Michelle Phillips

1965–69: The Mamas & the Papas

Philips performing with the Mamas & the Papas at the Monterey Pop Festival, 1967

After her marriage to John Phillips at age eighteen, the couple relocated to New York City, where they began writing songs together.^[3] There, Phillips was a founding member of the Mamas & the Papas, helping to form the vocal group in 1965.^[8] She co-wrote some of the band's hits, including California Dreamin', which appears on their debut album If You Can Believe Your Eyes and Ears (1966).

Recording of the Mamas and the Papas' second album (eponymously titled The Mamas and the Papas (1966) and sometimes referred to as Cass, John, Michelle, Dennie, whose names appear thus above the band's name on the cover) was interrupted when Michelle Phillips became indiscreet about her affair with Gene Clark of the Byrds.^[9][10] An affair the previous year between Phillips and bandmate Denny Doherty^[11] had been forgiven; Doherty and John Phillips had reconciled and ostensibly written I Saw Her Again (1966) about the episode,^[12][13] although they later disagreed about how much Doherty contributed to the song.^[14] This time, Phillips was determined to fire his wife.^[15] After consulting their attorney and record label, he, Elliot and Doherty served Michelle Phillips with a letter expelling her from the group on June 28, 1966.^[16] Michelle was rehired shortly thereafter, when the three original members concluded her replacement Jill Gibson, who was a quick study and well regarded,^[17] lacked her predecessor's "stage charisma and grittier edge"; Michelle Phillips was reinstated on August 23, 1966.^[18][19] After Phillip's reinstatement, the band embarked on a brief tour of the East coast, playing a series of precarious shows in Washington, D.C., Baltimore, Maryland, and at Fordham University in New York City.^[20]

After returning to California and settling in Los Angeles, the group recorded their third album, The Mamas & The Papas Deliver (1967). In June 1967, Phillips performed with the group at the Monterey Pop Festival in Monterey, California, an event organized by John Phillips and Lou Adler.^[21] The festival also featured other prominent California-based counterculture musicians and psychedelic rock acts, including Jefferson Airplane, Janis Joplin and Jimi Hendrix. Recounting the experience, Phillips said: "[It was like] a Renaissance Fair. It was convenient for the artists and the audience. Practically everyone had a seat, and if not, people were lining up against the fence, and they could see and hear. Or people were sitting outside, you could hear it outside, too... It was lovely."^[22]

In August 1967, the band played what would be their final live performance at the Hollywood Bowl.^[23] Phillips would go on to record a fourth and final album with the band, The Papas & The Mamas (1968), before going on a hiatus. Michelle and John Phillips, whose marriage was failing at the time, filed for divorce in a Los Angeles County court in May 1969, and the group officially disbanded in 1971 before the release of their final album, People Like Us, which was recorded to fulfill contract obligations with their record label.^[24]

1970–76: Transition to acting

Phillips with Warren Oates in Dillinger (1973)

In 1969, while still a member of the Mamas & the Papas, Phillips appeared in Gram Parsons' science fiction film Saturation 70, alongside Nudie Cohn, Anita Pallenberg and Julian Jones, the then-five-year-old son of the Rolling Stones guitarist Brian Jones.^[25] The film was never finished, and became a lost film.^[25] The following year, after the breakup of the Mamas & the Papas, she enrolled in acting classes in Los Angeles, and has said that she intended to start her acting career "from scratch," stating that the royalties from the band's records provided her a sustained income while she began to venture into film.^[24]

Her first film role came in Dennis Hopper's film The Last Movie (1971), in a minor bit part; she would later marry Hopper shortly after the production, a marriage which lasted only eight days.^[26] Two years later, she was cast in a lead role in the thriller film Dillinger (1973) as John Dillinger's girlfriend, Billie Frechette. The film was critically acclaimed, and Variety said of her performance: "Phillips, making her film bow after having been a member of the Mamas & the Papas singing group, scores heavily as Dillinger’s girlfriend,"^[27] while The New York Times noted it as "mildly effective."^[28] Phillips was nominated for a Golden Globe Award for Most Promising Newcomer for her performance.^[29] Reflecting on the film, Phillips said:

I was so lucky to have been surrounded by really great actors. Everybody in that movie was a real actor: Warren Oates, Ben Johnson, Cloris Leachman, Richard Dreyfuss, Harry Dean Stanton. It was just a wonderful, wonderful experience for me and I had so much support and so much help and so much encouragement. That was really my first movie. Dennis’ movie [The Last Movie] was a lot of improvisation and craziness.^[30]

The same year, Phillips recorded vocals as a cheerleader along with Darlene Love, for the Cheech & Chong single Basketball Jones which peaked at No 15 on the Billboard singles chart. In 1974, she was featured in the action-horror television film The California Kid opposite Martin Sheen, and also appeared briefly in a party scene with Warren Beatty in Shampoo (1975); Phillips had been dating Beatty at the time, and the appearance was a cameo.^[31] In 1975, Phillips signed a solo recording contract with A&M Records and released a promo single, Aloha Louie, a song she wrote with ex-husband John Phillips. Phillips released her first solo single in 1976, No Love Today, on the Mother, Jugs & Speed movie soundtrack.

