Reception
Ken Dryden of Allmusic wrote "Sam Jones led quite a few valuable dates as a leader, though this East Wind album, recorded and released in Japan, may be not be at all familiar to his fans. Joined by Cedar Walton and Billy Higgins, Jones offers three originals, starting with a choice interpretation of the smoking "Blues for Amos." His intense "Seven Minds" (which suggests the influence of John Coltrane) borders on avant-garde and the delightful ballad "Miss Morgan" features a formidable opening solo by the leader. The pianist contributed "Holy Land," a somewhat gospel-flavored work that adds the Masaya Katsura String Quartet".[3]
Reviewer of Dusty Groove noted "A strong 70s recording by a group that was mostly known as the Cedar Walton trio – the group of Sam Jones on bass, Walton on piano, and Billy Higgins on drums – recorded only for the Japanese market, and a heck of a record! The set's got one standout feature that sets it apart from some of the other sides by the Walton group at the time – the use of a string quartet on a few of the tracks, which creates some great interplay between the core trio and the augmented strings. This is hear to especially great effect on Walton's classic "Holy Land", as well as on the tracks "Le Maestro" and "I Didn't Know What Time It Was". The set also features 3 great tunes by Jones – "Blues For Amos", "Seven Minds", "Miss Morgan".[4]
Personnel
- Sam Jones – bass
- Billy Higgins – drums
- Cedar Walton – piano
References
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Year(s) indicated are for the recording(s), not first release. |
As leader or co-leader | |
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As sideman with Art Blakey & The Jazz Messengers | |
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With Art Farmer (or where stated), Benny Golson & The Jazztet | |
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With Eddie Harris | |
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With Billy Higgins | |
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With Milt Jackson | |
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With Etta James | |
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With Clifford Jordan | |
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With Blue Mitchell | |
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With Houston Person | |
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With others |
- God Bless Jug and Sonny (Gene Ammons & Sonny Stitt, 1973)
- Left Bank Encores (Gene Ammons & Sonny Stitt, 1973)
- Something for Lester (Ray Brown, 1977)
- Slow Drag (Donald Byrd, 1967)
- The Almoravid (Joe Chambers, 1971–73)
- Somethin's Cookin' (Junior Cook, 1981)
- Broken Shadows (Ornette Coleman, 1971–72)
- Katumbo (Dance) (Johnny Coles, 1971)
- Giant Steps (John Coltrane, 1959)
- Up, Up and Away (Sonny Criss, 1967)
- The Beat Goes On! (Sonny Criss, 1968)
- This Is the Moment! (Kenny Dorham, 1958)
- Blue Spring (Kenny Dorham & Cannonball Adderley, 1959)
- It's All Right! (Teddy Edwards, 1967)
- Soul Trombone (Curtis Fuller, 1961)
- Smokin' (Curtis Fuller, 1972)
- Tangerine (Dexter Gordon, 1972)
- Generation (Dexter Gordon, 1972)
- Bush Dance (Johnny Griffin, 1978)
- Roots (Slide Hampton, 1985)
- The Quota (Jimmy Heath, 1961)
- Triple Threat (Jimmy Heath, 1962)
- Mode for Joe (Joe Henderson, 1966)
- Hub Cap (Freddie Hubbard, 1961)
- Here to Stay (Freddie Hubbard, 1962)
- The Body & the Soul (Freddie Hubbard,1963)
- Bolivia (Freddie Hubbard, 1991)
- Highway One (Bobby Hutcherson, 1978)
- Farewell Keystone (Bobby Hutcherson, 1982)
- Really Livin' (J.J. Johnson, 1959)
- J.J. Inc. (J.J. Johnson, 1960)
- Save Your Love for Me (Etta Jones, 1986)
- Advance! (Philly Joe Jones, 1978)
- Drum Song (Philly Joe Jones, 1978)
- Seven Minds (Sam Jones, 1974)
- Something in Common (Sam Jones, 1974–77)
- First Class Kloss! (Eric Kloss, 1967)
- Abbey Is Blue (Abbey Lincoln, 1959)
- Strings! (Pat Martino, 1967)
- From This Moment On! (Charles McPherson, 1968)
- Horizons (Charles McPherson, 1968)
- Caramba! (Lee Morgan, 1968)
- The Sixth Sense (Lee Morgan, 1968)
- The Mode (Sonny Red, 1961)
- Sonny Red (1971)
- Setting Standards (Woody Shaw, 1983)
- For Losers (Archie Shepp, 1968–69)
- Kwanza (Archie Shepp, 1968–69)
- Now Is the Time (Idrees Sulieman, 1976)
- Goodbye Yesterday (Lucky Thompson, 1972)
- Concert: Friday the 13th - Cook County Jail (Lucky Thompson, 1972)
- I Offer You (Lucky Thompson, 1973)
- Another Story (Stanley Turrentine, 1969)
- Up Front (David Williams, 1986)
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