Songs from the Black Hole

Songs from the Black Hole
Studio album by Weezer
Released Not released
Recorded December 1994 - June 1996
Studio Electric Lady Studios, New York City; Sound City Studios, Los Angeles
Genre Alternative rock, power pop
Label Geffen Records
Producer Weezer

Songs from the Black Hole is an unfinished, unreleased album by the American alternative rock band Weezer recorded between 1994 and 1996. Intended to follow Weezer's 1994 self-titled debut album, it was a science fiction rock opera that expressed songwriter Rivers Cuomo's mixed feelings about rock and roll success. Its six characters were to be voiced by Cuomo, guitarist Brian Bell and bassist Matt Sharp, plus Rachel Haden of That Dog and the Rentals, Joan Wasser of the Dambuilders, and Weezer collaborator Karl Koch.

Cuomo recorded demos for Songs from the Black Hole over Christmas 1994, and Weezer held recording sessions over the following year. At the end of 1995, Cuomo enrolled at Harvard University, where his songwriting became darker and more confessional. Feeling the Black Hole concept was "too whimsical", he abandoned it; Weezer's second album became Pinkerton (1996), including some songs once intended for Songs from the Black Hole.

Two Songs from the Black Hole tracks, "I Just Threw Out the Love of My Dreams" and "Devotion", were released as B-sides for the Pinkerton singles "El Scorcho" and "The Good Life" respectively. Demos, lyrics and sheet music were released across Cuomo's compilations Alone (2007), Alone II (2008), and Alone III (2011), and on the 2010 "deluxe" Pinkerton reissue. It has received coverage from several publications as a "mythical" lost album.

Background

Weezer frontman Rivers Cuomo pictured in the 1990s, a young white man with long dark hair
Songwriter Rivers Cuomo (pictured in 1997) conceived the space opera concept as a metaphor for his mixed feelings about music success.

Weezer's self-titled debut album was released in May 1994. It was certified platinum in January 1995 with sales of over one million.[1] Songwriter Rivers Cuomo wrote that success had "stirred up a lot of mixed feelings in me 'Yay, I'm happy' as well as 'I'm not sure this is the life I want to lead'."[2] He had developed an inferiority complex about rock music, saying: "I thought my songs were really simplistic and silly, and I wanted to write complex, intense, beautiful music."[3] Touring with Weezer, he listened to the operas Aida (1871) and Madama Butterfly (1904), the rock opera Jesus Christ Superstar (1970), and the musical Les Misérables (1980). Inspired by how these works married music and narrative, he decided to write a rock opera to explore his feelings about relationships, fame, and his life as a touring musician.[4]

Concept

Songs From the Black Hole was to be a science fiction rock opera with tracks that segued seamlessly, ending with a coda that revisited the album's major musical themes.[5] The characters were to be voiced by Cuomo, guitarist Brian Bell, bassist Matt Sharp, and Weezer collaborator Karl Koch, along with guest vocalists Rachel Haden of That Dog and the Rentals, and Joan Wasser of the Dambuilders.[2]

In 2126, the spaceship Betsy II embarks on a galaxy-wide mission. Crew members Wuan (Bell) and Dondó (Sharp) are in high spirits, but the ship's captain, Jonas (Cuomo), has mixed feelings. The ship's robot, M1 (Koch), urges the crew to stay focused on their objective. Jonas becomes involved in a love triangle with "good girl" Laurel (Haden), and the ship's cook, "bad girl" Maria (Wasser), with whom he fathers a child. When the Betsy II reaches its destination, Jonas is disillusioned and longs to return to a simpler life.[2]

Cuomo conceived the story as a metaphor for his conflicted feelings about touring as a successful rock band.[2] The ship's name Betsy II is taken from Weezer's first tour bus, nicknamed Betsy; M1 represents Weezer's management and record label; Wuan and Dondó represent the part of Cuomo that was excited about success; Jonas represents his doubts and longing; Laurel and Maria represent his relationships with women.[2][4]

Recording and abandonment

The exterior of the Electric Lady recording studio in New York City
Weezer recorded Songs from the Black Hole tracks at the Electric Lady Studios in New York City, but were not satisfied with the results.

