Michel Fano

Michel Fano in Paris, 2013

Michel Fano is a French musician, composer, writer, filmmaker, and sound designer. He developed the concept of continuum sonore to describe the potential for a film's soundtrack to interact with its visual content.^[1] During the early 1950s, he was part of a generation of composers associated with the Darmstadt School, and was a lifelong friend of Pierre Boulez. From 1962 until 1975, he regularly collaborated with Alain Robbe-Grillet on cinematic projects, creating partitions sonores (or "sound-scores") for five of Robbe-Grillet's films.

Works

Compositions

The following are Fano's acknowledged compositions; numerous works of juvenilia and works-in-progress also exist.^[2]

Sonate pour deux pianos (1952)
Étude pour 15 instruments (Picc.Fl.Ob.Eh.Cl[E♭].Cl.Bcl.2Hn.Ptpt.2Tpt.Sax.2Vln.2Va.2Vlc.Cb) (1954)
La Chambre Secréte (Electronic music with text by Alain Robbe-Grillet)
Fab V (piano solo, 1995)

Partitions Sonores

L'Immortelle (1963, dir. Alain Robbe-Grillet)^[3]
Trans-Europ-Express (1966, dir. Alain Robbe-Grillet)
L'homme qui ment (1968, dir. Alain Robbe-Grillet)
L'éden et après (1970, dir. Alain Robbe-Grillet)
Glissements progressifs du plaisir (1974, dir. Alain Robbe-Grillet)

References

↑ Deleuze, Gilles (2013). Cinema II: The Time-Image. Bloomsbury. p. 240. ISBN 9781472512604.
↑ "Michel Fano - Musiques". www.michelfano.fr. Retrieved 2018-08-12.
↑ "Michel Fano - Cinémathèque française". cinema.encyclopedie.personnalites.bifi.fr. Retrieved 2018-08-12.

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[1] Deleuze, Gilles (2013). Cinema II: The Time-Image. Bloomsbury. p. 240. ISBN 9781472512604.

[2] "Michel Fano - Musiques". www.michelfano.fr. Retrieved 2018-08-12.

[3] "Michel Fano - Cinémathèque française". cinema.encyclopedie.personnalites.bifi.fr. Retrieved 2018-08-12.