Marino Faliero (opera)

Marino Faliero (or Marin Faliero) is a tragedia lirica, or tragic opera, in three acts by Gaetano Donizetti. Giovanni Emanuele Bidéra wrote the Italian libretto, with revisions by Agostino Ruffini, after Casimir Delavigne's play. It is inspired by Lord Byron's drama Marino Faliero (1820) and based on the life of Marino Faliero (c.1285-1355), the Venetian Doge.[1]

Rossini had influenced the management of the Théâtre-Italien to commission works by the outstanding Italian composers of the day—Donizetti and Vincenzo Bellini. Both wrote operas for that house in Paris, Bellini's contribution being the hugely-successful I puritani. Donizetti's opera, which premiered on 12 March 1835 (a few months after I puritani) was not nearly as much of a success. However, it marked Donizetti's first opera to have its premiere in Paris.

Performance history

Marino Faliero was presented in London at Covent Garden on 14 May 1835[2] and at the Teatro Alfieri in Florence in 1836. Its first appearance in the US took place at the St. Charles Theater in New Orleans on 22 February 1842.[2] However, after several prohibitions from September 1839 onward, the opera was not presented until 3 September 1848, the day to which Black notes was the one on which the composer died in Bergamo.[3] The opera had a number of productions in the 19th century, but by the 20th it had become a rarity. The Donizetti Festival, Bergamo,staged the work in 2008.[4]

Roles

Luigi Lablache in 1827, the first Marino
Antonio Tamburini, the first Israele
Role Voice type Premiere Cast, 12 March 1835
(Conductor: - )
Marin Faliero, the Doge of Venice bass Luigi Lablache
Israele Bertucci, chief of the Venetian Arsenal baritone Antonio Tamburini
Fernando, Faliero's friend and in love with Elena tenor Giovanni Battista Rubini
Steno, member of the Council of Forty bass Vincenzo Felice Santini
Leoni, Member of the Council of Ten tenor
Elena, The Doge's wife soprano Giulia Grisi
Irene, Elena's servant soprano
Vincenzo, the Doge's servant tenor Enrico Tamberlik
Beltrame, a sculptor bass
Pietro, a gondolier bass Nicolay Ivanov
Guido, a fisherman bass
Gentlemen, knights, craftsmen, fishermen, servants, soldiers

Synopsis

Place: Venice
Time: 1355

Elena, the wife of Marin Faliero, Doge of Venice, is continually subjected to attacks on her reputation by the patrician Steno whose advances she has rejected. Steno then insults Israele Bertucci, the chief of the Venetian Arsenal in front of his workers. Steno is punished for these offenses, but Faliero is infuriated by the leniency of the punishment. Israele convinces Faliero to join a conspiracy against the Council of Forty, of which Steno is a member.

Meanwhile, Elena is in love with Faliero's nephew Fernando, who wants to leave the city to save her from dishonour. During a masked ball, Fernando challenges Steno to a duel for having insulted Elena once again. When Fernando is found dying in the place where the conspirators were to meet, Faliero vows to avenge his death.

The conspiracy collapses following a betrayal by one of its members and the Doge is condemned to death. Before his execution, Elena confesses her love affair with Fernando to him. Faliero begins to curse her, but sensing that his death is imminent, pardons her instead. Faliero is led off. Alone on the stage, Elena hears the sound of the executioner's axe, screams and faints.[5]

Recordings

Year Cast:
Marino Faliero,
Israele Bertucci,
Fernando,
Elena		 Conductor,
Opera House and Orchestra		 Label[6]
1976 Cesare Siepi,
Licinio Montefusco,
Giuliano Ciannella,
Marisa Galvany		 Elio Boncompagni,
RAI Milan Symphony Orchestra		 Audio CD: Bongiovanni
Cat: 2408/9-2;[7]
Myto Records
Cat: MCD 054.314
2002 Michele Pertusi,
Roberto Servile,
Rockwell Blake,
Mariella Devia		 Ottavio Dantone,
Orchestra and Chorus of Teatro Regio Parma
(Recording of a performance in Parma, 2 January)		 Audio CD: House of Opera
Cat: CD 820
2008 Giorgio Surian,
Luca Grassi,
Ivan Magri,
Rachele Stanisci		 Bruno Cinquegrani,
Orchestra and Chorus of Bergamo Musica Festival Gaetano Donizetti,
(Filmed at the Teatro Donizetti, Bergamo, 31 October and 2 November)		 DVD: Naxos,
Cat: VD 2.110616-17.

References

Notes

  1. ↑ Casaglia, Gherardo (2005).[http://almanac-gherardo-casaglia.com/index.php?Giorno=12&Mese=03&Anno=1835&Testo=Marino_Faliero&Parola=Stringa "Marino Faliero, 12 March 1835"]. L'Almanacco di Gherardo Casaglia (in Italian).
  2. 1 2 Ashbrook and Hibberd 2001, p. 237
  3. ↑ Black 1982, pp. 33—34.
  4. ↑ Mullins, Chris. "Donizetti's Marino Faliero at the 2008 Bergamo Music Festival". Opera Today. Retrieved 18 April 2018.
  5. ↑ Part of this synopsis is a translation from Marin Faliero (opera) on the Italian Wikipedia.
  6. ↑ Recordings of Marino Faliero on operadis-opera-discography.org.uk
  7. ↑ Tom Kaufman, "Marino Faliero", Opera Today online, 31 May 2006

Cited sources

  • Ashbrook, William; Sarah Hibberd (2001), in Holden, Amanda (Ed.), The New Penguin Opera Guide, New York: Penguin Putnam. ISBN 0-14-029312-4.
  • Black, John (1982), Donizetti’s Operas in Naples, 1822—1848. London: The Donizetti Society.

Other sources

  • Allitt, John Stewart (1991), Donizetti: in the light of Romanticism and the teaching of Johann Simon Mayr, Shaftesbury: Element Books, Ltd (UK); Rockport, MA: Element, Inc.(USA)
  • Ashbrook, William (1982), Donizetti and His Operas, Cambridge University Press. ISBN 0-521-23526-X
  • Ashbrook, William (1998), "Marino Falliero" in Stanley Sadie (Ed.), The New Grove Dictionary of Opera, Vol. Three, p. 218. London: MacMillan Publishers, Inc. ISBN 0-333-73432-7 ISBN 1-56159-228-5
  • Loewenberg, Alfred (1970). Annals of Opera, 1597-1940, 2nd edition. Rowman and Littlefield
  • Osborne, Charles, (1994), The Bel Canto Operas of Rossini, Donizetti, and Bellini, Portland, Oregon: Amadeus Press. ISBN 0-931340-71-3
  • Sadie, Stanley, (Ed.); John Tyrell (Exec. Ed.) (2004), The New Grove Dictionary of Music and Musicians. 2nd edition. London: Macmillan. ISBN 978-0-19-517067-2 (hardcover). ISBN 0-19-517067-9 OCLC 419285866 (eBook).
  • Weinstock, Herbert (1963), Donizetti and the World of Opera in Italy, Paris, and Vienna in the First Half of the Nineteenth Century, New York: Pantheon Books. LCCN 63-13703
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