2005). "Review: Human After All". Blender. New York: 116.
  3. 1 2 Daft Punk - Human After All roughtrade.com. Retrieved on 9 March 2014.
  4. 1 2 3 Doris, Jesse (21 May 2011). "Robocall: A Conversation with Daft Punk". Time. entertainment.time.com. Retrieved 8 June 2013.
  5. 1 2 "Human After All Reviews". Metacritic. CBS Interactive. Retrieved 20 May 2012.
  6. 1 2 Dombal, Ryan (20 November 2007). "Daft Punk: Alive 2007". Pitchfork Media. Retrieved on 3 September 2008.
  7. 1 2 Suzanne Ely, "Return of the Cybermen" Mixmag (July 2006). Retrieved on 9 March 2014.
  8. ↑ Baron, Zach (May 2013). "Daft Punk Is (Finally!) Playing at Our House". GQ. 83 (5): 76–82.
  9. ↑ "Thomas Bangalter interview at French Touch Forum".
  10. ↑ "Belfort's After Show interview at French Touch Forum".
  11. ↑ Eric Ducker, "The Creators" (2007). The Fader, issue 47, pp. 116. Retrieved on 17 February 2008.
  12. ↑ Nadeau, Cheyne and Nies, Jennifer (July–August 2013). "The Work of Art Is Controlling You". Anthem (29): 36–37.
  13. ↑ Noakes, Tim (13 May 2013). "Daft Punk vs Giorgio Moroder". Dazed & Confused. dazeddigital.com. Retrieved 13 May 2013.
  14. 1 2 Mark Pytlik, Interview: Daft Punk. Pitchfork Media. Retrieved on 2 October 2007.
  15. 1 2 Perron, Erwan, and Gancel, Alice (7 April 2013). "Daft Punk, interview-fleuve pour la sortie de Random Access Memories". Telerama (in French). telerama.fr. Retrieved 7 April 2013.
  16. ↑ Heather Phares, Allmusic Review. Retrieved on 3 November 2007.
  17. ↑ How Did Daft Punk Go from the Flop of 2005 to the Talk of 2013? spin.com. Retrieved on 4 February 2014.
  18. ↑ Daft Punk and the Rise of the New Parisian Nightlife Paper Magazine. Retrieved on 3 November 2007.
  19. ↑ "Archive Chart" UK Singles Chart. Retrieved 16 October 2017.
  20. ↑ "Daft Punk Chart History" Billboard Hot Dance Club Songs for Daft Punk. Retrieved 16 October 2017.
  21. ↑ "10 July 2005 / Archive Chart". UK Singles Chart. Retrieved 16 October 2017.
  22. ↑ "Lescharts.com – Daft Punk – Human After All" (in French). Les classement single. Retrieved 22 May 2012.
  23. ↑ Interview with Electroma actor Peter Hurteau Archived 2008-02-04 at the Wayback Machine.. danideahl.com. Retrieved on 14 January 2008.
  24. ↑ Matt Diehl, Human After All, Indeed Archived 2016-03-29 at the Wayback Machine.. thedailyswarm.com. Retrieved on 9 March 2014.
  25. ↑ Kerri Mason, Daft Punk's Robot Revolution (subscription required). Billboard. Retrieved on 9 March 2014.
  26. ↑ Phares, Heather. Human After All Review at AllMusic. Retrieved 16 May 2012.
  27. ↑ "EW Review: J. Lo's 'Rebirth' falls flat". CNN. 15 March 2005. Retrieved 20 May 2013.
  28. 1 2 Lynskey, Dorian (10 March 2005). "CD: Daft Punk, Human After All". The Guardian. London. Retrieved 20 May 2013.
  29. 1 2 "Review: Human After All". Mojo. London: 89. April 2005.
  30. ↑ Jam, James. "Daft Punk : Human After All". NME (IPC Media). Retrieved on 16 May 2012.
  31. ↑ Pytlik, Mark. "Human After All". Pitchfork Media. Retrieved on 16 May 2012.
  32. 1 2 "Review: Human After All". Q. London: 118. April 2005.