Cuomo recorded demos for Songs from the Black Hole on an 8-track recorder at his family home in Connecticut over Christmas 1994. Most of the songs already existed and were rewritten to fit the Songs for the Black Hole concept.[6] Cuomo performed every part himself, pitch-shifting his voice for the female characters.[7] To add a science fiction element to Weezer's sound,[4] he used synthesizers including an Electrocomp 101 he had recently purchased from a pawn shop in rural Connecticut.[8] By February, he had completed an initial track list.[7]

While Weezer was on tour in Europe later that month, Sharp returned to America due to a family emergency, leaving the band stranded in Hamburg for a week. Cuomo and drummer Patrick Wilson rented a studio and recorded additional demos, including a version of "Blast Off!" using a vocoder for the robot character of M1.[9]

In March 1995, Cuomo, who was born with one leg shorter than the other, had extensive surgery to lengthen his leg followed by months of painful physiotherapy. This affected his songwriting, as he would spend long periods hospitalized under the influence of painkillers.[10] According to Cuomo, around this time the rock opera concept "started to feel too whimsical for where I was emotionally, going through the pain of the procedure ... I went to a more serious and dark place".[11]

Recording began in August 1995 in New York City's Electric Lady Studios, where Weezer had recorded their debut album, but the sessions were not productive.[7] Further sessions were held in September and October, and Weezer recorded versions of "Blast Off!", "Longtime Sunshine", "I Just Threw Out the Love of My Dreams", "Tired of Sex" and "Getchoo". Weezer had not yet abandoned Songs from the Black Hole, but the songs were recorded, according to Koch, with "no story, no theatrics, no characters".[9]

"I Just Threw Out the Love of My Dreams" is a synthesizer-led rock song with Rachel Haden on lead vocals and Cuomo on backing vocals.

At the end of 1995, wanting to "escape the limelight", Cuomo enrolled at Harvard University to study classical composition.[9] Becoming socially isolated, and still recovering from surgery, Cuomo's songwriting became, according to Koch, "darker, more visceral and exposed, less playful".[12] In January 1996, Weezer restarted recording in Los Angeles at Sound City Studios with new material. The Songs from the Black Hole tracks "Superfriend", "She's Had a Girl" and "Dude, We're Finally Landing" were recorded, but shelved.[12]

By May 1996, Cuomo had settled on a new direction for Weezer's second album, expressing his loneliness and frustration at Harvard, and Songs from the Black Hole was abandoned.[7] The decision was influenced by that year's release of Return of the Rentals, the debut album by Sharp's band the Rentals, as Cuomo felt it shared many musical and lyrical themes.[11]

Weezer's second album became Pinkerton, was released on September 24, 1996. It includes "Tired of Sex", "Getchoo" and "No Other One": songs written before Songs from the Black Hole was conceived, rewritten to fit the Black Hole concept, and finally rewritten again for Pinkerton.[6] In June 1996, after Pinkerton's completion, Weezer recorded the Songs from the Black Hole tracks "I Just Threw Out the Love of My Dreams" (with Rachel Haden on vocals) and "Devotion" as B-sides for the singles "El Scorcho" and "The Good Life" respectively.[12]

Demo releases

In 1998, Cuomo discussed releasing a compilation of his demos with Weezer's record label Geffen Records, including Songs from the Black Hole tracks, but the label feared it would "dilute" the Weezer brand.[6] Fans petitioned to have Songs from the Black Hole released.[13] In 2007, after further negotiation with Geffen, Cuomo released Alone: The Home Recordings of Rivers Cuomo, a compilation of his demos recorded from 1992 to 2007. It includes five Songs From the Black Hole demos: "Longtime Sunshine", "Blast Off!", "Who You Callin' Bitch?", "Dude, We're Finally Landing", and "Superfriend".[14] It was followed in 2008 by Alone II, which includes "Oh Jonas", "Please Remember" and "Come to My Pod".[15]

