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Allmusic | [1] |
Poem for Malcolm is a jazz album by Archie Shepp. Recorded in Paris in August 1969 only two days after Yasmina, a Black Woman, it again features musicians from the Art Ensemble of Chicago. This time, the tone is resolutely set to avant garde and free jazz, with a political edge in the all but explicit tribute to Malcolm X. The Allmusic review by Scott Yanow states: "This LP from the English Affinity LP is a mixed bag. Best is 'Rain Forrest' on which tenor saxophonist Archie Shepp, in a collaboration with trombonist Grachan Moncur III, pianist Vince Benedetti, bassist Malachi Favors, and drummer Philly Joe Jones, perform some stirring free jazz; the interplay between Shepp and Jones is particularly exciting. On a four-and-a-half minute 'Oleo,' Shepp "battles" some bebop with fellow tenor Hank Mobley, but the other two tracks, a workout for the leader's erratic soprano on 'Mamarose,' and his emotional recitation on 'Poem for Malcolm,' are much less interesting, making this a less than essential release despite 'Rain Forrest'."[2] It was originally issued on CD by Affinity (paired with Yasmina, a Black Woman) mastered from a vinyl source and later reissued by Charly (also paired with Yasmina, a Black Woman) from the original master tapes.
Track listing
- "Mamarose" (Shepp) – 7:12
- "Poem for Malcolm" (Shepp) – 5:55
- "Rain Forrest/Oleo" (Shepp/Sonny Rollins) – 19:16
- Recorded: Paris, August 14, 1969.
Personnel
On "Mamarose" and "Poem for Malcolm"
References
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Years given are for the recording(s), not first release, unless stated otherwise. |
Leader |
- Archie Shepp – Bill Dixon Quartet (1962)
- The House I Live In (and Lars Gullin, 1963)
- Four for Trane (1964)
- Fire Music (1965)
- On This Night (1965)
- New Thing at Newport (split album with John Coltrane, 1965)
- Archie Shepp Live in San Francisco (1966)
- Mama Too Tight (1966)
- The Magic of Ju-Ju (1967)
- For Losers (1968–69)
- Kwanza (1968–69)
- The Way Ahead (1968)
- Archie Shepp & Philly Joe Jones (1969)
- Black Gipsy (1969)
- Blasé (1969)
- Live at the Pan-African Festival (1969)
- Pitchin Can (1969–70)
- Poem for Malcolm (1969)
- Yasmina, a Black Woman (1969)
- Archie Shepp and the Full Moon Ensemble (1970)
- Coral Rock (1970)
- Doodlin' (1970)
- Things Have Got to Change (1971)
- Attica Blues (1972)
- The Cry of My People (1972)
- A Sea of Faces (1975)
- Bijou (1975)
- Body and Soul (Horo, 1975)
- Jazz a Confronto 27 (1975)
- Mariamar (1975)
- Montreux One (1975)
- Montreux Two (1975)
- There's a Trumpet in My Soul (1975)
- Hi-Fly (and Karin Krog, 1976)
- Steam (1976)
- Goin' Home (and Horace Parlan, 1977)
- On Green Dolphin Street (1977)
- Duet (and Dollar Brand, 1978)
- Lady Bird (1978)
- Looking at Bird (and Niels-Henning Ørsted Pedersen, 1980)
- Trouble in Mind (and Horace Parlan, 1980)
- Mama Rose (and Jasper van 't Hof, 1982)
- Soul Song (1982)
- Down Home New York (1984)
- California Meeting: Live on Broadway (1985)
- Little Red Moon (1985)
- Duo Reunion (and Horace Parlan, 1987)
- Splashes (1987)
- Lover Man (and Annette Lowman, 1988)
- Body and Soul (and Richard Davis, Enja, 1989)
- Blue Ballads (1995)
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New York Contemporary Five | |
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Cecil Taylor | |
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With others | |
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Year(s) indicated are for the recording(s), not first release, except for the compilation section |
As leader or co-leader | |
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With others |
- At the Cafe Bohemia, Vol. 1 (Art Blakey/The Jazz Messengers, 1955)
- At the Cafe Bohemia, Vol. 2 (Art Blakey/The Jazz Messengers, 1955)
- The Jazz Messengers (Art Blakey, 1956)
- Originally (Art Blakey/The Jazz Messengers, 1956 [1982])
- At the Jazz Corner of the World (Art Blakey/The Jazz Messengers, 1959)
- All Night Long (Kenny Burrell, 1956)
- K.B. Blues (1957 [1979])
- Byrd's Eye View (Donald Byrd, 1955)
- Byrd in Flight (Donald Byrd, 1960)
- A New Perspective (1963)
- Mustang! (Donald Byrd, 1966)
- Blackjack (Donald Byrd, 1967)
- Dial "S" for Sonny (Sonny Clark, 1957)
- My Conception (Sonny Clark, 1957)
- Someday My Prince Will Come (Miles Davis, 1961)
- In Person Friday and Saturday Nights
at the Blackhawk, Complete (Miles Davis, 1961)
- Miles Davis at Carnegie Hall (1961)
- Afro-Cuban (Kenny Dorham, 1955)
- Whistle Stop (Kenny Dorham, 1961)
- This Is New (Kenny Drew, 1957)
- Undercurrent (Kenny Drew, 1960)
- Farmer's Market (Art Farmer, 1956)
- The Opener (Curtis Fuller, 1957)
- Sliding Easy (Curtis Fuller, 1959)
- Afro (Dizzy Gillespie, 1954)
- Dizzy and Strings (Dizzy Gillespie, 1954)
- Jazz Recital (Dizzy Gillespie, 1954–55)
- I Want to Hold Your Hand (Grant Green, 1965)
- A Blowin' Session (Johnny Griffin, 1957)
- My Point of View (Herbie Hancock, 1963)
- Informal Jazz (Elmo Hope, 1956)
- Goin' Up (Freddie Hubbard, 1960)
- Blue Spirits (Freddie Hubbard, 1965)
- The Eminent Jay Jay Johnson Volume 2 (1955)
- Together! (Elvin Jones and Philly Joe Jones, 1961)
- Midnight Walk (Elvin Jones, 1966)
- I Wanna Talk About You (Tete Montoliu, 1980)
- Introducing Lee Morgan (1956)
- Lee Morgan Sextet (1956)
- Cornbread (Lee Morgan, 1965)
- Charisma (1966)
- The Rajah (1966)
- Tenor Conclave (Prestige All Stars, 1957)
- Star Bright (Dizzy Reece, 1959)
- The Cool Voice of Rita Reys (1956)
- Good Move! (Freddie Roach 1963)
- The Max Roach Quartet featuring Hank Mobley (1953)
- Max Roach + 4 (1956)
- The Max Roach 4 Plays Charlie Parker (1957)
- MAX (Max Roach, 1958)
- Yasmina, a Black Woman (Archie Shepp, 1969)
- Poem for Malcolm (Archie Shepp, 1969)
- Horace Silver and the Jazz Messengers (1954–55)
- Silver's Blue (Horace Silver, 1956)
- 6 Pieces of Silver (Horace Silver, 1956–58)
- The Stylings of Silver (Horace Silver, 1957)
- A Date with Jimmy Smith Volume One (1957)
- A Date with Jimmy Smith Volume Two (1957)
- Julius Watkins Sextet (1955)
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