Laura Taler

Laura Taler
Born (1969-12-21) 21 December 1969
Brașov, Romania
Website www.laurataler.ca

Laura Taler is a Romanian-born Canadian artist. Beginning her career as a contemporary dance choreographer, she now works in a range of media, including performance, film, sound, sculpture, and installations.[1]

Early life

Laura Taler was born on 21 December 1969 in Brașov, Romania and first became involved in dance in elementary school.[2]

Art career

In 1995, Taler made her directorial debut with the village trilogy,[3] a 24-minute film that alludes to the millions of lives uprooted through emigration in the past century while reinterpreting the physical characteristics of early cinema. According to Gaby Aldor, "…it is as if the old language is no longer adequate, as if a new way of being, and therefore of dancing, has to be invented."[4] The film was screened worldwide, and won three significant awards: the Cinedance Award for Best Canadian Dancefilm at the Moving Pictures Festival of Dance on Film and Video (1995), the Best Experimental Short Film Award at the Worldwide Short Film Festival (1996), and a Gold Hugo for Short Subject Experimental at the Chicago International Film Festival (1996). In 2002, the Los Angeles Times' critic Lewis Segal wrote: "For depth of feeling, photographic sensitivity and movement invention, the central (duet) portion of Laura Taler's 1995 'A Village Trilogy' may be the most memorable footage in the festival. ...[H]er mastery of choreography and direction is unquestioned."[5]

Taler followed this up in 1997 with Heartland, a documentary about the dancer and choreographer Bill Coleman. it received the Best Experimental Short Documentary Award from Hot Docs (1998)[6] and the Cinedance Award for Best Canadian Dancefilm from the Moving Pictures Festival (1997). In 1998, her Dances for a Small Screen, a collaboration between directors and choreographers from across Canada, premiered at the Canada Dance Festival. The film was nominated for five Gemini Awards, including a best director nomination for Taler, and went on to win the Gemini Award for best editing. Deirdre Kelly, dance critic at The Globe and Mail wrote, "Dance has a reputation for being precious and esoteric, but Laura Taler wants to change all that."[7] Kelly described Taler's contribution to Dancers on a Small Screen as "an idea distilled to its bare essentials, a choreographed poem that would have made the symbolists proud."[7]

Taler's publications include Tension/Spannung (Turia+Kant, 2010); Revisiting Ephemera (Blue Medium Press, 2011); and Embodied Fantasies (Peter Lang Publishing, 2013).

References

  1. ↑ Selma Odom, Amy Bowring (2011). Dance and the Media, http://www.thecanadianencyclopedia.ca/en/article/dance-and-the-media/
  2. ↑ Encyclopedia of Theatre Dance in Canada/ Encyclopédie de la danse théâtrale au Canada (2000). Arts Inter-Media Canada/Dance Collection Danse, Toronto, 672p.
  3. ↑ Judy Mitoma (2002). Envisioning Dance on Film and Video, Routledge, New York
  4. ↑ Aldor, Gaby (1997). "Labeling: The Dichotomy between Jewish and Israeli Dance". Jewish Folklore and Ethnology Review. 20: 150–157 – via books.google.ca.
  5. ↑ Segal, Lewis (April 19, 2002). "An Intriguing Marriage of Choreography and Camera". Los Angeles Times.
  6. ↑ http://www.hotdocs.ca/archive/awards-1998
  7. 1 2 Kelly, Deirdre (January 16, 1991). "Independents a Hit in Informal Setting". Globe and Mail (Toronto).
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