In 2010, Geffen released a "deluxe" reissue of Pinkerton, including a version of "Longtime Sunshine" recorded at Electric Lady Studios in August 1995 and Cuomo's demo of "You Won't Get With Me Tonight".[16] In 2011, Cuomo released Alone III: The Pinkerton Years, including a "Suite from the Black Hole" comprising "Oh No, This Is Not For Me", "Tired of Sex", "She's Had a Girl", "What is This I Find?", "Now I Finally See" and "Longtime Sunshine". Alone III was sold exclusively with a book, The Pinkerton Diaries, which collects Cuomo's writing from the era, including Songs from the Black Hole lyrics and sheet music.[17]

Reviewing Alone, Pitchfork critic Jason Crock felt that the Songs from the Black Hole demo "Blast Off!" was the "crown jewel", writing: "It is such a fleeting rush of distortion-driven joy that the edges of the supposed dialogue are entirely blurred, and are hardly essential to enjoy it."[18] He described it as "at least" on par with the "stellar" Pinkerton B-sides once intended for Songs from the Black Hole.[18] Reviewing Alone II, Crock wrote that its Songs from the Black Hole demos were "goofy, off-the-cuff, and charming".[19]

Legacy

Pinkerton was a critical and commercial failure; with its darker themes and rawer production, it alienated fans and was voted the worst record of 1996 by Rolling Stone readers.[20] The failure disappointed Cuomo, who returned to a power pop sound for Weezer's third album. Over time, however, Pinkerton's critical standing grew and it influenced bands such as Jimmy Eat World, Motion City Soundtrack, and Dashboard Confessional.[20] In 2017, Stereogum writer Pranav Trewn speculated about how Weezer releasing Songs from the Black Hole instead might have influenced music: "It’s perhaps the greatest 'what if?' in modern music ... What rock looks like both on the radio and in the underground would be enormously different if not for the varying shades [Weezer] popularized."[20]

In 2007, Rolling Stone included Songs from the Black Hole on its list of music lost "mythical masterpieces".[21] Complex included the album on its 2012 list of "50 unreleased albums we'd kill to hear", writing that most of Weezer's best material came from the era.[22] In 2014, the NME included it on its list of "25 unreleased albums we'd really love to hear", but wrote that Pinkerton was "not exactly the worst second prize".[23] In a 2014 article titled "Weezer's 'lost' science-fiction rock opera is better than almost everything they've released in the last fifteen years", Vice wrote that Songs from the Black Hole "deserves to be ahead of most records in every Weezer fan's collection".[13]

Track lists

Cuomo compiled two Songs from the Black Hole track lists: the first in February 1995 and the other in late 1995.[7]

Track list 1

No.TitleLength
1."Blast Off!!" 
2."You Won't Get with Me Tonight" 
3."Oh Jonas (Maria's Theme)" 
4."Come to My Pod" 
5."Oh No, This Is Not for Me" 
6."I'm Tired of Having Sex (Tired of Sex demo)" 
7."Superfriend" 
8."She's Had a Girl" 
9."Dude, We're Finally Landing (Good News!)" 
10."Now I Finally See" 
11."Gitchoo (Getchoo demo)" 
12."I Just Threw Out the Love of My Dreams" 
13."There Is No Other One (No Other One demo)" 
14."Devotion" 
15."What Is This I Find?" 
16."Longtime Sunshine" 
17."Longtime Sunshine (Reprise)" 

Track list 2

No.TitleLength
1."Blast Off!!" 
2."Who You Callin' Bitch?" 
3."Oh Jonas" 
4."Please Remember" 
5."Come to My Pod" 
6."Oh No, This Is Not for Me" 
7."Tired of Sex" 
8."She's Had a Girl" 
9."Dude, We're Finally Landing" 
10."Now I Finally See" 
11."I Just Threw Out the Love of My Dreams" 
12."Superfriend" 
13."Superfriend (Reprise)" 
14."You Won't Get with Me Tonight" 
15."What Is This I Find?" 

