Phil Minton

Phil Minton
Phil Minton
	Phil Minton, August 2007.
Background information
Born	November 2, 1940; Torquay, England
Genres	Free improvisation,; Avant-garde jazz
Occupation(s)	Musician
Instruments	Vocals, trumpet
Years active	1969–present
Labels	Emanem, FMP
Associated acts	Mike Westbrook,; Phil Minton Quartet,; Veryan Weston, Roger Turner
Website	www.philminton.co.uk

Phil Minton (b. 2 November 1940, Torquay, United Kingdom) is a jazz/free-improvising vocalist and trumpeter.

Minton is a highly dramatic baritone who tends to specialize in literary texts: he has sung lyrics by William Blake with Mike Westbrook's group, Daniil Kharms and Joseph Brodsky with Simon Nabatov, and extracts from James Joyce's Finnegans Wake with his own ensemble. He even once participated in a Jimi Hendrix tribute project, belting out the lyrics in particular over-the-top fashion. Between 1987 and 1993 Minton toured Europe, North America and Russia with Lindsay Cooper's Oh Moscow ensemble.^[1]^[2]

He is perhaps best known, however, for his completely free-form work, which involves "extended techniques" that can be as unsettling as they can be mesmerising. His vocals often include the sounds of retching, burping, screaming, and gasping, as well as childlike muttering, whining, crying and humming; he also has an ability to distort his vocal cords to produce two notes at once. As the DJ/poet Kenneth Goldsmith has described it:^[3]

“

Minton's range on this disc [A Doughnut in One Hand, FMP] runs from the sounds of a man choking on his own vomit to the sounds that grandpa makes when you finally decide to pull the plug on his respirator. Minton's like a little kid who's contact-miked himself playing yo-yo with his saliva; he's a baby drooling through his cries; he's mastered the art of the multiple burp; he's perfected the craft of goobering all over his finger and then running it over his lips while moaning. I'd hate to see what his mic looked like after he was done with it. ... Minton ... forces us to ponder the musical qualities of noises that we'd rather not deal with and for that fact alone, makes this an important recording.

”

Minton's most frequent improvising companions are the pianist Veryan Weston and the drummer Roger Turner, but over the years he has worked with most of the improvising musicians in the European scene. Unlike some first-generation free improvisers, he has also become a frequent participant in the so-called electroacoustic improvisation (EAI) scene.

Selected discography

Since 1965 Minton has performed on over a hundred different vinyl record and CD releases.

Phil Minton as part of the Mike Westbrook Band

For the Record, Transatlantic Records, 1975
Mama Chicago, RCA, 1979
Bright as Fire, Original Records, 1980
The Paris Album, Polydor, 1981
The Cortège, (Original Records, 1982)
On Duke's Birthday, (hat Art, 1984)
Off Abbey Road, Tip Toe, 1989

Phil Minton as part of Solid Gold Cadillac

Solid Gold Cadillac, BGO Records, 1971
Brain Damage, BGO Records, 1973

Phil Minton solo

A Doughnut in Both Hands, Emanem Records, 1982
Songs From A Prison Diary, Leo Records, 1993
A Doughnut in One Hand, FMP, 1998

Phil Minton and Roger Turner

Drainage, Emanem Records, 1993
Dada Da, Leo Records, 1993
Ammo, Leo Records, 1998

Phil Minton and Veryan Weston

Songs From a Prison Diary, Leo Records, 1993
Ways Out East - Ways Out West, Intakt Records, 2005

Phil Minton Quartet

Mouthful of Ecstasy, Victo Records, 1998
Slur, Emanem Records, 2006

References

↑ LeFanu, Nicola (1994). Reclaiming the Muse. Harwood Academic Publishers. p. 71. ISBN 978-3-7186-5528-1. Retrieved 13 March 2012.
↑ Jones, Andrew (1995). "Lindsay Cooper". Plunderphonics, 'Pataphysics & Pop Mechanics: An Introduction to Musique Actuelle. SAF Publishing Ltd. p. 104. ISBN 978-0-946719-15-0. Retrieved 13 March 2012.
↑ Goldsmith, Kenneth. "Phil Minton: A Doughnut in One Hand". A Popular Guide to Unpopular Music. Retrieved 2007-09-11.

External links

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[1] LeFanu, Nicola (1994). Reclaiming the Muse. Harwood Academic Publishers. p. 71. ISBN 978-3-7186-5528-1. Retrieved 13 March 2012.

[2] Jones, Andrew (1995). "Lindsay Cooper". Plunderphonics, 'Pataphysics & Pop Mechanics: An Introduction to Musique Actuelle. SAF Publishing Ltd. p. 104. ISBN 978-0-946719-15-0. Retrieved 13 March 2012.

[3] Goldsmith, Kenneth. "Phil Minton: A Doughnut in One Hand". A Popular Guide to Unpopular Music. Retrieved 2007-09-11.