Machine Messiah (album)

Machine Messiah
Studio album by Sepultura
Released January 13, 2017
Recorded 2016
Studio Fascination Street Studios
Genre
Length 46:05
50:40 (Deluxe Edition)
Label Nuclear Blast
Producer Jens Bogren
Sepultura chronology
The Mediator Between Head and Hands Must Be the Heart
(2013)		 Machine Messiah
(2017)

Machine Messiah is the fourteenth studio album by the Brazilian metal band Sepultura, released on January 13, 2017.[2] The album sold 1,900 units in the USA in its first week.[3]

Album information

The band recorded Machine Messiah in Sweden with producer Jens Bogren.[4] Machine Messiah is the band's first studio album in over three years since The Mediator Between Head and Hands Must Be the Heart (2013), marking the longest gap between two studio albums in their career. The album cover art was created by Filipino artist Camille Dela Rosa.

The band stated the concept of the album, saying, "The main inspiration around Machine Messiah is the robotization of our society nowadays. The concept of a God Machine who created humanity and now it seems that this cycle is closing itself, returning to the starting point. We came from machines and we are going back to where we came from. The messiah, when he returns, will be a robot, or an humanoid, our biomechanical savior."

Reception

Professional ratings
Review scores
SourceRating
AllMusic[1]
Terrorizer[5]
Metal Hammer

Machine Messiah received positive reviews, with many critics calling it one of Sepultura's best ever albums. Thom Jurek of Allmusic gave it 3.5 stars out of 5, saying that, "Machine Messiah continues to build on the diverse proggish elements displayed on Dante XXI, A-Lex, and Kairos, while re-engaging with the thrash and hardcore that made 2013's The Mediator Between Head and Hands Must Be the Heart so compelling." He described the album as an "ambitious, angry, hungry outing", and that, "Sepultura remain vital in their creativity; they expand their palette dramatically while fully integrating the sounds that brought them here."[1]

Sonic Abuse said, "Machine Messiah is an open-minded, gloriously heavy album that allows each of the artists within the band to flourish." And that, "Sepultura remain a most potent act and Machine Messiah is a metallic masterpiece that embraces the multicultural nature of music at a time when divisions between peoples are more prevalent than ever. Truly stunning." [6]

New Noise gave the album 5 stars out of 5 and said, "Sepultura have very well created one of 2017’s most noticeable records in Machine Messiah. While Green provides capturing vocals and lyrics, the instrumentals truly stand as a testament to incredible musicianship." And that, "Sepultura have crafted an album to be incredibly proud of, and one fans will adore. Machine Messiah is a record that embodies the strengths of the past, innovative combination, and excellent musicianship on all levels.[7]

Loudwire praised the guitar, saying, "One thing that doesn’t change is Kisser’s skillful guitar work. Whether he’s blazing along at maximum velocity or exploring progressive territory, it’s creative and flawlessly played." [8] First Post praised the vocals, saying, "Green is mesmerising, hypnotic and aggression personified in equal parts, and his versatility across the space of just these 10 tracks show exactly why there should never be a reunion." [9]

No Clean Singing praised the drumming, saying, "The other thing that really brings Machine Messiah to life is drummer Eloy Casagrande, whose own writing on this record is phenomenal. This is the first truly great drum performance of 2017 that I’ve heard, and I think it’ll turn out to be a real standout for me for the rest of the year. He approaches the album in two extremes: He either sticks to the super tried-and-true basics or he just throws something completely fucking out there (see the fucked-up blast-beats in “I Am The Enemy”), and shows that he’s not only filling the shoes of his predecessor just fine, he’s outright superior to him in every regard as a living, breathing groove factory." [10]

Silver Tiger Media praised track 6, saying, "Sworn Oath is astounding. Musically I felt like I was lowered from a calm dreamscape into the pits of despair being churned through an alternate reality." And ended the review, saying, "An astounding collection truly representative of the skill acquired through thirty years plus, and for me at least, their very finest." [11] Maximum Volume Music praised Machine Messiah as one of their very best albums, saying, "It would come as something of a shock that at this point in their careers, Sepultura sound this vital and this fresh. But then, the only surprising thing, perhaps is that we are still surprised. Sepultura: confounding expectations since 1984 – and this is up there with their best." [12]

Pure Grain Audio called the album, "a very accomplished piece of work in its entirety, encompassing a variation of styles and syncopations." [13] Already Heard praised the musicianship, saying, "The playing on this record is unbelievable, Andreas Kisser is on fire throughout, Paulo Jr’s bass is heavy as hell and drummer Eloy Casagrande is stunning in his versatility.[14] Tracks 9 and 6 were also praised, saying, "Vandals Nest" rips the listener’s head clean off; Kisser’s shredding is so sharp everything else is slow motion – killer. However, the one track that stands above is the absolutely massive 'Sworn Oath’, its cinematic orchestration and angular guitar lines cut into a pounding bass drum that leads into as epic a thrasher as you are likely to hear."

My Global Mind said, "Let’s face it, our present day relies on machines. The computers and cell phones we glare into space for hours on end are machines. Many lost the ability of social interaction, making simple meeting places such as coffee shops, music stores, and arcades, a memory of the past. Everything is turning into a controlled digital monopoly, pulling our human strings into a handful of directions that we end up having short attention spans or enter frustrated confusion. With that said, to me, this is what Sepultura’s Machine Messiah is all about." [15]

Track listing

All lyrics written by Derrick Green (1, 3, 4, 6 to 11), Andreas Kisser (tracks: 2, 4) and Kyouchi Azuma (12); all music composed by Kisser, Green and Eloy Casagrande, except "Iceberg Dances" by Kisser and Casagrande, and "Ultraseven no Uta" by Toru Fuyuki.

