Moshing

Moshing
Audience members moshing in front of the stage at a concert
Genre Live punk rock and heavy metal
Inventor Fans of hardcore punk
Origin Early 1980s, California and Washington, D.C., United States
A crowd of moshing fans

Moshing or slamdancing is a style of dance in which participants push or slam into each other, typically performed in "aggressive" live music. Moshing usually happens in the center of the crowd, generally closer to the stage,[1] in an area called the "pit". It is intended to be energetic and full of body contact.

The dance style originated in the hardcore punk scenes of California and Washington, D.C. around 1980, thereafter spreading to other branches of punk rock as well as thrash metal and grunge, which exposed it to the mainstream later in the 1980s. Since then, moshing has occasionally been performed to energetic music within a wide variety of genres, including alternative rock, EDM and hip hop, while remaining a staple at punk and heavy metal shows.

Variations of moshing exist, including "pogoing", "circle pits", and "wall of death". Dancing can be done alone as well as in groups. Some moshers swing their arms back and forth and move their legs in a rhythmic fashion.

While moshing is seen as a form of positive fan feedback or expression of enjoyment,[2][3] it has also drawn criticism over dangerous excesses occurring in offshoots. Injuries have been reported in mosh pits, and a few deaths have occurred in "Wall of Death" moshing, an offshoot that developed when fans at thrash metal shows adopted punk-style slamdancing.[4][5][6][7]

History

Description

Moshing or slamdancing is a style of dance in which participants push or slam into each other, typically performed in "aggressive" live music. Moshing usually happens in the center of the crowd, generally closer to the stage,[1]in an area called the "pit" (sometimes called a "mosh pit"). It is intended to be energetic and full of body contact.

Etymology

A crowd of moshing music fans

The term mosh came into use in the early 1980s American hardcore scene in Washington, D.C. Early on, the dance was frequently spelled mash in fanzines and record liner notes, but pronounced mosh, as in the 1982 song "Total Mash" by the D.C.-based hardcore band Scream. H.R. of the band Bad Brains, regarded as a band that "put moshing on the map,"[8] used the term mash in lyrics and in concert stage banter to both incite and to describe the aggressive and often violent dancing of the scene. To "mash it up" was to go wild with the frenzy of the music. Due to his Jamaican-accented pronunciation of the word, fans heard this as mosh instead.[9]

By the mid-1980s, the term was appearing in print with its current spelling. By the time thrash metal band Anthrax used the term in their song "Caught in a Mosh",[10] the word was already a mainstay of hardcore and thrash scenes. Fans of Billy Milano and the band Stormtroopers of Death have often used the term mosh as an acronym for the phrase "move over shit head" during crowded shows. Through the mainstream success of bands like Anthrax, Nirvana, Stormtroopers of Death, and the Melvins, the term came into the popular vernacular.

Origins

Crowdsurfing over a mosh pit.

The first dance identifiable as moshing may have originated in Orange County, California, during the first wave of American hardcore.[11] Examples of this early moshing can be seen in the documentaries Another State of Mind, Urban Struggle, The Decline of Western Civilization, and American Hardcore, as well as footage from the shows of the era. At the time California hardcore punk bands such as the Circle Jerks, Black Flag, Fear and Dead Kennedys were popular in Orange County.

Crossover into mainstream genres

By the end of the 1980s, the initial wave of American hardcore punk had waned and split into other subgenres. The Seattle-based grunge movement was among the many styles of music that directly evolved from hardcore. Through the mainstream success of several grunge bands, the word mosh entered the popular North American vocabulary and the dance spread to many other music genres. According to John Linnell of They Might Be Giants, "it didn’t matter what kind of music you were playing or what kind of band you were; everybody moshed to everything. It was just kind of the enforced rule of going to concerts."[12]

Variations

Variations of moshing exist, and can be done alone as well as in groups. Variations on the traditional mosh include "pogoing", "circle pits" (where the participants bump and jostle each other as they run along the circular perimeter of the pit) and the more extreme "wall of death" (where the crowd splits into two groups that run at each other). Some moshers swing their arms back and forth and move their legs in a rhythmic fashion.

