Nilima Sheikh

Nilima Sheikh
Born 18 November 1945
New Delhi, India
Nationality Indian
Education Delhi University
Maharaja Sayajirao University of Baroda
Known for Painting

Nilima Sheikh (born 18 November 1945, New Delhi[1]) is a visual artist based in Baroda, India. Since the mid-80s, Sheikh has done extensive research about traditional art forms in India, advocated for the sustainability of the practice of traditional painters, and used a wide range of visual and literary sources in her work.[2] Her work focuses on displacement, longing, historical lineage, tradition, communal violence, and the ideas of femininity.[3][4][5] She uses paper, painting, installation, large scrolls, theater set designs, as well as illustrations for children's books. She started exhibiting her work in 1969 and has participated in numerous group exhibitions, most recently documenta 14, Athens and Kassel in 2017. Her first museum exhibition was organized by The Art Institute of Chicago in 2014.[6]

Education

Sheikh studied history at the Delhi University between 1962 and 1965, and received her Master of Fine Arts from the Faculty of Fine Arts, Maharaja Sayajirao University of Baroda in 1971.[7] She was influenced by artists such as Kanwal Krishna, Devayani Krishna, and K.G. Subramanyan, and attributes the older Santiniketan experiment, Baroda's weightage to art history, and her earlier education in history as major influences.[8][9]

Sheikh who originally trained in Western-style oil painting and later transitioned to a self-taught miniature painter due to her interests in historical traditions of painting in Asia.[8] She has also stated to be influenced by pre-modern Rajput and Mughal court paintings, especially traditional tempera paintings like Pichhwai and Thangka paintings.[10]

Research and works

In the mid-1980s, she received a fellowship to document the traditional art forms, especially Picchwai paintings of Nathdwara. She made drawings of the motifs of these art forms, documented the tools and methods they use, and also corresponded with organizations related to cultural heritage to ask for support for the preservation of these art forms.[11]

After the inner turmoil that she experienced post the Gujarat riots in 2002, she was spurred to take up a long-pending art project that dealt with the Kashmiri poet Agha Shahid Ali’s soul-stirring verses full of pain that inspired it. Nilima Sheikh won’t term references in her work as religious, but more art historical in nature, all part of a history that we tend to term tradition or mythology. Actually it is history, part of one’s past, she explains, adding that it’s not merely Western art history.

Exhibitions

Solo exhibitions include Terrain: Carrying Across, Leaving Behind, Gallery Chemould, Mumbai (2017); "Each night put Kashmir in your dreams," Chemould Prescott Road, Mumbai (2010),[12][13] Lalit Kala Akademi, New Delhi (2010), and The Art Institute of Chicago (2014); Drawing Trails, Gallery Espace, Delhi, India[14][15] (2009); The Country Without A Post Office, Gallery Chemould, Mumbai (2003); Painted Drawings, Gallery Espace, New Delhi (1999); and Images from Umrao, Galerie FIA, Amsterdam (1998).

Group exhibitions include documenta 14, Athens and Kassel (2017); Revisiting Beauty, Gallery Threshold, New Delhi[16] (2016); 48th Annual Exhibition 2015, Birla Academy of Art and Culture, Calcutta[17] (2015); Aesthetic Bind | Floating World, Chemould Prescott Rd, Colaba[18] (2014); Touched by Bhupen, Galerie Mirchandani + Steinruecke, Colaba[19] (2013); and Tracing Time - Works On Paper, Bodhi Art, Mumbai[20] (2009).

Sheikh's work is part of public collections, including The Art Institute of Chicago; The Queensland Art Gallery, Brisbane; and The New Walk Museum and Art Gallery, Leicester.

Asia Art Archive, a Hong Kong-based nonprofit, organized an exhibition drawing from the artist's archive in 2018. The exhibition explores travel as a method for research and artistic techniques as a tool to reinterpret material cultures and histories across national borders.[11]

Further reading

  • Sheikh, Nilima (2017).Terrain: Carrying Across, Leaving Behind. Chemould Prescott Road and Gallery Espace Art Pvt. ISBN 9788193023907
  • Sangari, Kumkum (2013). Trace Retrace. Tulika Books. ISBN 9789382381136
  • Chadwick, Whitney (2012). Woman, Art and Society: Fifth Edition. Thames & Hudson Inc. ISBN 9780500204054

References

  1. ↑ "Sheikh, Nilima | Grove Art". doi:10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000097953. Retrieved 2018-08-08.
  2. ↑ Archive, Asia Art. "Exhibition | Nilima Sheikh". aaa.org.hk. Retrieved 2018-03-31.
  3. ↑ "Nilima Sheikh". Khoj.
  4. ↑ "Capturing the nuances of artist Nilima Sheikh's practice". The Arts Trust.
  5. ↑ "Nilima Sheikh Chemould Prescott Road / Mumbai". Flash Art. 2017-12-15. Retrieved 2018-03-31.
  6. ↑ "Trouble in Paradise: A Tribute to Kashmir in Chicago | Apollo Magazine". Apollo Magazine. 2014-03-20. Retrieved 2018-03-31.
  7. ↑ "Nilima Sheikh". SaffronArt.
  8. 1 2 "Artist Nilima Sheikh Recounts Her Art Journey". idiva.
  9. ↑ "A Conversation Between Vishakha N. Desai And Nilima Sheikh And Shahzia Sikander To Mark The Exhibition, Conversations With Traditions At Asia Society, New York, 17 November 2001". Critical Collective.
  10. ↑ "Conversations with Traditions: Nilima Sheikh and Shahzia Sikander". Asia Society.
  11. 1 2 Archive, Asia Art. "Exhibition | Nilima Sheikh". aaa.org.hk. Retrieved 2018-03-30.
  12. ↑ "Each Night Put Kashmir in Your Dreams". Gallery Chemould.
  13. ↑ "Each Night Put Kashmir in Your Dreams". Saffronart.
  14. ↑ "Nilima Sheikh: Drawing Trails". Asia Art Archive.
  15. ↑ "'Drawing Trails' by Nilima Sheikh". Saffronart.
  16. ↑ "'Revisiting Beauty' with contemporary artists". Verve.
  17. ↑ "48th Annual Exhibition 2015". Birla Academy of Art & Culture.
  18. ↑ "Floating World". Gallery Chemould.
  19. ↑ "Let me count the ways". Galerie Mirchandani + Steinruecke.
  20. ↑ "Tracing Time - Works on Paper". ArtSlant.
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