See also

References

  1. "Gold and Platinum: Searchable Database". RIAA. Retrieved August 30, 2007.
  2. 1 2 3 4 5 Alone: The Home Recordings of Rivers Cuomo (liner notes). Rivers Cuomo. Geffen Records. 2007. B0010417-02
  3. Sullivan, Kate. "I, Songwriter". L.A. Weekly. Retrieved 21 April 2016.
  4. 1 2 3 Alone II: The Home Recordings of Rivers Cuomo (liner notes). Rivers Cuomo. DGC, Interscope Records. 2008. B0012341-02
  5. Luerssen 2004, p. 137.
  6. 1 2 3 Heisel, Scott (October 30, 2007). "Web exclusive: A conversation with Rivers Cuomo". Alternative Press. Alternative Press Magazine, Inc. Archived from the original on February 28, 2009. Retrieved November 1, 2007.
  7. 1 2 3 4 5 "Weezer Recording History page 7". weezer.com. Archived from the original on March 15, 2012. Retrieved July 11, 2014.
  8. "Equipment history". weezer.com. 5 July 2004. Archived from the original on 5 July 2004. Retrieved 11 July 2016.
  9. 1 2 3 "Weezer Recording History page 8". weezer.com. Archived from the original on March 15, 2012. Retrieved July 11, 2014.
  10. Luerssen 2004, pp. 148–149.
  11. 1 2 Greene, Andy (November 2, 2010). "Rivers Cuomo looks back at Pinkerton". Rolling Stone. Jann Wenner. Retrieved July 9, 2014.
  12. 1 2 3 Pinkerton Deluxe (liner notes). Weezer. Geffen Records. GED 25007
  13. 1 2 Bassil, Ryan (December 4, 2014). "Weezer's 'lost' science-fiction rock opera is better than almost everything they've released in the last fifteen years". Vice. Vice Media. Retrieved December 12, 2014.
  14. Kharas, Kev. "Weezer's Rivers Cuomo to release solo album". Drowned in Sound. Archived from the original on October 17, 2007. Retrieved October 16, 2007.
  15. Thompson, Paul (October 28, 2007). "Rivers Cuomo talks Alone II, Weezer, that hair". Pitchfork. Retrieved July 13, 2014.
  16. Breihan, Tom (September 27, 2010). "Weezer reveal Pinkerton reissue details". Pitchfork. Retrieved July 13, 2014.
  17. Pelly, Jenn (November 11, 2011). "Rivers Cuomo releasing Pinkerton Diaries book and demos comp Alone III". Pitchfork. Retrieved July 13, 2014.
  18. 1 2 Crock, Jason (December 13, 2007). "Alone: The Home Recordings of Rivers Cuomo". Pitchfork. Retrieved July 9, 2014.
  19. Crock, Jason (December 8, 2014). "Alone II: The Home Recordings of Rivers Cuomo". Pitchfork. Retrieved July 9, 2014.
  20. 1 2 3 Trewn, Pranav (November 9, 2017). "Weezer Albums From Worst To Best". Stereogum. Retrieved October 5, 2018.
  21. "Lost Music: Green Day's Stolen Album, Kurt's Demos and Other Mythical Masterpieces". Rolling Stone. February 9, 2007. Retrieved December 12, 2014.
  22. "50 unreleased albums we'd kill to hear". Complex. August 8, 2014. Retrieved October 3, 2018.
  23. Barker, Emily (June 18, 2014). "25 unreleased albums we'd really love to hear". NME. Retrieved October 3, 2018.
Sources
  • Luerssen, John D. (2004). Rivers' Edge: The Weezer Story. ECW Press. ISBN 1-55022-619-3.
Further reading
  • Cuomo, Rivers (2011). The Pinkerton Diaries.
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