1977–1986: Solo album; film

In 1977, Phillips released her first and only solo album, Victim of Romance, produced by Jack Nitzsche for A&M Records.^[32] Commenting on the record, she said: "I didn't do it earlier because I never felt secure enough as a vocalist. I'm good, but Cass was always better." Phillips also commented on her involvement in its production, saying that she had been involved in "every aspect, from mixing to putting together the package and cover myself."^[26] Her first two solo singles from the album failed to make the U.S. music charts.

The same year, she sang backup vocals with former stepdaughter Mackenzie Phillips on Zulu Warrior, for her ex-husband's second solo album, Pay Pack & Follow. The same year, she starred as Rudolph Valentino's second wife Natacha Rambova in Ken Russell's film Valentino (1977). The film received mixed reviews, with Time Out London saying: "Structured as a series of flashbacks from Valentino's funeral to his early years in America, the first hour or so of this biopic is Russell's sanest and most controlled work in several years, despite its hollow cynicism."^[33]

In 1979, she appeared in the film adaptation of the Sidney Sheldon novel Bloodline (1979), a thriller starring Audrey Hepburn and Ben Gazzara. Released in June 1979, Bloodline received negative reviews from critics,^[34] and Phillips's performance (along with those of James Mason and Maurice Ronet) was criticized by Variety as being "drab."^[35] The same year, she recorded the song Forever for the movie soundtrack of California Dreaming the same year, a surf film that had nothing to do with her former group.

Her other film credits during this period include roles in The Man with Bogart's Face (1980), Savage Harvest (1981) and American Anthem (1986). On television, Phillips played the mermaid princess Nyah in three episodes of Fantasy Island, and Leora Van Treas in Mike Hammer: Murder Takes All starring Stacy Keach in the title role, and appeared in TV miniseries such as Aspen (1977) and The French Atlantic Affair (1979). She has made guest appearances on series such as Spin City and Star Trek: The Next Generation (where she appeared in the episode We'll Always Have Paris as a former love-interest of Jean-Luc Picard). From 1983-1986 she joined the cast of Hotel as the concierge, the daughter of hotel owner Victoria Cabot's rival, who plants his daughter as a spy to further his aim of acquiring control of the St. Gregory.

Phillips in 2002

1987–present: Knots Landing; film work

Phillips starred for six seasons on Knots Landing as the constantly scheming Anne Matheson Sumner, the mother of star Nicollette Sheridan's character Paige Matheson (a role which Phillips returned to for the TV movie Knots Landing: Back to the Cul-de-Sac (1997)). During this time, she also appeared in the films Let It Ride (1989); the thriller Scissors (1991), opposite Sharon Stone; and Joshua Tree (1993), starring Dolph Lundgren. In the mid-1990s, she played Abby Malone, mother of Valerie Malone (Tiffani Amber Thiessen) in Fox's Beverly Hills, 90210.

In late 1987, Phillips sang backup vocals on Belinda Carlisle's number one hit, Heaven Is a Place on Earth, as well as on the Carlisle LP, Heaven on Earth. She had a guest role on the television series The Magnificent Seven, where she played Maude Standish, the mother of one of the Seven. Phillips' most recent serious acting job has been a recurring role on The WB drama 7th Heaven as Lily Jackson, sister of family matriarch Annie Jackson Camden (Catherine Hicks). She played Laura Collins in the television movie No One Would Tell (1996).

After the millennium, Phillips continued to occasionally appear in films. She had supporting roles in the comedies Jane White Is Sick & Twisted (2002); the drama Harry + Max (2004); and the independent comedy Unbeatable Harold (2006) In 2009, Phillips appeared at the annual TV Land Awards for the 30th year celebration of Knots Landing.^[36] She also appeared in a minor role in the Norwegian historical film Betrayal, which chronicles the German occupation of Norway.^[37]

Legal troubles

On December 2, 1987, Phillips was arrested in Amarillo, Texas, for marijuana possession after being pulled over for speeding.^[44] Phillips was a passenger in the car with then-boyfriend Geoffrey Tozer, and the marijuana was discovered after police searched the couple's vehicle.^[44] Phillips was booked and released on $500 bond.^[45]

Film

Television