Musical style
AllMusic described the album's style as "an interesting mix of two musical styles that don't often go together. About half of Rape of the Bastard Nazarene [...] consists of utterly standard-issue death metal, complete with whiplash tempos, hyperspeed blast drumming and the often comical 'death growl' vocals. The other half of the album is doomy, synth-heavy post-punk, seemingly influenced by the likes of Killing Joke and (especially on the unexpectedly melodic, catchy "Marguerite & Gretchen") Pornography-era Cure."[1]
Track listing
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1. | "Declaration" | 0:09 |
2. | "Hell" | 4:20 |
3. | "Nadja" | 2:57 |
4. | "The Goat" | 2:30 |
5. | "Marguerite & Gretchen" | 6:59 |
6. | "Sephiroth Rising" (instrumental) | 1:11 |
7. | "Zuleika" | 4:12 |
8. | "Conjuration" | 1:57 |
9. | "Il Giardino di Monte Oliveto Maggiore" | 4:01 |
10. | "Justine" | 5:12 |
66. | "The Blood Of Khaos" | 2:12 |
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11. | "Sempiternal Suffering" | 10:31 |
12. | "Nirvana of Agony" | 7:53 |
13. | "Luciferian Canto" | 2:12 |
Tracks 11–13 are songs by Salem Orchid, and can be found on the re-issue. Originally released on audio demo tape in 1991, Mendonça and Gray composed and recorded these songs with guitarist Stephen Wood.
References
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- Jason Mendonça
- David Gray
- Paul Scanlan
- Nathanael Underwood
- Rob Archibald
- Vanessa Gray
- Tanya Kemp
- Nicola Warwick
- Peter Theobalds
- Martin Bonsoir
- Daniel "The Ritz" Reeves
- Matt Wilcock
- Peter Benjamin
- Dan Knight
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Studio albums | |
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Related articles | |
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