Lady Anne Clifford, 14th Baroness de Clifford

Lady Anne Clifford, portrait by William Larkin, National Portrait Gallery, London^[1]

The Great Picture, a huge triptych measuring 8ft 5" high and 16ft 2" wide, commissioned in 1646 by Anne Clifford, attributed to Jan van Belcamp (1610-1653), formerly hanging in Appleby Castle now displayed in the Abbot Hall Art Gallery, Kendal, Cumbria. It depicts Anne as a girl at left and as a mature woman at right. The central panel shows her parents and young brothers. The painting is replete with significant elements referring to her life and to her succession to her paternal inheritance, gained after a lengthy legal dispute.^[2]

Lady Anne Clifford, Countess Dowager of Dorset, Pembroke and Montgomery, suo jure 14th Baroness de Clifford (30 January 1590 – 22 March 1676) ^[3] was an English peeress. In 1605 she inherited her father's ancient barony by writ and became suo jure 14th Baroness de Clifford. She was a patron of literature and as evidenced by her diary and many letters was a literary personage in her own right. She held the hereditary office of High Sheriff of Westmorland which role she exercised from 1653 to 1676.^[4]

Origins

Lady Anne was born on 30 January 1590 and was baptised the following 22 February in Skipton Church in Yorkshire. She was the only surviving child and sole heiress of George Clifford, 3rd Earl of Cumberland (1558–1605) of Appleby Castle in Westmorland and Skipton Castle in Yorkshire, by his wife Lady Margaret Russell, daughter of Francis Russell, 2nd Earl of Bedford. Her childhood tutor was the poet Samuel Daniel.^[4][5]

Inheritance

On the death of her father on 30 October 1605, she succeeded suo jure to the ancient title Baroness de Clifford, a barony created by writ in 1299, but her father's earldom passed (according to the patent of its creation) as was usual, to the heir male, namely his younger brother Francis Clifford, 4th Earl of Cumberland (1559-1641), to whom he had willed his estates. He had bequeathed to Anne the sum of £15,000. In her young adulthood she engaged in a long and complex legal battle to obtain the family estates,^[6] which had been granted by King Edward II (1307-1327) under absolute cognatic primogeniture, instead of the £15,000 willed to her. Her main argument was that she was just 15 years old at the time. It was not until the death in 1643 without male progeny of Henry Clifford, 5th Earl of Cumberland, the 4th Earl's only son, that Anne managed to regain the family estates, although she did not obtain possession until 1649.^[7]

Early years

Her parents' marriage was soured by the deaths of Anne's two elder brothers before the ages of 5 and her parents lived apart for most of her childhood. The strain of the marriage was seen in the public realm as well, especially after the separation. Her father maintained an important position at the court of Elizabeth I, while her mother received no recognition in regards to her husband at court. As her parents were separated, her mother maintained a matriarchal position in her house, for the family was kept under her care.^[8] She was brought up in an almost entirely female household—evoked in Emilia Lanier's Description of Cookeham—and received an excellent education from her tutor, Samuel Daniel the poet. As a child she was a favourite of Queen Elizabeth I. She danced in masques with Queen Anne of Denmark, consort of King James I, and played the Nymph of the Air in Daniel's masque Tethys's Festival, and played roles in several of the early court masques by Ben Jonson, including The Masque of Beauty (1608) and The Masque of Queens (1609).

Marriages & progeny

Lady Anne married twice:

• Firstly on 27 February 1609 to Richard Sackville, 3rd Earl of Dorset (d.1624). Both marriages were reportedly difficult; contemporaries cited Lady Anne's unyielding personality as a cause, whilst her cousin Edward Russell, 3rd Earl of Bedford, compared her to the River Rhone.^[9] A more sympathetic view might blame some of the troubles in her first marriage on her husband's extravagance and his infidelities. Her first husband was a prominent figure at court. Her disagreement with her husband over her inheritance claims proved another source of difficulty within their marriage. Lord Dorset believed she should settle the inheritance case rather than pursue through the courts. In disagreeing with and defying her husband's wishes, Lady Anne was breaking with the norm of obedience to her husband.^[10] By her first husband she had five children, three sons who all died before adulthood and two daughters and co-heiresses:
  • Lady Margaret Sackville (1614-1676), elder daughter, wife of John Tufton, 2nd Earl of Thanet (1609-1664), by whom she had eleven children. The title Baron de Clifford thenceforth descended in the Tufton family.
  • Lady Isabella Sackville (1622-1661), younger daughter, wife of James Compton, 3rd Earl of Northampton (1622–1681). Her children died without progeny, and her share of the Clifford maternal inheritance reverted to the Earls of Thanet, her sister's family.
• Secondly in 1630, as his second wife, she married Philip Herbert, 4th Earl of Pembroke and 1st Earl of Montgomery, KG, (1584-1650), whose first wife, Lady Susan de Vere had died the year before. A central conflict with her second husband lay in her decision to allow her younger daughter to make her own choice of husband.

Patron of arts

The title page of a 1923 edition of Clifford's diaries.

She was an important patron of literature and due to her own writings in the form of letters and the diary she kept from 1603 to 1616, was a literary figure in her own right. John Donne said of her that she could "discourse of all things from Predestination to Slea-silk". Jan van Belcamp painted a huge triptych portrait of Anne Clifford to her own design and specifications. Titled The Great Picture, it portrays Lady Anne at three points in her life: at age 56 (right), at age 15 (left), and before birth in her mother's womb (centre). In connection with the painting, Anne Clifford dated her own conception at 1 May 1589, an unusual act of precision.^[11] The painting can now be seen in the Abbot Hall Art Gallery.

Building works

In 1656 she erected the Countess Pillar near Brougham, Cumbria, in memory of her late mother. This was the site of her last meeting with her mother in 1616. On the low stone beside it, money was given to the poor on the anniversary of their parting. This is commemorated annually on 2 April.

She restored churches at Appleby-in-Westmorland, Ninekirks, Brougham and Mallerstang. She was also responsible for the improvement and expansion of many of the Clifford family's castles across Northern England, including Skipton Castle in Yorkshire and Pendragon Castle, Brough Castle, Appleby Castle and Brougham Castle, all in Cumbria (formerly Westmorland).

Later life and death

After inheriting her father's estates in Westmorland, by way of outliving the male heirs (her uncle and cousin), Lady Anne became a wealthy landowner. She was heavily involved with her tenants to the point of filing lawsuits against them and actively pursuing rents and debts owed to her. This was to be the demeanour of her power in later life, that of a direct landowner calling upon the traditions of the baronial class.^[10] After moving north, she rotated her residence amongst her castles, living in various ones for several months to a year at a time. She died aged 86 at Brougham Castle, in the room in which her father had been born and her mother had died.^[12] At her death she was the Dowager Countess of Dorset, Pembroke, and Montgomery. Her tomb and monument is in St Lawrence's Church, Appleby-in-Westmorland.

Notes

References

• Clifford, Lady Anne. The Diaries of Lady Anne Clifford. Ed. D. J. H. Clifford. Gloucestershire: The History Press, 2009.
• Demers, Patrica A. Women's Writing in English: Early Modern England. Toronto, University of Toronto Press, 2005.
• Richardson, Jerusha D. Famous Ladies of the English Court. H. Stone, 1899.
• Snook, Edith. Women, Reading, and the Cultural Politics of Early Modern England. London, Ashgate, 2005.
• Williamson, George. Lady Anne Clifford Countess of Dorset, Pembroke and Montgomery 1590-1676: Her Life, Letters, and Work. 2nd edition, East Ardley, S.R. Publishers, 1967.

Further reading

• Charlton, John (1977), "The Lady Anne Clifford (1590–1676)", Ancient Monuments and Their Interpretation: Essays Presented to A. J. Taylor, Chichester: Phillimore & Co, pp. 303–314, ISBN 0-85033-239-7

External links

• Anne Clifford: A Life in Portrait and Print (University of Huddersfield)
• "The Great Picture", commissioned by Lady Anne Clifford, 1646. (Abbott Hall Art Gallery)
• "A walk through Mallerstang, Cumbria
• "Archival material relating to Lady Anne Clifford, 14th Baroness de Clifford". UK National Archives.