La Adelita

Depiction of "adelitas", or soldaderas, of the Mexican Revolution.

"La Adelita" is one of the most famous corridos of the Mexican Revolution. Over the years, it had had many adaptations. This particular version of the ballad was inspired by a Durangan woman who joined the Maderista movement in the early stages of the Revolution who fell in love with Madero. Consequently, this popular icon became the source that documented the role of women in the Mexican Revolution, and gradually became synonymous with the term soldadera, or female soldier, who became a vital force in the revolutionary war efforts due to their participation in the battles against Mexican government forces.[1]

Today, it is argued that Adelita came to be an archetype of a woman warrior in Mexico and a symbol of action and inspiration. Additionally, her name is used to refer to any woman who struggles and fights for her rights. However, the song, the portrait, and the role of its subject have been given different, often conflicting, interpretations. It has also been argued that "'La Adelita' expressed the sensitivity and vulnerability of [army] men, emphasizing the stoicism of the rebellious male soldier as he confront[ed] the prospect of death."[2] Another interpretation of this icon by the feminist scholar María Herrara-Sobek) argue that "Adelita’s bravery and revolutionary spirit are lost to the fatalism and insecurities of male soldiers who […] focused on passion, love and desire as they face[d] combat."[3]

Lyrics

The music of this particular version of "La Adelita" was taken by Isaak Osipovich Dunayevsky, who wrote the songs for one of the best known Soviet comedies, Jolly Fellows (1934).[4] The Soviet composer never mentioned the origins of his song.

Spanish

En lo alto de la abrupta serranía
acampado se encontraba un regimiento
y una moza que valiente los seguía
locamente enamorada del sargento.

On the heights of a steep mountain range,
one finds encamped a regiment
and a young woman who bravely follows them,
madly in love with the sergeant.

Popular entre la tropa era Adelita
la mujer que el sargento idolatraba
que ademas de ser valiente era bonita
que hasta el mismo coronel la respetaba.

Popular among the troop was Adelita,
the woman that the sergeant idolized,
and besides being brave she was pretty
so that even the colonel respected her.

Y se oía, que decía, aquel que tanto la quería:

Y si Adelita se fuera con otro
la seguiría por tierra y por mar
si por mar en un buque de guerra
si por tierra en un tren militar.

And it was heard that he who loved her so much said:

If Adelita were to leave with another man,
I'd follow her by land and sea—
if by sea, in a warship;
if by land, in a military train.

Y si Adelita quisiera ser mi esposa
y si Adelita ya fuera mi mujer
le compraría un vestido de seda
para llevarla a bailar al cuartel.

If Adelita would like to be my wife,
if Adelita would be my woman,
I'd buy her a silk dress
to take her to the barracks to dance.

See also

  • Corrido, a type of narrative song found in Mexican folk music
  • Soldaderas, female soldiers who served in the Mexican Revolution

References

  1. Arrizón, Alicia (1998). "Soldaderas and the Staging of the Mexican Revolution". 42. MIT Press: 90–112.
  2. Arrizón, Alicia (1998). "Soldaderas and the Staging of the Mexican Revolution". 42. MIT Press: 91.
  3. Arrizón, Alicia (1998). "Soldaderas and the Staging of the Mexican Revolution". 42. MIT Press: 91.
  4. "Леонид Утёсов и др. Марш весёлых ребят".

Alicia Arrizón, “Soldaderas and the Staging of the Mexican Revolution,” MIT Press, 1998, Vol. 42, 90-112.

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