Music from "The Elder"

Music from "The Elder"
Studio album by Kiss
Released	November 10, 1981
Recorded	March – September 1981
Genre	Progressive rock, heavy metal[1]
Length	42:46
Label	Casablanca
Producer	Bob Ezrin
Kiss chronology
Unmasked (1980)Unmasked1980 Music from "The Elder" (1981) Creatures of the Night (1982)Creatures of the Night1982
Singles from Music from "The Elder"
"A World Without Heroes" Released: November 17, 1981 "I" Released: November 17, 1981 "The Oath" Released: January 25, 1982 (Japan only)
Alternate cover
Japan-only album-cover-sized obi

Music from "The Elder" is the ninth studio album released by American rock band Kiss.

The album marked a substantial departure from their previous output with its epic concept and orchestral elements: its sales were so poor that Kiss did not embark on a supporting tour for the first time in its eight-year history, opting instead to make a handful of promotional appearances.^[2] Music from "The Elder" was the first album with drummer Eric Carr and the last album to feature Ace Frehley until their 1996 reunion Alive/Worldwide Tour apart from appearing on the cover of the compilation album Killers and the next album Creatures of the Night and a handful of promotional appearances with the band until late 1982.^[3][4]

While "A World Without Heroes" was later performed on the band's 1995 MTV Unplugged appearance, Kiss have largely avoided live performances of songs from the album following initial promotional appearances in 1981.

Album information

Kiss was in the midst of a transitional phase as the 1980s began. Peter Criss was not involved in the recording of 1980's Unmasked: he officially left Kiss in May of the same year. His replacement (Eric Carr) was officially introduced in July. The group had recently embarked on a hugely successful tour of Australia and New Zealand (where the group's popularity was at its peak) in November, but the band's commercial fortunes at home were drastically reduced from the 1975–79 era. Due to the lackluster sales of Unmasked, Kiss toured exclusively outside the U.S. for the first time in their career (except for one concert at the Palladium Theatre in New York). The overseas tours were well attended, partly because Kiss had rarely ventured abroad and because the more pop-oriented Dynasty and Unmasked albums did better in the European markets than their earlier hard rock albums.^[2][3]

This commercial downturn is attributable to many factors; two of the biggest being the softening of Kiss' image in an effort to appeal to a broader fanbase and the softening of their music. Unmasked was a decidedly more pop-oriented effort than earlier albums, and represented a sales drop-off of 65% from 1979's Dynasty.^[2] It also became the first Kiss album to fail to achieve platinum status since 1975's Dressed to Kill. The glut of Kiss merchandising that had cropped up in the late 1970s led to a backlash from many fans who felt that Kiss was then more concerned with making money than with making good music.^[3]

In an effort to return to their hard rock roots, Kiss began recording music more akin to the hard rock style that launched them to popularity in the mid-1970s. The fall 1980 issue of the Kiss Army Newsletter hinted at the style the new album was to take: "It will be hard and heavy from start to finish, straight-on rock and roll that will knock your socks off."^[4] But at the same time, Simmons, Stanley, and creative manager Bill Aucoin felt that just returning to a harder sound was not enough. They believed that only a bold, artistic statement would regenerate public interest in Kiss. To that end, they enlisted producer Bob Ezrin to work with the group, who, in turn, employed members from the American Symphony Orchestra and St. Robert's Choir to record tracks for the album. Ezrin had worked with the group before, producing the group's hit 1976 album Destroyer. He had also co-produced Pink Floyd's 1979 concept album The Wall. Simmons, Stanley, and Aucoin felt that Ezrin could help bring their ambitions to fruition.^[3]

The original vinyl release was a gatefold sleeve. This was the first Kiss album to feature no image of the group, not even the customary front-cover appearance. According to one story, the hand reaching for the door knocker is not that of Stanley: Aucoin has stated that it belongs to a handmodel, hired for the shoot; however, in 2011 a photo surfaced from the album cover shoot showing a partially naked-faced Stanley with his hand on the door knocker.^[5] The door itself was long rumored to be located at the Park Ave United Methodist church on Park Avenue, New York City, but was actually a prop created for the shoot.^[6] The photo session displayed a change of image: the costumes were more streamlined, especially when compared with the costumes for Unmasked, as were the hairstyles of Stanley and Simmons in particular.

