Poetics of Cinema
| Author | Raúl Ruiz |
|---|---|
| Original title | Poétique du cinéma |
| Translator | Brian Holmes |
| Genre | Film theory |
Publication date | 1995 |
| Author | Raúl Ruiz |
|---|---|
| Original title | Poétique du cinéma 2 |
| Translator | Carlos Eduardo Morreo |
| Genre | Film theory |
Publication date | 2006 |
| Author | Raúl Ruiz |
|---|---|
| Original title | Poéticas del cine |
| Translator | Alan Pauls |
| Country | Chile |
| Language | Spanish |
| Genre | Film theory |
| Publisher | Ediciones UDP |
Publication date | 2013 |
Poetics of Cinema is a book series of film theory by Chilean filmmaker Raúl Ruiz (1941-2011) consisting principally of lectures he gave in diverse locations between 1990 and 2009.[1]
Overview
In Poetics of Cinema 1: Miscellanies (1995), Ruiz outlines his rejection of John Howard Lawson's central conflict theory and makes a case for unique, enigmatic boredom in film. In Poetics of Cinema 2 (2006), he addresses the notions of fascination and detachment with respect to the film-image. In the third volume (published posthumously in Spanish in 2013) he takes on Sergei Eisenstein's writings and describes his own work on La Recta Provincia and Nucingen House.
See also
References
- ↑ "Poetics of Cinema". artbook.com. Retrieved 2012-05-11.
External links
- Towards a Perverse Neo-Baroque Cinematic Aesthetic: Raúl Ruiz’s Poetics of Cinema 2004 article by Michael Goddard.
- Poetics of Cinema 2 by Raúl Ruiz 2007 article by Strictly Film School.
- The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema 2007 article by James Norton.
- Filming Vienna 1900: The Poetics of Cinema and the Politics of Ornament in Raúl Ruiz’s Klimt 2013 article by Janet Stewart.
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