Nervous Flashlights

Nervous Flashlights
A brown octopus or squid is floating centrally with a red background. The group's name is in large white lettering across the top. The first part of the album's name is also in white lettering but smaller and near the bottom. The second part of the name is smaller again and in yellow lettering below.
Studio album by The Fauves
Released 12 June 2006 (2006-06-12)
Studio
  • Backbeach Recorders, St Andrews Beach
  • Velvet Sound, Sydney
  • Prolific Music, South Melbourne
Genre Indie rock
Length 49:03
Label Shock
Producer
The Fauves chronology
The Fauves
(2004)		 Nervous Flashlights
(2006)		 When Good Times Go Good
(2008)

Nervous Flashlights is the eighth studio album by Australian indie rockers, the Fauves, which was issued in June 2006 on Shock Records and was co-produced by the group with Wayne Connolly (You Am I). Eleven of its twelve tracks were written by the band's vocalist and guitarist, Andrew Cox.

Reception

Garrett Bithell of FasterLouder opined, "nothing particularly memorable about [the album]. Musically the tracks are formulaic and generally uninspiring, but lyrically they are witty and literate. The problem is the guys are attempting to tread that very fine line between self-effacing tripe and culturally critical self-indulgence. In doing so they unfortunately fall into a well of gimmicky mediocrity."[1]

The Sydney Morning Herald's George Palathingal observed, "The opening couplets of new album Nervous Flashlights could make you laugh out loud ('True love waits/So hit the brakes/Take your hands/Out of my pants ..."') while plaintive 'Down All Day' is just delicately lovely. Elsewhere, Cox references everyone from Jim Fixx, the so-called godfather of American jogging who died of a heart attack while running, to David Coverdale, singer for '80s hair-rock embarrassment Whitesnake."[2]

The reviewer for Glovebox.com.au website rated it at 61% and explained, "As veteran mock-rockers, the [band] have left it until late in their career to discover their sensitive side, with [this album] being easily their most emotionally fragile release to date... It seems that at the heart of the Fauves is a sense of romanticism that was less apparent in their earlier works, but has become more pronounced as age has not wearied them but tempered their attitudes towards life."[3] On their website they related, "The song 'Clive of India Curry Powder' earned us our first ever sponsorship deal when the makers of the iconic spice blend sent us a box of their products as acknowledgment of the brilliant job we had done in promoting their brand."[4]

Track listing

All tracks written by Andrew Cox,[5] unless otherwise noted.

No.TitleLength
1."True Love Waits"3:57
2."I'll Work When I'm Dead"3:33
3."I'm Jim Fixx and I'm Dead Now"4:27
4."Down all Day"3:28
5."I Am not Approachable"3:27
6."Trouble" (Philip Leonard)3:21
7."Actress and Bishop/David Coverdale"7:05
8."Something Spooked the Horses"4:12
9."The Lost Art of Shorthand"3:06
10."Clive of India Curry Powder"3:38
11."Australian Gigolo"4:12
12."We Sleep in the Afternoon"4:36

Personnel

The Fauves
  • Timothy Cleaver – bass guitar, vocals
  • Andrew Cox – guitar, vocals
  • Philip Leonard – guitar, vocals
  • Adam Newey – drums, vocals
Recording details
  • Producer – Wayne Connolly, the Fauves
  • Mastering – John Roberto
  • Recording, mixing – Wayne Connolly
  • Cover design – Michael Ebbels

References

  1. ↑ Bithell, Garrett (24 July 2006). "The Fauves – Nervous Flashlights". FasterLouder. Junkee Media. Retrieved 25 January 2018.
  2. ↑ Palathingal, George (11 August 2006). "The Fauves". The Sydney Morning Herald . Fairfax Media. Retrieved 25 January 2018.
  3. ↑ "The Fauves – Nervous Flashlights". Glovebox.com.au. Archived from the original on 8 October 2009. Retrieved 25 January 2018.
  4. ↑ The Fauves website discography
  5. ↑ "'True Love Waits' at APRA search engine". Australasian Performing Right Association (APRA). Retrieved 25 January 2018. Note: For additional work user may have to select 'Search again' and then 'Enter a title:' and/or 'Performer:'
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