  33. 1 2 Walters, Barry (7 April 2005). "Human After All : Daft Punk". Rolling Stone. New York. Archived from the original on 16 March 2008. Retrieved 20 May 2013.
  34. ↑ Day, Adrienne (April 2005). "Reviews". Spin. New York: 105. Retrieved 20 May 2013.
  35. ↑ Christgau, Robert (3 May 2005). "Beguilement and Rage". The Village Voice. New York. Archived from the original on 20 May 2013. Retrieved 20 May 2013.
  36. ↑ "Key to Grades". Robert Christgau. Retrieved 20 May 2013.
  37. ↑ Matthew Weiner, Human After All review at Stylus Magazine Online (14 March 2005)
  38. ↑ "48th Grammy Awards – 2006". Rock on the Net. Retrieved 17 October 2008.
  39. ↑ Keeble, Ed. "Daft Punk' Human After All remix album gets vinyl reissue - but only in Japan". Gigwise. Retrieved 9 August 2014.
  40. ↑ "Daft Punk gives elusive 'Human After All' remix album worldwide release after 8 years". The Verge. 9 August 2014. Retrieved 9 August 2014.
  41. ↑ "Daft Punk's 'Random Access Memories' Heading For Big Sales, Aiming For No. 1". Billboard.com. 17 May 2013.
  42. ↑ Jones, Alan (27 May 2013). "Official Charts Analysis: Daft Punk LP sells 165k to hit No.1". Music Week. Intent Media. Retrieved 13 January 2016.
  43. ↑ "Australiancharts.com – Daft Punk – Human After All". Hung Medien. Retrieved 30 May 2012.
  44. ↑ "Austriancharts.at – Daft Punk – Human After All" (in German). Hung Medien. Retrieved 30 May 2012.
  45. ↑ "Ultratop.be – Daft Punk – Human After All" (in Dutch). Hung Medien. Retrieved 30 May 2012.
  46. ↑ "Ultratop.be – Daft Punk – Human After All" (in French). Hung Medien. Retrieved 30 May 2012.
  47. ↑ "Lescharts.com – Daft Punk – Human After All". Hung Medien. Retrieved 30 May 2012.
  48. ↑ "Italiancharts.com – Daft Punk – Human After All". Hung Medien. Retrieved 30 May 2012.
  49. ↑ "Norwegiancharts.com – Daft Punk – Human After All". Hung Medien. Retrieved 30 May 2012.
  50. ↑ "Spanishcharts.com – Daft Punk – Human After All". Hung Medien. Retrieved 30 May 2012.
  51. ↑ "Swedishcharts.com – Daft Punk – Human After All". Hung Medien. Retrieved 30 May 2012.
  52. ↑ "Swisscharts.com – Daft Punk – Human After All". Hung Medien. Retrieved 30 May 2012.
  53. ↑ "Official Albums Chart Top 100". Official Charts Company. Retrieved 16 October 2017.
  54. ↑ "Daft Punk Chart History (Billboard 200)". Billboard. Retrieved 30 May 2012.
  55. ↑ "Daft Punk Chart History (Top Dance/Electronic Albums)". Billboard. Retrieved 30 May 2012.
  56. ↑ "French album certifications – Daft Punk – Human after all" (in French). Syndicat National de l'Édition Phonographique.
  57. ↑ http://www.infodisc.fr/Ventes_Albums_Tout_Temps.php?debut=2750
  58. ↑ "British album certifications – Daft punk – HUman after all". British Phonographic Industry. Select albums in the Format field. Select Silver in the Certification field. Type HUman after all in the "Search BPI Awards" field and then press Enter.
  59. ↑ http://www.musicweek.com/businessanalysis/read/official-charts-analysis-daft-punk-lp-sells-165k-to-hit-no-1/054839
  60. ↑ "American album certifications – Daft punk – Human after all". Recording Industry Association of America. If necessary, click Advanced, then click Format, then select Album, then click SEARCH. 
  61. ↑ http://www.billboard.com/articles/news/1562828/daft-punks-random-access-memories-heading-for-big-sales-aiming-for-no-1
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