No.TitleLength
1."Machine Messiah"5:54
2."I Am the Enemy"2:27
3."Phantom Self"5:30
4."Alethea"4:31
5."Iceberg Dances (Instrumental)"4:41
6."Sworn Oath"6:09
7."Resistant Parasites"4:58
8."Silent Violence"3:46
9."Vandals Nest"2:47
10."Cyber God"5:22
11."Chosen Skin" (Bonus track)3:17
12."Ultraseven No Uta" (Bonus track, cover)1:18
Total length:50:40

Personnel

Sepultura

Guests

  • Elyes Bouchoucha − conductor
  • Kevin Codfert − conductor, violin arrangements
  • Renato Zanuto − conductor/arrangements/performer horn quintet, mini-moog and hammond
  • Bechir Gharbi − violins
  • Hamza Obba − violins
  • Mohamed Gharbi − violins
  • Youssef Belheni − violins
  • Agnaldo Gonçalves − horns
  • Douglas Costa − horns
  • Marcos Tudera − horns
  • Mauricio Martins − horns
  • Rafael Nascimento − horns
  • André Alvinzi − additional programming

Charts

Chart (2017) Peak
position
Australian Albums (ARIA)[16] 82
Austrian Albums (Ö3 Austria)[17] 33
Belgian Albums (Ultratop Flanders)[18] 35
Belgian Albums (Ultratop Wallonia)[19] 67
French Albums (SNEP)[20] 114
German Albums (Offizielle Top 100)[21] 27
Portuguese Albums (AFP)[22] 35
Scottish Albums (OCC)[23] 100
Swiss Albums (Schweizer Hitparade)[24] 27

References

  1. 1 2 3 Jurek, Thom (January 13, 2017). "Machine Messiah - Sepultura". AllMusic. Retrieved January 14, 2017.
  2. ↑ "SEPULTURA To Release 'Machine Messiah' Album In January". Blabbermouth.net. October 28, 2016. Retrieved October 28, 2016.
  3. ↑ "Metal By Numbers 1/25: Code Orange crush the chartsMetal Insider". Metal Insider. 2017-01-25. Retrieved 2017-01-27.
  4. ↑ Sony Music Brasil (15 February 2017). "Entrevista - Sepultura Ft. Bruno Sutter - Machine Massiah" – via YouTube.
  5. ↑ Glasper, Ian (January 2017). "Sepultura: Machine Messiah". Terrorizer. United Kingdom: Dark Arts (278): 57. ISSN 1350-6978.
  6. ↑ "Sepultura - 'Machine Messiah' Album Review - SonicAbuse". 15 January 2017. Retrieved 4 March 2017.
  7. ↑ "Album Review: Sepultura - 'Machine Messiah' - New Noise Magazine". 4 January 2017. Retrieved 4 March 2017.
  8. ↑ "Sepultura, 'Machine Messiah' - Album Review". Retrieved 4 March 2017.
  9. ↑ "Machine Messiah album review: Sepultura's new record celebrates Andreas Kisser's genius". 15 January 2017. Retrieved 4 March 2017.
  10. ↑ "NO CLEAN SINGING » SEPULTURA: "MACHINE MESSIAH"". Retrieved 4 March 2017.
  11. ↑ "[Album Review] Sepultura - Machine Messiah (2017)". 23 December 2016. Retrieved 4 March 2017.
  12. ↑ "REVIEW: SEPULTURA - MACHINE MESSIAH (2017) - MaximumVolumeMusic". 9 January 2017. Retrieved 4 March 2017.
  13. ↑ Sankeralli, Mathieu. "Sepultura - "Machine Messiah" [Album Review]". Retrieved 4 March 2017.
  14. ↑ "Review: Sepultura - Machine Messiah". Retrieved 4 March 2017.
  15. ↑ "Sepultura - Machine Messiah Review Myglobalmind Online Magazine". Myglobalmind Online Magazine. 14 January 2017.
  16. ↑ "ARIA CHART WATCH #404". auspOp. January 21, 2017. Retrieved January 21, 2017.
  17. ↑ "Austriancharts.at – Sepultura – Machine Messiah" (in German). Hung Medien. Retrieved January 25, 2017.
  18. ↑ "Ultratop.be – Sepultura – Machine Messiah" (in Dutch). Hung Medien. Retrieved January 21, 2017.
  19. ↑ "Ultratop.be – Sepultura – Machine Messiah" (in French). Hung Medien. Retrieved January 21, 2017.
  20. ↑ "Lescharts.com – Sepultura – Machine Messiah". Hung Medien. Retrieved January 24, 2017.
  21. ↑ "Offiziellecharts.de – Sepultura – Machine Messiah" (in German). GfK Entertainment Charts. Retrieved January 21, 2017.
  22. ↑ "Portuguesecharts.com – Sepultura – Machine Messiah". Hung Medien. Retrieved January 26, 2017.
  23. ↑ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved January 21, 2017.
  24. ↑ "Swisscharts.com – Sepultura – Machine Messiah". Hung Medien. Retrieved January 25, 2017.
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