Physical properties of emergent behavior

Researchers from Cornell University in Ithaca studied the emergent behavior of crowds at mosh pits by analyzing online videos, finding similarities with models of 2-D gases in equilibrium.[13] Simulating the crowds with computer models, they found out that a simulation dominated by flocking parameters produced highly ordered behavior, forming vortexes like those seen in the videos.

Opposition, criticism and controversy

The American post-hardcore band Fugazi opposed slamdancing at their live shows. Members of Fugazi were reported to single out and confront specific members of the audience, politely asking them to stop hurting other audience members, or hauling them on stage to apologize on the microphone.[14]

Consolidated, an industrial dance group of the 1990s, stood against moshing. On their third album, Play More Music, they included the song "The Men's Movement", which proclaimed the inappropriate nature of slamdancing. The song consisted of audio recordings during concerts from the audience and members of Consolidated, arguing about moshing.

A no-moshing sign at a concert

In the 1990s, the Smashing Pumpkins took a stance against moshing, following two incidents which resulted in fatalities. At a 1996 Pumpkins concert in Dublin, Ireland, 17-year-old Bernadette O'Brien was crushed by moshing crowd members and later died in the hospital, despite warnings from the band that people were getting hurt.[15] At another concert, singer Billy Corgan said to the audience:

I just want to say one thing to you, you young, college lughead-types. I've been watchin' people like you sluggin' around other people for seven years. And you know what? It's the same shit. I wish you'd understand that in an environment like this, and in a setting like this, it's fairly inappropriate and unfair to the rest of the people around you. I, and we, publicly take a stand against moshing![15]

Another fan died at a Smashing Pumpkins concert in Vancouver, British Columbia, Canada on September 24, 2007. The 20-year-old male was dragged out of the mosh pit, unconscious, to be pronounced dead at a hospital after first-aid specialists attempted to save him.[16][17][18]

A crowd of moshers, with a few people "crowdsurfing" on top of the mosh pit.

Reel Big Fish's 1998 album Why Do They Rock So Hard? included their mosh-criticizing song "Thank You for not Moshing", which contained lyrics that suggested that at least some individuals in the mosh pit were simply bullies who were finding conformity in the violence.

Mike Portnoy, founder and ex-drummer of Dream Theater, and Avenged Sevenfold where he briefly filled in after the death of The Rev, criticized moshing in an interview published on his website:

Sixteen-year-old Jessica Michalik was an Australian girl who died as a result of asphyxiation after being crushed in a mosh pit during the 2001 Big Day Out festival during a performance by nu metal band Limp Bizkit.

Groove metal group Five Finger Death Punch had an incident when, during the song "White Knuckles" at a concert in Hartford, Connecticut, a young man received a compound fracture on his ankle in a mosh pit. Ivan L. Moody, the band's lead singer, stopped the show, leaped into the crowd with Zoltan Bathory, the band's rhythm guitarist, and carried the injured fan onto the stage, where he was taken to the hospital. Moody has been quoted as saying: "I looked him square in the face and asked him if he was okay, or if there was anything I could do for him. He looked over at me, still in shock, and said 'You guys fucking rock!'" Moody stated "I've felt bad because of what has happened. I miss the old Pantera kids who would just throw each other. Just respect other people; come on." Bathory stated: "Because he broke his leg I threw down my guitar. We just finished when he broke his leg, and I came out and I stayed with him until the paramedics picked him up. These are my people and that's how it is."

