Puriya
Thaat | Marva |
---|---|
Time of day | Just after sunset |
Arohana | N r G M D N r S |
Avarohana |
|
Vadi | G |
Samavadi | N |
Puriya is a major hexatonic raga of Hindustani classical music.
Note emphasis: Ni, Ga, (Ma is an important pivot note)
Pakad or Chalan
Ni Ni Ni Ma, Ni Dha Ni
re Sa
Ma, (Ni) D (Sa) Ni (re) Sa () = grace note
Ni re Ga
Ni re Ga, Ga re Sa
Ni re Ma Ma Ga
Ma Dha Ni, Ma Dha, Ga Ma Ga
Ma Ni Dha Ni
Organization & Relationships
Related ragas: Kanada, Hindol, Kalyan (Iman)
Thaat: Marwa
Behavior
ascending: N r G M D N r S
descending: S N D M G r S N or; r N D M G, M G r S
Samay (Time)
Generally, raagas based on Marwa thaat are sung around sunset time. Ideal time for Puriya is around sunset, or just after sunset.
Rasa
Shanti (equanimity/peace), Gambhir (seriousness)
Historical Information
References
Literature
Bor, Joep (c. 1997), The Raga Guide, Charlottesville,Virginia: Nimbus Records, archived from the original on 2009-07-15
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