Rudolph Fisher

Rudolph Fisher
Born	Rudolph John Chauncey Fisher (1897-05-09)May 9, 1897 Washington, D.C., United States
Died	(1934-12-26)December 26, 1934 New York, N.Y, United States
Occupation	Physician, radiologist, novelist, short story writer, dramatist, musician, and orator.
Alma mater	Howard University, Brown University, Classical High School

Rudolph John Chauncey Fisher (May 9, 1897 – December 26, 1934) was an African-American physician, radiologist, novelist, short story writer, dramatist, musician, and orator. His father was John Wesley Fisher, a clergyman, his mother was Glendora Williamson Fisher, and he had two siblings. Fisher married Jane Ryder, a school teacher from Washington, D.C. in 1925, and they had one son, Hugh, who was born in 1926 and was also nicknamed "The New Negro" as a tribute to the Harlem renaissance.

Early life

Born May 9, 1897, in Washington, D.C., Rudolph Fisher grew up in Providence, Rhode Island. He was the youngest of three children born to Reverend John Wesley Fisher, a Baptist pastor, and Glendora Williamson Fisher.

Fisher married Jane Ryder, a public school teacher, within a year of meeting her in 1925. They had one child, a son named Hugh, born in 1926.^[1]

School

Fisher graduated from Classical High School in 1915 with honors and further went to Brown University where he studied English and biology, and graduated Phi Beta Kappa, Delta Sigma Rho, and Sigma Xi. ^{[3] [4]} During this time, he earned his Bachelor of Arts from Brown in 1919, where he delivered the valedictory address and received a Master of Arts a year later.^[2]

After graduating from Brown, Fisher took part in a Manhattan-based program titled "Four Negro Commencement Speakers" where he read his Brown commencement speech, "The Emancipation of Science". At Howard Medical School, he studied Roentgen ology.

He later attended medical school at Howard University in Washington D.C, graduating with honors in 1924. Then, he came to New York City in 1925 to take up a fellowship of Physicians and Surgeons at Columbia University's college, during which time he published two scientific articles of his research on treating Bacteriophage viruses with ultraviolet light.^[3]

In addition to researching and writing in medical and literary fields, Fischer also pursued his love for jazz. He played the piano and wrote musical scores. Fisher's ability to use all of his talents simultaneously was evident during his college years. The summer after his college graduation, he and Paul Robeson toured along the East Coast as a band.^[4]

Medical career

Fisher was successful in both the literature and medical field. During the 1920s, he published his research on the effect of ultraviolet rays on viruses in medical journals. He was a head researcher at Manhattan's International Hospital. Also, he opened his own private practice. During this time, he continued to write his novels, poetry, and articles.^[5] His experience in the medical field helped him to get ideas for his writing on mystery, for it helped to illustrate human body.^[6] After his fellowship ended, he had a private practice on Long Island. In 1927, Fisher became superintendent of the International Hospital in Harlem, and set up his private practice as a radiologist, with an X-ray laboratory of his own, in New York.^[3]

Literary career

Fisher started his professional writing career by contributing to his articles and to journals ,such as "National Association for the Advanced of Colored People's (NAACP)"^[7] and his first contribution to magazines "The Crisis".^[8]Fisher's first novel "Walls of Jericho" came out in 1928. He was inspired by a friend's challenge to write this novel treating both the upper and lower classes of black Harlem equally. This novel presents a vision that African American men and women can both get ahead in life if they come together and form a bond against centuries of oppression. He then went on in 1932 to write "The Conjure Man Dies", the first novel with a black detective as well as the first detective novel with only black characters. This novel was also set in Harlem.^[19] His novel was publicized by Covici-Friede making him the second African American to write a detective novel in the United States. He also wrote two short stories, the first of the two "City of Refuge", appeared in the Atlantic Monthly of February 1925, and the second, "Vestiges" both appeared in Alain Locke's anthology. These two short stories accurately depicted life and events during the Harlem Renaissance. Fisher's last published work, "Miss Cynthie" appeared in story magazine in 1933. It was a short story about a Southern migrant grandmother, Miss Cynthie. She arrived in Harlem to meet her successful grandson. She was a hard-working and religious woman who had raised her grandson in the South. She expected him to have established himself as a member of the black professional society. What she did not know was that his success emerged from being an entertainer in a theater which she viewed to be a sinful place. Although she is against what he does, she comes to realize that he has developed into an honest young man. Other short stories written by Rudolph Fisher are, High Yaller in 1926, Blades of Steel in 1927, Ringtail, The South still lingers on, Fire by night, The promise land The Caucasian storms Harlem in 1927 and Common meter in 1930.^[20]

As Oliver Henry states, "Fisher writes about black people in a manner which expresses their kinship with other peoples. He underscores and highlights the fundamental human condition of black Americans. … He captures the historically induced unique qualities of black people; but, and perhaps even more importantly, he writes of them basically as people."^[21]

Participation in Pan-Africanism

Throughout his career, Fisher had an interest in Pan-Africanism, which is a movement that aims to encourage and strengthen unity of all African-Americans. It started in 1900.^[5]

Rudolph Fisher supported Pan-African congress participants promoted colonized Africans to elect their own governments in order to gain of political power as a necessary prerequisite for complete social, economic and political emancipation.^[6][7]

Unlike Malcolm X, Marcus Garvey, and W.E. B. DuBois who tried to put the stereotypes of black exoticism in Pan-African,^[8] Rudolph Fisher worked on articulating the broader struggle for black labor privilege, women's empowerment and gay rights.^[9]

Principal works

Arna Bontemps and Countee Cullen adapted The Conjure Man Dies for the stage two years after Fisher's death. The Federal Theatre Project production starring Dooley Wilson (center) and Lionel Monagas (left) ran March–April 1936 at the Lafayette Theatre, Harlem.

Bibliography

Unless noted, Rudolph Fisher's bibliography is drawn from African American Authors, 1745–1945: Bio-bibliographical Critical Sourcebook, edited by Emmanuel Sampath Nelson.^{[3]:167–168}

Awards

• 1919: Brown Beta Kappa Key
• 1919: Brown University commencement speaker
• 1924: Honors from Howard Medical School
• 1925: The Crisis Spingarn Prize
• 1927: Brown University Class Day Orator^[2]

Legacy

Fisher died in 1934 at the age of 37 from abdominal cancer likely caused by his own x-ray experimentation. He was buried in Woodlawn Cemetery in The Bronx, New York City.^[11]

Quotations

The rhythm persisted, the unfaltering common meter of blues, but the blueness itself, the sorrow, the despair, began to give way to hope.

See also

• Countee Cullen
• Langston Hughes
• Zora Neale Hurston
• Wallace Thurman

References

• Fisher's biography at the D.C. Library website at the Wayback Machine (archived September 27, 2007)
• Rudolph Fisher Newsletter – includes helpful research resources on the Harlem Renaissance as well as Fisher himself.
• Rudolph Fisher at Find a Grave