Joey DeMaio of American heavy metal band Manowar has been known to temporarily stop concerts upon seeing moshing and crowd surfing, claiming it is dangerous to other fans.[20][21]

Slipknot percussionist Chris Fehn spoke about the state of audience interaction following the onstage incident and subsequent legal issues involving Lamb of God’s Randy Blythe, who was eventually found innocent of criminal wrongdoing in the death of a concertgoer, despite being held "morally responsible". Fehn briefly addressed the Blythe situation, stating "I think, especially in America, moshing has turned into a form of bullying. The big guy stands in the middle and just trucks any small kid that comes near him. They don’t mosh properly anymore. It sucks because that’s not what it’s about. Those guys need to be kicked out. A proper mosh pit is a great way to be as a group and dance, and just do your thing."[22]

See also

References

  1. 1 2 "10 Epic Walls of Death". LoudWire. Retrieved 12 May 2015.
  2. ↑ Tsitsos, William
  3. ↑ Pogrebin, Robin (May 9, 1996). "Hard-Core Threat to Health: Moshing at Rock Concerts". The New York Times. Retrieved 2007-12-14.
  4. ↑ Nussbacher, Mike (2004) A Survivor’s Guide To The Mosh Pit. The Martlet. Archived March 18, 2009, at the Wayback Machine.
  5. ↑ "TUYM: Get Into a Moshpit and Live to Tell About It". Retrieved 11 May 2017.
  6. ↑ Sacahroff, Reaz (1996) Music: Pit Etiquette. Tucson Weekly.
  7. ↑ Irvine, Martha (1996) Moshing Exciting but dangerous Archived 2007-06-26 at the Wayback Machine.. Associated Press. at rockmed.org
  8. ↑ "Bad Brains biography". From 2004's The New Rolling Stone Album Guide. Rolling Stone. 2004. Retrieved 2007-05-14.
  9. ↑ "Bad Brains – History". peacedogman.com. 2002. Retrieved 2007-05-14.
  10. ↑ Christie, Ian, Sound of the Beast: The Complete Headbanging History of Heavy Metal
  11. ↑ "Erryroachpresents.com". Archived from the original on 7 February 2011. Retrieved 11 May 2017.
  12. ↑ "John Linnell, They Might Be Giants". Archived from the original on 23 April 2017. Retrieved 11 May 2017.
  13. ↑ Silverberg, Jesse L.; Bierbaum, Matthew; Sethna, James P.; Cohen, Itai (2013). "Collective Motion of Humans in Mosh and Circle Pits at Heavy Metal Concerts". Physical Review Letters. 110 (22): 228701. arXiv:1302.1886. Bibcode:2013PhRvL.110v8701S. doi:10.1103/PhysRevLett.110.228701. PMID 23767754. . Summarized in "Moshers, Heavy Metal and Emergent Behaviour". Technology Review.
  14. ↑ Azerrad, Michael (2002). Our Band Could Be Your Life: Scenes from the American Indie Underground 1981–1991 (Reprint. ed.). New York, N.Y.: Back Bay Books. pp. 392–393. ISBN 978-0-316-78753-6.
  15. 1 2 Unknown (May 19, 1996). "Fan Crushed at Smashing Pumpkins Show". MTV.com. Retrieved 2006-06-23.
  16. ↑ "Man dies in Smashing Pumpkins mosh pit". yahoo.ca. 2007. Retrieved 2007-09-27.
  17. ↑ "Man Dies After 'Crowd-Surfing' At SMASHING PUMPKINS Show". BLABBERMOUTH.NET. 2007. Archived from the original on 2007-10-13. Retrieved 2007-09-27.
  18. ↑ "B.C. man dies after crowd-surfing at rock show". cbc.ca. 2007-09-26. Retrieved 2007-09-27.
  19. ↑ John Kotzian (11 January 2002). "An Interview with Dream Theater's Mike Portnoy" (PDF). mikeportnoy.com. Archived from the original (PDF) on 10 September 2008.
  20. ↑ "Heavy Metal Monday: Manowar". 8 March 2011. Retrieved 11 May 2017.
  21. ↑ xchousenx (13 March 2011). "joey demaio manowar - anti mosh psa". Retrieved 11 May 2017 – via YouTube.
  22. ↑ "Slipknot's Chris Fehn: Moshing Shouldn't Turn Into Bullying". Loudwire. Retrieved 11 May 2017.
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