List of compositions by Thomas Adès
This is a list of compositions by the composer Thomas Adès[1][2] sorted by genre, date of composition, opus number, title and scoring.
| Genre | Date | Title | Scoring | Notes | Opus |
|---|---|---|---|---|---|
| Vocal | 1989 | The Lover in Winter, 4 Songs | for countertenor and piano | ||
| Vocal | 1990 | Five Eliot Landscapes | for soprano and piano | words by T. S. Eliot | Op. 1 |
| Vocal | 1990 | Aubade | for soprano solo | words by Philip Larkin | |
| Orchestral | 1990 | Chamber Symphony | for chamber ensemble of 15 players | Op. 2 | |
| Choral | 1990 | O thou who didst with pitfall and gin | anthem for male voices | words from Rubaiyat of Omar Khayyam translated by Edward FitzGerald | Op. 3a |
| Choral | 1990 | Gefriolsae Me | anthem for male voices and organ | words from Psalm 51 | Op. 3b |
| Chamber | 1991 | Catch | for clarinet, violin, cello and piano | Op. 4 | |
| Choral | 1992 | Fool's Rhymes | for mixed chorus, harp, prepared piano, organ and percussion | words from sermons of John Donne, anonymous Elizabethian and 14th-century poetry | Op. 5 |
| Keyboard: organ | 1992 | Under Hamelin Hill | for organ (1–3 players) | Op. 6 | |
| Keyboard: piano | 1992 | Darknesse Visible | for piano | after John Dowland | |
| Chamber | 1992 | Le Diable au Corps | for oboe, bassoon and piano | withdrawn | |
| Keyboard: piano | 1992 | Still Sorrowing | for piano | ||
| Vocal | 1993 | Life Story | for soprano, 2 bass clarinets and double bass | words by Tennessee Williams also arranged for soprano and piano | |
| Orchestral | 1993 | Living Toys | for chamber ensemble of 14 players | ||
| Orchestral | 1993 | ...but all shall be well | for orchestra | 2nd version for reduced orchestra | |
| Chamber | 1993 | Sonata da Caccia | for baroque oboe (or oboe), horn, harpsichord | ||
| Orchestral | 1994 | The Origin of the Harp | for chamber ensemble of 10 players | ||
| Chamber | 1994 | Les baricades mistérieuses | for clarinet, bass clarinet, viola, cello and double bass | arrangement of music by François Couperin | |
| Chamber | 1995 | Cardiac Arrest | for clarinet, bass clarinet, viola, cello, double bass and piano 4-hands | ||
| Chamber | 1994 | Arcadiana | for 2 violins, viola and cello | ||
| Opera | 1995 | Powder Her Face | for soloists and ensemble of 15 players | libretto by Philip Hensher; in 2 acts and 8 scenes | |
| Keyboard: piano | 1996 | Traced Overhead | for piano | ||
| Keyboard: piano | 1996 | Etude | for piano | withdrawn | |
| Orchestral | 1996 | These Premises Are Alarmed | for orchestra | ||
| Orchestral | 1997 | Asyla | for orchestra | winner of the 2000 Grawemeyer Award for Music Composition | |
| Concertante | 1997 | Concerto Conciso | for piano and 10 players | ||
| Choral | 1997 | The Fayrfax Carol | for mixed chorus with optional organ | words by 15th-century anonymous poets | |
| Vocal | 1999 | America: A Prophecy | for mezzo-soprano and orchestra with chorus ad libitum | words adapted from Chilam Balam, and La Guerra by Matteo Flexa | |
| Choral | 1999 | January Writ | for mixed chorus and organ | ||
| Chamber | 2000 | Piano Quintet | for 2 violins, viola, cello and piano | ||
| Vocal | 2001 | Brahms | for baritone and orchestra | words by Alfred Brendel | |
| Opera | 2004 | The Tempest | for soloists, chorus and orchestra | libretto by Meredith Oakes based on the play by William Shakespeare; in 3 acts | |
| Concertante | 2005 | Concerto Concentric Paths | for violin and chamber orchestra | ||
| Chamber | 2005 | Court Studies from The Tempest | for clarinet, violin, cello and piano | ||
| Orchestral | 2006 | 3 Studies from Couperin | for chamber orchestra | after music by François Couperin | |
| Orchestral | 2007 | Tevot | for orchestra | ||
| Orchestral | 2007 | Dances from Powder Her Face | for orchestra | orchestral enhancement of selections from the opera Powder Her Face former title: Overture, Waltz and Finale from Powder Her Face | |
| Concertante | 2008 | In Seven Days | for piano and orchestra | with moving image by Tal Rosner | |
| Keyboard: piano | 2009 | Concert Paraphrase on Powder Her Face | for piano | also arranged for 2 pianos | |
| Chamber | 2009 | Lieux Retrouvés | for cello and piano | ||
| Keyboard: piano | 2009 | 3 Mazurkas | for piano | ||
| Choral | 2009 | Singverein | for chorus and orchestra | ||
| Chamber | 2010 | The Four Quarters | for 2 violins, viola and cello | ||
| Orchestral | 2010 | Polaris | for orchestra | with moving image by Tal Rosner[3][4] | |
| Chamber | 2011 | Reveilles | for trumpet and piano | ||
| Keyboard: piano | 2012 | Thrift | for piano | ||
| Orchestral | 2013 | Totentanz | for mezzo-soprano, baritone and orchestra | ||
| Keyboard: piano | 2015 | Blanca Variations | for piano | ||
| Concertante | 2016 | Lieux Retrouvés | for cello and small orchestra | ||
| Opera | 2016 | The Exterminating Angel | after Luis Buñuel's 1962 film El ángel exterminador | ||
| Orchestral | 2017 | Powder Her Face Suite | for orchestra | suite from the opera Powder Her Face | |
| Vocal | 2017 | Purcell Realizations | for voice and piano | ||
| Film | 2018 | Colette |
References
- ↑ Thomas Adès List of Works at Faber Music
- ↑ Thomas Adès web site
- ↑ http://www.laphil.com/tickets/performance-detail.cfm?id=4420
- ↑ "Archived copy". Archived from the original on 2011-07-16. Retrieved 2010-10-27.
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