Recording sessions for the album commenced in March 1981. Sessions were held in Toronto, New York City, and Frehley's home recording studio in Wilton, Connecticut. During the recording, Ezrin and Kiss worked in complete secrecy. Ezrin, in particular, had insisted that he would only communicate with Kiss or Aucoin. No one other than Ezrin and Kiss ever heard the album in progress.^[3] Frehley became increasingly frustrated during the sessions, as he disagreed with the band's decision to abandon their original plan to record a straight rock album. Additionally, a number of guitar solos Frehley recorded were not included in the final cut.^[7] Frehley was often outvoted 2-1 on band decisions after Criss' departure. Carr was not a partner in Kiss as the other three members were, but rather an employee. Frehley resented what he felt was Simmons' and Stanley's domination of the recording sessions.^[3][7]

Reception

Professional ratings
Review scores
Source	Rating
Allmusic	[8]
Rolling Stone	[9]
Pitchfork Media	(0.0/10)[10]
Vista Records	[11]
Metal Nightfall	[12]
TrueMetal	(70/100)[13]

When Kiss premiered Music from "The Elder" for their management and record company in October 1981, the reaction was a mixture of confusion and resentment. Business manager Howard Marks refused to allow his company's name to appear in the liner notes.^[3] Fan reaction to the album was equally harsh, while critical reaction was comparably positive. But while reviews like the one printed by Rolling Stone were much kinder than past reviews,^[14] the album quickly disappeared from the charts by February, 1982. Q magazine ranked Music From "The Elder" 44th in their list of The 50 Worst Albums Ever.^[15] The same magazine ranked the album 6th in their list of 15 Albums Where Great Rock Acts Lost the Plot.^[16]

Although budgets were prepared for a tour, none was ever undertaken. The only public appearances the band made in conjunction with the album were a January 15, 1982 appearance on the late-night variety show Fridays (they performed "A World Without Heroes", "I" and "The Oath"), Solid Gold ("A World Without Heroes" and "I"), and a January 28 lip synched performance of "I" from Studio 54, broadcast via satellite to the Sanremo Festival in Italy. Frehley was absent for the Studio 54 appearance, so the group performed as a trio.^[2]

Most participants in the album's recording admit that it was a major misstep for Kiss. Ezrin, despite his recent success with the even more ambitious Wall album, admitted that his judgments concerning Music from "The Elder" were clouded due in large part to a cocaine addiction at the time. Stanley and Simmons admit that they were "delusional" concerning the project, while Frehley has stated that he felt that it was not a good idea to begin with.^[7] There are rumors that The Elder has sold around 500,000 copies, however, this has yet to be substantiated by any official audit, and has not been certified gold as of 2015.

Story

The basic plot of "The Elder" involves the recruitment and training of a young hero (The Boy) by the Council of Elders who belong to the Order of the Rose, a mysterious group dedicated to combating evil. The Boy is guided by an elderly caretaker named Morpheus. The album's lyrics describe the boy's feelings during his journey and training, as he overcomes his early doubts to become confident and self-assured. The only spoken dialogue is at the end of the last track, "I". During the passage, Morpheus proclaims to the Elders that The Boy is ready to undertake his odyssey.

Songs

Dutch single cover to "I" b/w "The Oath" single.

Australian single cover of the "A World Without Heroes" b/w "Dark Light" single.

The version of Music from "The Elder" released in the US, Europe and Brazil contained a different song order than the one originally intended. This order was chosen in order to emphasize "The Oath" and "A World Without Heroes" as potential singles (the two songs started each side of the record). One effect of this alteration in song order was to disrupt the narrative flow of the album's story.

The Japanese pressing of the album contained the intended song sequence, although "Escape from the Island" was excluded from the album and instead included as the B-side of "The Oath" single.^[4] This sequence was used (with the inclusion of "Escape from the Island") when Music from "The Elder" was re-released on CD in 1997.^[21] A number of narrative passages were cut from the final version of the album. These passages were meant to provide details of the story, and to act as transitional elements between songs.^[4]

Track listing

Releases

• Casablanca NBLP-7261 (November 16, 1981): LP
• Casablanca NBL5-7261 (November 16, 1981): US Cassette
• Casablanca NBL8-7261 (November 16, 1981): US 8-track
• PolyGram 824-153-2 (May 23, 1989): 1st US CD release
• Mercury 314 532 390-2 (October 7, 1997): Remastered CD

Personnel

• Paul Stanley – rhythm guitar, vocals, lead guitar on "Just a Boy", "A World Without Heroes" and "The Oath"
• Ace Frehley – lead guitar, vocals, bass guitar on "The Oath", "Dark Light" and "Under the Rose", acoustic guitar on "A World Without Heroes", backing vocals
• Gene Simmons – bass guitar, vocals, rhythm guitar on "Only You"
• Eric Carr – drums, percussion, backing vocals, acoustic guitar on "Under the Rose"

With

• Bob Ezrin – producer, keyboards, bass guitar on "Escape From The Island"
• Allan Schwartzberg – drums on "Odyssey" and "I", additional overdub
• Tony Powers – keyboards on "Odyssey"
• The American Symphony Orchestra
• St. Robert's Choir
• Ted Jensen – mastering engineer

Charts

Album

Singles – Billboard (United States)^[30]

Singles – Billboard (United Kingdom)

Singles – Australia

Singles – Germany

Singles – Netherlands

Notes and references