Maria Martins (artist)

Maria Martins
Born Maria de Lourdes Alves
(1894-08-07)August 7, 1894
Campanha, Brazil
Died March 27, 1973(1973-03-27) (aged 78)
Rio de Janeiro, Brazil
Nationality Brazilian
Known for Sculpture
Spouse(s) Otavio Tarquinio de Souza, Carlos Martins

Maria Martins (1894 – 1973) was a Brazilian visual artist who was particularly well known for her modern sculptures.

Early life

Maria de Lourdes Alves was born on 7 August 1894 in Campanha, Brazil[1] to a minister father and a pianist mother.[2] Her first husband was a literary critic named Otavio Tarquinio de Souza, with whom she had a daughter.[2] However, when she married the young diplomat Carlos Martins in 1926 she changed her name to Maria Martins.[3]

Career

In 1939 her husband Carlos became the Brazilian ambassador to the United States, moving their family to the States.[3] During her time in New York, Martins studied with the sculptors Jacques Lipchitz and Stanley William Hayter.[2] In 1941 Martins had a solo exhibition of her work, entitled Maria, at the Corcoran Gallery of Art in Washington, D.C.[3] In 1943 the Valentine Gallery in New York City organized a two-artist exhibition with Martins and Piet Mondrian, Maria: New Sculptures and Mondrian: New Paintings.[3] Martins later bought Mondrian's famous work from the exhibition, Broadway Boogie Woogie, for only $800, though she eventually donated it to the Museum of Modern Art.[4]

Martins had an affair with the artist Marcel Duchamp, which lasted for several years from 1946 onwards, ending with her departure for Brazil in 1951 and with his 1954 marriage to his second wife Alexina Duchamp.[5] In 2009, members of Martins's family released letters written by Duchamp and Martins that substantiated previous claims that Martins was indeed the model for the nude figure in Duchamp's final masterpiece, the Étant donnés, as opposed to his wife Teeny.[6] It is now widely acknowledged that Martins was the model for the reclining nude torso in Duchamp's installation piece and that his wife Alexina (Teeny) served only as the model for the figure's arms.[6]

On her return to Brazil, Martins helped to found the very first edition of the São Paulo Art Biennial.[4]

Death

Martins died on 27 March 1973 in Rio de Janeiro.[1]

Public collections

Martins' work can be found in a number of public institutions, including:

References

  1. 1 2 "Maria Martins", Enciclopédia Itaú Cultural, Retrieved 1 October 2014.
  2. 1 2 3 Canton, Katia. "Maria Martins: The Woman Has Lost Her Shadow", Retrieved 22 September 2014.
  3. 1 2 3 4 "Maria Martins", Bonhams, Retrieved 22 September 2014.
  4. 1 2 Smith, Roberta. "Art in Review", The New York Times, Retrieved 22 September 2014.
  5. ↑ Cotter, Holland. "Duchamp in Philadelphia", The New York Times, Retrieved 22 September 2014.
  6. 1 2 Jackson, Candace. "Secrets of Marcel Duchamp", The Wall Street Journal Online, Retrieved 22 September 2014.
  7. ↑ "The Collection: Maria Martins (1894-1973)", The Museum of Modern Art, Retrieved 22 September 2014.
  8. ↑ "The Collection Online", The Metropolitan Museum of Art, Retrieved 22 September 2014.
  9. ↑ "Maria Martins", Brooklyn Museum, Retrieved 22 September 2014.
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